Charles Hinman

Cubes

1974

Our shaped canvas which also is a sculptural form in essence for a wall, is a geometric and forward play of optical illusion. Hinman is an important pioneer of exploration in the co...

Albert Stadler was an innovator in American art, particularly in the 1960's. He was in Clement Greenberg's exhibition of 1964 titled "Post Painterly Abstraction" held at the Los Ang...

To Celebrate A Childhood-The Rains pulses with rhythmic movement. There are faint suggestions of dancing figures or forms that have been blended into a vibrantly textured haze, remin...

Avant la Fête or “Before the Party” is a superb and vibrant work by Wemaere who is a well recognized European abstractionist in the tradition of the CoBrA move...

Karel Appel is internationally recognized and collected for this subject matter in particular. Preferable to have the faces, this piece has rich color and presence. Good value and ...

Pierre Wemaere was part of the prestigious and rare movement of CoBrA and created fantasy oriented, dream like compositions that keep the viewer visually guessing at what they see. ...

A great strong-edge painting by Naohiko Inukai, No. 16 is part of a series the artist created in the mid 1960s. Many from this series were shown at Inukai's two solo shows at Stempfl...

"Strengths and Weaknesses" is a portrait exploring several elements and strategies that fascinate the artist – notably the performance anxiety induced by simply being an artist, staring down the freight train of art history as it hurtles toward you every time you pick up a brush. Luck? Talent? Maybe. There are signposts and guides in this painting, of course (Cubism! Surrealism! Brancusi! Guston!), but they can clobber you too if you're not careful. Even the phrase "strengths and weaknesses" smacks of compromises and rationalization – deadly to an artist looking to construct their own integral world. "Strengths and Weaknesses" is an acrylic and charcoal on canvas measuring 54" tall by 54" wide. It was included in the artist's solo show "Comedy Cellar" at Freight + Volume Gallery, New York City in July 2018. (See last photograph for an installation view.) From Daniel Gerwin – "Schenck’s color is vibrant, wild, saturated to the point of overheating, and altogether brilliant in the balancing of hues, temperatures, shapes, and color quantities. The paintings have a remarkable coherence for their dizzying juxtaposition of so many small chromatic passages." (Essay: The Anxiety and the Ecstasy) Peter Schenck...

An original hard edge abstraction by American artist James Koenig titled "Ribbon Structure". This work created in 1971 will be featured in the u...

acrylic on canvas Dion Johnson’s paintings combine and explore dynamic opposites: expansiveness and compression, surface and depth, and darkness and light. Gradient color fields are...

acrylic on canvas Dion Johnson’s paintings combine and explore dynamic opposites: expansiveness and compression, surface and depth, and darkness and light. Gradient color fields are...

Jay Rosenblum (1933 - 1989) Untitled, 1973 Acrylic on canvas 54 x 128 inches Signed twice and dated on the reverse Provenance: Private Collection, Long Island Jay Rosenblum experim...