Alexander Calder

Bowling, 1974

1974

Large Black Face with Sun, 1968 gouache and ink on paper 29.25 x 43" signed and dated "Calder 68" lower right This work is registered in the archives of the Calder Foundation, New York. EXHIBITED Calder, Grand Valley State College, Manitou Gallery, Allendale, Michigan, May 4-June 15, 1969 Alexander Calder: Mobiles, Stabiles Gouaches, Drawings from the Michigan Collections, Flint Institute of Arts, February 20- March 27, 1983, no. 47, pp. 30 and 32, illustrated Alexander Calder: Sculpture and Works on Paper, John Berggruen Gallery, San Francisco, April 4-26, 2006 “At the time and practically ever since, the underlying form in my work has been the system of the universe, for that is a rather larger model to work from.” – Alexander Calder, 1951 (‘What Abstract Art Means to Me’, The Bulletin of the Museum of Modern Art, Vol. 18, No. 3, Spring, 1951) Alexander Calder’s interest in cosmology, the philosophical and astronomical systems of the universe, is at the heart of his creative output. The discovery of Pluto in the 1930s was a defining moment that instigated his fascination with the solar system and astronomy. Over the ensuing years he focused on creating entire worlds like ‘Calder’s Circus’ and his ‘Constellations’ sculptures...

Untitled (SF63-039) is an acrylic painting on paper, with an image size of 41 x 27.5 inches, signed 'Sam Francis' verso, and framed in a contemporary light wood frame. Untitled, 196...

Gel Monochrome #6 is an oil painting on prepared paper, sheet size 22 x 14.75 inches, signed, titled and dated verso, 'Ben Weiner Gel Monochrome #6 2019' and framed in a contemporary white frame. Connecting two opposing styles—abstraction and photorealism—Ben Weiner creates hyper-detailed, lush paintings and videos of extremely magnified consumer products, including hair gel, chemical food additives, and deodorant. In his work, he presents such meticulously rendered, close-up views of his subjects that they read as pure abstractions. A through-line in Weiner’s various bodies of work is contemporary culture’s obsession with bodily enhancement through chemical products—whether by using hair products or taking illegal drugs. "The Gel Series presents a virtual environment that is in flux. Based on hair gel, a material that is physically malleable and visually enticing, it has the ability to change one’s physical appearance. In an abstract manner, the painting reflects our current global environment, subject to constant, dramatic change and rapid development- on the one hand through humanity’s ability to alter the face of the earth according to its ideas; on the other through changing environmental conditions and natural disasters". - Ben Weiner Ben Charles Weiner (b. 1980) is a New York based contemporary artist. His work bridges the seemingly opposite styles of hyperrealism, and process-based abstraction. Mr. Weiner has exhibited his work widely in the US and internationally, at institutions including The Carnegie Art Museum, The Aldrich Contemporary Art Museum, The Boca Raton Museum of Art, and The Tarble Art Center. His work is in public collections including Microsoft, Sammlung/Collection, Progressive Insurance, and The Frederick R. Weisman Collection...

Untitled (SF68-44) from 1970 is an acrylic painting on paper with an image size of 41 x 27.5 inches, signed and dated 'Sam Francis 1970' verso, and framed in a custom, closed-corner,...

Untitled (SF82-254) from 1982 is an acrylic painting on paper, with an image size of 19.5 x 13.25 inches, signed and dated 'Sam Francis 1982' verso, a...

Mirror Pearls is an oil painting on prepared paper, sheet size 12.25 x 16.25 inches, signed, titled and dated verso, 'Ben Weiner Mirror Pearls 2019' and framed in a contemporary white frame. Connecting two opposing styles—abstraction and photorealism—Ben Weiner creates hyper-detailed, lush paintings and videos of extremely magnified consumer products, including hair gel, chemical food additives, and deodorant. In his work, he presents such meticulously rendered, close-up views of his subjects that they read as pure abstractions. A through-line in Weiner’s various bodies of work is contemporary culture’s obsession with bodily enhancement through chemical products—whether by using hair products or taking illegal drugs. "My paintings of pearls and hair gel merge varied notions of art as creation with biological and mythological concepts of creation. Visually, the pearls seem to emerge from the hair gel, suggesting biological processes such as cellular division, or the primordial soup that preceded life on earth. The all-over, abstract qualities of the hair gel recall the abstract expressionists’ concepts of the sublime art object and art as a transcendent act of creation. Additionally, the pearl itself is a naturally produced object of profound beauty. I use it to symbolize my understanding of creation as a feminine power, intrinsically linked to beauty (as in Boticelli’s The Birth of Venus). Finally, the pearls are an ode to Audrey Flack, one of my early artistic influences." - Ben Weiner Ben Charles Weiner (b. 1980) is a New York based contemporary artist. His work bridges the seemingly opposite styles of hyperrealism, and process-based abstraction. Mr. Weiner has exhibited his work widely in the US and internationally, at institutions including The Carnegie Art Museum, The Aldrich Contemporary Art Museum, The Boca Raton Museum of Art, and The Tarble Art Center. His work is in public collections including Microsoft, Sammlung/Collection, Progressive Insurance, and The Frederick R. Weisman Collection...

Abstract Work on Paper Mid-Century Modernism Greek American Gouache Drawing. A modernist artist who emigrated to America from Greece in 1904, when he was fourteen years old, Jean Xceron is described as having a reputation as an artist that has mysteriously fallen into obscurity---especially since he was reportedly quite prominent during his lifetime. However, a partial explanation of that omission is the fact that many of his papers and early records have been lost. He was a painter of biomorphic abstractions and did collages, which were influenced by Dadaism. Xceron was active in New York City when modernism was gaining influence. Of him during this period, it was written that his artistic role was "a vital link between what is commonly termed as the first-generation (the Stieglitz group, the Synchromists, etc.) and second-generation, the American Abstract Artists, the Transcendental Painting...

Donald Stacy "Two Trees" c.1950s Gouache on paper 24" x 18" unframed $950 Unsigned Came from artist's estate *Custom framing available for additional char...

Donald Stacy "Group Meeting" c.1950s Gouache paint on paper 24" x 18'" unframed Unsigned Came from artist's estate Donald Stacy (1925-2011) New Jersey Studied: Newark School of Fin...

Donald Stacy "Ms.Y" c. 1950s Gouache and oil pastel on paper 14" x 17" unframed Unsigned Came from artist's estate Donald Stacy (1925-2011) New Jersey S...

Donald Stacy "Eve" c.1950s Gouache and oil pastel on paper 14x17" black wood frame 14.75"x17.75" Unsigned, Eve written in paint along right margin Came from artist's estate Donald S...

Donald Stacy "Mound Street" c. 1950s Gouache paint on paper 24" x 18'" unframed Unsigned Came from artist's estate For sale is a striking black and white painting titled "Mound Stre...