Ken Scott

American 1960's psychedelic design by the fashion designer Ken Scott

Adrian Heath (British, 1920-1992) Squared foliage Gouache on paper Signed and dated `Heath 64’ (lower right) 29.1/2 x 21.3/4 in. (75 x 55.3 cm.) Born in Burma, Adrian Heath moved to...

Derrick Latimer Sayer (British, 1917 – 1992) Caterpillar Signed, inscribed and dated ‘CATERPILLAR’ (lower left), ‘Derrick Sayer 55’ (lower right) Gouache 7.7/8 x 9.1/4 in. (20 x 23.5 cm.) Derrick Latimer Sayer (1912–1992) has been described as a Neo-Romantic and pop artist, with a career that spanned from the spiritualism of postwar English landscapes, to the bright, optical playfulness of 1960s Pop art. Sayer had a distinguished start to his career, having studied at the Chelsea School of Art in the early 1930s under Graham Sutherland and Henry Moore. In 1936 he founded the Mousehole Group Art School in Cornwall with fellow painters George Lamborn and Guy Allen, and for the next few years he exhibited at a number of small local galleries, while also executing commercial advertising work for major companies such as Shell Oil. The 1940s and 50s were a period of widespread travelling, teaching and experimentation for Sayer, as he founded the Army Art Centre in 1945, worked in the South of France in 1949 and displayed works at the Leicester, Redfern and Winton Galleries across the 1950s. In 1966, he took up the helm as the Head of Art at the Chelsea Westminster Adult Education Institute, a position he held until his retirement in 1982. Ten of Derricks works can be found at the Chelsea Westminster Hospital Arts Project, hung alongside a permanent collection that includes Patrick Heron, Howard Hodgkin, and Sian Tucker. Sayer was known for his studies of female nudes, particularly the examination of the nude in...

Derrick Latimer Sayer (British, 1917 – 1992) World Theatre of War Signed ‘Derrick Sayer’ (lower left Gouache 7 x 9 in. (17.8 x 22.8 cm.) Derrick Latimer Sayer (1912–1992) has been described as a Neo-Romantic and pop artist, with a career that spanned from the spiritualism of postwar English landscapes, to the bright, optical playfulness of 1960s Pop art. Sayer had a distinguished start to his career, having studied at the Chelsea School of Art in the early 1930s under Graham Sutherland and Henry Moore. In 1936 he founded the Mousehole Group Art School in Cornwall with fellow painters George Lamborn and Guy Allen, and for the next few years he exhibited at a number of small local galleries, while also executing commercial advertising work for major companies such as Shell Oil. The 1940s and 50s were a period of widespread travelling, teaching and experimentation for Sayer, as he founded the Army Art Centre in 1945, worked in the South of France in 1949 and displayed works at the Leicester, Redfern and Winton Galleries across the 1950s. In 1966, he took up the helm as the Head of Art at the Chelsea Westminster Adult Education Institute, a position he held until his retirement in 1982. Ten of Derricks works can be found at the Chelsea Westminster Hospital Arts Project, hung alongside a permanent collection that includes Patrick Heron, Howard Hodgkin, and Sian Tucker. Sayer was known for his studies of female nudes, particularly the examination of the nude in nature...

Ken Scott (American, 1918 – 1991) Dreamscape Pen and ink on paper Signed ‘Ken Scott’ (on the reverse) 10.7/8 x 7.3/8 in. (27.8 x 18.5 cm.) Ken Scott was a fashion designer known fo...

Pierre Jourda (French, 1931 – 2007) Pine Trees oil on canvas 89 x 55 cm. Provenance: From the studio sale of the artist

Circle of Mary Fedden (British, 1915 – 2012) Tea, apples and pears Oil on canvas 14 x 18.1/8 in. (35.7 x 46.3 cm.)

Joan Miro. Original single piece mixed technique painting Joan Miro Ferra 1893-1983 Original Study for “EL GOLAFRE ".NOT SIGNED 1979 Unique. Gouache, lithotint and crayon on paper ...

Bowling gouache and ink on paper 29.5 x 43.25" signed and dated "Calder 74" on recto, lower right This work is registered in the archives of the Calder Foundation, New York. LITERA...

