Items Similar to Visible Things, abstraction in Orange
Video Loading
Want more images or videos?
Request additional images or videos from the seller
John ZinsserVisible Things, abstraction in Orange2014
2014
About the Item
Visible Things is a striking work in rich orange by highly respected abstract artist John Zinsser. The pasto and thickness of the paint is sculptural in feel. Zinsser paints his works on high quality stretchers and in a way that no frame is required. The artist meticulously and intentionally lays down paint of varying thickness to create a surface rich in texture and tone. Zinsser places a strong emphasis on the materiality of paint itself which is enhanced by the monochromatic color range seen here. The fundamental element that defines this work shown is the exploration of the pure materiality of paint and the essence of color. Zinsser, a devotee of postwar Abstract Expressionism and Minimalism for decades, finds inspiration for such works in New York City where he lives and paints
- Creator:John Zinsser (1961, American)
- Creation Year:2014
- Dimensions:Height: 18 in (45.72 cm)Width: 18 in (45.72 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:No need for a frame - created to hang without. Beautiful surface and great condition.
- Gallery Location:Greenwich, CT
- Reference Number:1stDibs: LU141329845032
About the Seller
5.0
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 1857
1stDibs seller since 2020
34 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Port Chester, NY
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Metropolitan OperaBy John ZinsserLocated in Greenwich, CTZinsser is a beloved Teacher in the NY art scene and is highly respected within the realm of living minimalist artists. He explores the Materiality of paint - meaning the actual qua...Category
2010s Abstract Abstract Paintings
MaterialsEnamel
- Sea, Royal Blue AbstractionBy John ZinsserLocated in Greenwich, CTRich blue lush color is the feature of this motivating abstraction by well known minimalist John Zinsser. From his series of works celebrating a correlation with Theodore's Stamos, ...Category
2010s Abstract Abstract Paintings
MaterialsEnamel
- Hysterical Phantasy, purple black abstractBy John ZinsserLocated in Greenwich, CTThis work features a sculptural and highly impastic surface. It is dynamic and is from a wonderful series of works by this artist that explore the qualities of paint itself. Zinsse...Category
2010s Abstract Abstract Paintings
MaterialsCanvas, Oil
- Before the Party abstractionLocated in Greenwich, CTBefore the Party is an intriguing abstraction that speaks to fantasy and imagination. Wemaere is known as part of the CoBrA group in Europe and his works are sought after and distin...Category
1990s Abstract Abstract Paintings
MaterialsCanvas, Oil, Acrylic
- Mosaic IIBy Carl HoltyLocated in Greenwich, CTAppropriately called the "Mosaic" period for important historical artist Carl Holty, this is a super example! His color use during this time frame was lively as he always used sky b...Category
1940s Abstract Abstract Paintings
MaterialsCanvas, Oil
- Before the Party AbstractLocated in Greenwich, CTAvant la Fête or “Before the Party” is a superb and vibrant work by Wemaere who is a well recognized European abstractionist in the tradition of the CoBrA move...Category
1990s Abstract Abstract Paintings
MaterialsCanvas, Oil, Acrylic
You May Also Like
- Ripples in Space - Abstract Composition Original Oil PaintingLocated in Soquel, CARipples in Space - Abstract Composition Original Oil Painting Vibrant abstract composition of paint, paper, enamel, and glitter by unknown artist "DeZulio" or "Dejulio". Several pie...Category
Late 20th Century Abstract Abstract Paintings
MaterialsEnamel
- SUNGLASSES IN A VEIL (after Sargent) - Abstract Figurative Painting, texturedBy Eleanor AldrichLocated in Signal Mountain, TNAre those actual sunglasses in that painting? You might be asking. Good question! Keep em comin. But Nope! They are in fact painted. "Sunglasses in a Veil (After Sargent...Category
2010s Abstract Abstract Paintings
MaterialsEnamel
- No. 20-1954By Stanley TwardowiczLocated in New York, NYStanley Twardowicz (1917–2008), a one-time orphan, Golden Gloves boxer, professional baseball player and auto worker, emerged from a hardscrabble upbringing in Detroit to become a po...Category
Mid-20th Century Abstract Abstract Paintings
MaterialsEnamel
- GIRL WITH SEAGULL TATTOO - abstract figurative, textured painting/mixed mediaBy Eleanor AldrichLocated in Signal Mountain, TN"Girl with Seagull Tattoo" uses caulking to create the texture of lace as the prominent physicality of the clothing is juxtaposed against a background of browns and pastels. The figu...Category