Original gouache painting on paper. Hand signed lower front by Yaacov Agam. Image size 20.25 x 18.5 inches. Sheet size 29 x 22.2 inches. Frame size approx 33 x 31 inches. Cert...

Geometric abstract painting made in 2020 by Amanda Andersen, initialed on the back. This piece is from a body of work inspired by ordinary object arrangements such as table-top still...

Gouache on paper, 18 7/8 x 14 3/4 in. Signed (at lower right): Morris; (with monogram, on the back): GLKM [monogram] / 1932 [sic] Executed circa late 1940s A passionate advocate of abstract art during the 1930s and 1940s, George L. K. Morris was active as a painter, sculptor, editor, and critic. An erudite man with an internationalist point of view, Morris eschewed the social, political, and figural concerns that preoccupied so many artists of Depression-era America, believing that painters should focus their attention on the beauty, refinement, and simplicity of pure form instead. His goal, he said, was “to wedge the expression further and further into the confines of the canvas until every shape takes on a spatial meaning” (as quoted in Ward Jackson, “George L. K. Morris: Forty Years of Abstract Art,” Art Journal 32 [Winter 1972–73], p. 150). Born into an affluent family in New York City, Morris was a descendent of General Lewis Morris, a signer of the Declaration of Independence. From 1918 until 1924, he attended the Groton School in Connecticut, studying classics and art. He continued to focus on literature and art while attending Yale University (1924–28), an experience that prepared him well for his future activity as an artist-critic. After graduating in 1928, Morris studied at the Art Students League of New York, working under the realist painters John Sloan and Kenneth Hayes Miller, as well as Jan Matulka, the only modernist on the faculty. In the spring of 1929, Morris traveled to Paris with Albert E. Gallatin, a family friend and fellow painter who introduced him to leading members of the Parisian avant-garde, including Jean Arp, Pablo Picasso, Georges Braque, Jean Hélion, and Piet Mondrian. Morris also took classes at the Académie Moderne, studying under Fernand Léger and Amédée Ozenfant, important exponents of Synthetic Cubism who influenced his aesthetic development. Indeed, after experimenting with the simplified forms of Modernism for a few years, Morris moved on to abstraction by 1934, adopting a hard-edged, geometric approach inspired by Leger’s cubist style and the biomorphic shapes of Arp and Joan Miró. Following his return to New York in 1930, Morris built a white-walled, open-spaced studio (inspired by that of Ozenfant, which had been designed by Le Corbusier) on the grounds of Brockhurst, his parents’ 46-acre estate in Lenox, Massachusetts. In 1935, he married the painter and collagist Estelle “Suzy...

Jae Hahn is a Korean-born artist living in Los Angeles. Known for abstraction and minimalism. She graduated with a Bachelors of Arts degree majoring in painting at UCLA in 1977. She spent her first 20 formative years in Korea, and the following 30 years in Los Angeles. Hahn’s search to find her own identity and cultural heritage resulted in studying Oriental philosophy, but more specifically, Taoism and Zen Buddhism. She later focused on figure painting, consolidating what she learned from all schools of masters. The first was about structure from cubism. Next were the dynamic color studies of Matisse, and third, the freedom of spontaneous gestural strokes found in Abstract Expressionism. During the late 1990’s, Hahn experienced her own Renaissance. Her paintings took on a new life, with more activity and interlocking positive and negative space, and varying textures (“folding”) and irregular shapes. This resulted in the Unfoldings series, which encompasses Hahn’s artistic attributes of color and form, surface layered depth of field, sculpture, geometry and structure. Jae's paintings are painted in varied tones of a single colour, and usually appear in the form of diptych, triptych or polyptych. The contents are patterns formed by lines such as a triangle, a diagonal, a cross or simply a horizontal line. Simplicity is indeed a quality that the artist intends to convey through her art. Following in the tradition of Donald Judd, John McCracken, Agnes Martin, Dan Flavin and Robert Morris, Her work tends towards a luminous minimalist style. She has showed at Kelley Roy gallery alongside John Henry, Dolly Moreno and Sebastian Spreng. She has also shown at Seth Jason Beitler Gallery in Miami. Selected Individual Exhibitions Millenia Fine Arts, Orlando, FL Lois Neiter Fine Arts, Sherman Oaks, CA Gallery Seohwa, Seoul, Korea Rule Modern and Contemporary Gallery, Denver, CO Lois Neiter Fine Arts, Malibu Beach, CA Grey McGear Modern, Santa Monica, CA T. Curtsnoc Fine Arts, Miami, FL Rule Modern and Contemporary Gallery, Denver, CO University of Wyoming Art Museum, Laramie, Wyoming T. Curtsnoc Fine Arts, Miami, FL Boritzer/Gray/Hamano Gallery, Santa Monica, CA The Seoul Club Exhibition, Seoul, Korea Claremont Graduate School - West Gallery, Claremont, CA Byucksan Museum, Seoul, Korea Boritzer/Gray Gallery, Santa Monica, CA Indeco Gallery, Seoul, Korea Brand Library Art Galleries, Glendale, CA Selected Group Exhibitions "Zen Summer”, Thomas Lavin, West Hollywood, CA The Fall Show, Susan Street Fine Art, Solano Beach, CA "Faces and Figures", Lois Neiter Fine Arts, Malibu, CA Jae Hahn, Kathleen Keifer, Caroyl La Barge, Maggie Lowe Tennessen Los Angeles County Museum of Art, Las Angeles, CA "Surface, Color, Light", Lois Neiter Fine Arts, Sherman Oaks, CA Miami Art Fair, T. Curtsnoc Fine Arts, Miami, FL London Art Fair 2002, Mark Jason Gallery, London, England "Abstractly", Rio Hondo College, Whittier, CA "Spring", LewAllen Contemporary, Santa Fe, NM "Contemporary Art Without A Mouse", LewAllen Contemporary, Santa Fe, NM "California Asian Women In Art", Fresh Paint Art, Culver City, CA "Summer Exhibition", Gallery Seohwa, Seoul, Korea "Update 2000", Fresh Paint Art, Culver City, CA Pasadena Historical Architecture Showcase, Pasadena, CA "Korean Contemporary Art," University of Wyoming Art Museum, Laramie, Wyoming Five Persons' Show, Cline LewAllen Contemporary, Santa Fe, NM "Korean Contemporary Art," Edwin Ulrich Art Museum, Wichita, Kan "Fall Exhibit" Lois Neiter Fine Arts, Sherman Oaks, CA "Paradise Lost-Abstraction after Modernism" Grey McGear Modern, Santa Monica, CA "Summer Exhibit" J.J. Brookings Gallery, San Francisco, CA "Korean Contemporary Art" The Cerrillos Cultural Center, Cerrillos, NM. "Essence in Purity" The Luckman Fine Arts Gallery, California State University, Los Angeles, CA. "Collector's Choice" Center for the Arts, Vero Beach, FL "Of Paint and Metal", Ken Elias Gallery, West Palm Beach, FL "Boom," T. Curtsnoc Fine Arts, Miami, FL "New Beginnings Old Friends," Fresh Paint Fine Arts, Culver City, CA Triton Contemporary Art Fair, San Francisco, CA Cerrillos Cultural Center, Cerrillos, NM "Inauguration Opening Exhibition", View gallery, New York, NY "Abstraction and Essence", Susan Street Fine Art Gallery, Solana Beach "Simply Small", Susan Street Fine Art Gallery, Solona Beach, CA "Idea House" Project, Pacific Design Center, Los Angeles, CA Works on Paper L.A. 1995 Art Fair, Santa Monica, CA USART, Ft. Mason, San Francisco, CA The 9th International Contemporary Art Fair, Los Angeles, CA "Big Littles", Boritzer/Gray/Hamano Gallery, Los Angeles, CA Jae H. Hahn and Julia N. Chu, Pierce College Art Gallery, Woodland Hills, CA The 7th International Contemporary Art Fair, Los Angeles, CA Neo-Modernism by Five American Artists, Markant Gallery, Langelo, Holland Summer Group Show, Janus Gallery...