2010s Abstract Abstract Paintings
MaterialsEnamel
- FAT BACK - Contemporary Figurative/Abstract Oil Painting, texture, mixed mediaBy Eleanor AldrichLocated in Signal Mountain, TNFAT BACK is part of the latest on-going series from Eleanor Aldrich. These "behind the lawn chair" vantage points provide Aldrich with the perfect subject matter to convey her mixed media approach. More info below: Eleanor Aldrich was born in Springerville, Arizona. A participant at the Skowhegan School of Painting and Sculpture in Maine, she also holds an MFA in Painting & Drawing from the University of Tennessee, Knoxville, where she currently lives. She earned her BFA in Painting & Drawing through the Academie Minerva (Groningen, the Netherlands) and Northern Arizona University, Flagstaff. She was a participant in the Drawing Center’s first Open Sessions. Eleanor has had solo shows in Boston, Nashville, Knoxville, Flagstaff, AZ, and at the University of Alabama. Her work has been shown at Saltworks Gallery (Atlanta, GA), the Drawing Center (New York, NY), Grin (Providence, RI) and Ortega y Gasset (New York, NY). Her work was chosen for 1708 Gallery’s ‘FEED 2013’ (Richmond, VA). She has been awarded an Endowment for the Arts through the Whiteman Foundation, and the Herman E. Spivey Fellowship. Her work has been included in New American Paintings and on Artforum. Aldrich's work is textural and alchemical; she matches materials – often industrial sealants – and techniques to the subject matter they look like, thereby approaching a likeness without realistic rendering. She attributes her appreciation of mystery and the possibility of transformation in her work to her Catholic upbringing, in which materials were transformed and images held power over life. Her work intersects modernist painting, her own experiences, and the physicality of the body. Sometimes her work is about the application – paint is combed, piped, sprinkled and sprayed, reflecting traditional feminine work and crafts. Often the subject matter acts as a metaphor. The lines of a lawn chair seat serves as a veiled reference to the grid, and its breakdown – presumably by human weight – to an imagined encounter with the human body. *Make sure to use the "view in a room...Category
2010s Abstract Abstract Paintings
MaterialsEnamel
- THE SOFTBALL PLAYER - Contemporary Figurative/Abstract, Blue, Purple, PinkBy Eleanor AldrichLocated in Signal Mountain, TN"The Softball Player" is a prime example of how Eleanor Aldrich utilizes an impasto technique to create texture in an oil painting. Using techniques such as layering, scraping, and an additive technique with a grouting tool, Aldrich brings out common figurative subject matter that create paintings with a heartbeat. More info below: Eleanor Aldrich was born in Springerville, Arizona. A participant at the Skowhegan School of Painting and Sculpture in Maine, she also holds an MFA in Painting & Drawing from the University of Tennessee, Knoxville, where she currently lives. She earned her BFA in Painting & Drawing through the Academie Minerva (Groningen, the Netherlands) and Northern Arizona University, Flagstaff. She was a participant in the Drawing Center’s first Open Sessions. Eleanor has had solo shows in Boston, Nashville, Knoxville, Flagstaff, AZ, and at the University of Alabama. Her work has been shown at Saltworks Gallery (Atlanta, GA), the Drawing Center (New York, NY), Grin (Providence, RI) and Ortega y Gasset (New York, NY). Her work was chosen for 1708 Gallery’s ‘FEED 2013’ (Richmond, VA). She has been awarded an Endowment for the Arts through the Whiteman Foundation, and the Herman E. Spivey Fellowship. Her work has been included in New American Paintings and on Artforum. Aldrich's work is textural and alchemical; she matches materials – often industrial sealants – and techniques to the subject matter they look like, thereby approaching a likeness without realistic rendering. She attributes her appreciation of mystery and the possibility of transformation in her work to her Catholic upbringing, in which materials were transformed and images held power over life. Her work intersects modernist painting, her own experiences, and the physicality of the body. Sometimes her work is about the application – paint is combed, piped, sprinkled and sprayed, reflecting traditional feminine work and crafts. Often the subject matter acts as a metaphor. The lines of a lawn chair seat serves as a veiled reference to the grid, and its breakdown – presumably by human weight – to an imagined encounter with the human body. *Make sure to use the "view in a room...Category
2010s Abstract Abstract Paintings
MaterialsEnamel