Linda Clerget

Rollers and palm trees

2023

Linda Clerget's abstract floral paintings are a journey through the plants and nature. With vibrant colors and energy, this painting transport you to a d...

"Crossing (Traversée)" captures the essence of exploration and journey. This acrylic painting, measuring 60 x 73 cm, serves as a synthesis of various sketches and paintings from Lind...

This painting is from the series La Dolce vita. It is done with acrylic paint alla prima on a cotton canvas. It's an improvisation carried out step by step, day after day, to create ...

This painting is inspired by the park of the castle of Fontainebleau in France. The artist likes to mix reality and imagination, intoxicated colors felt and suggested, often includin...

This series of paintings is inspired by the relationship between the artist and the forest of Fontainebleau. Every day, the artist goes there to make sketches, to walk, to dialogue w...

This painting is from the serie 'Rollers & Skate". It is done with acrylic paint alla prima on a cotton canvas. The painting is inspired by the Californian skate and rollerblading c...

Throwing Some Shapes II by Kerry Louise Bennett [2022] One of a small series of paintings exploring the dynamic and expressive shapes of pot plan...

Bold and vibrant Fauvist nocturnal landscape with bright yellow Adirondack chair by Allie "Bill" Skelton (American, 1942-1986), c. 1970. Unsigned. Purchased as part of Skelton collection. Unframed. Image size: 48"H x 24"W. Allie William “Bill” Skelton (American, 1942-1986) was a painter and sculptor active in San Francisco who was involved in the gay art...

St. Mary's Church in Daugavpils. 2009, canvas, acrylic, 50x50 cm Colorful painting with church Painter Osvalds Zvejsalnieks was born on 21 Marc...

Abstracted landscape by California artist Devon Brockopp-Hammer (American, b. 1986). The red and yellow underpaint has been allowed to peek through the ...

Abstracted landscape by California artist Devon Brockopp-Hammer (American, b. 1986). The bold orange underpaint has been allowed to shine through the co...

RALPH DELLA-VOLPE (1923-2017) Fine Art Painter, American Contemporary Oil on canvas Hand signed lower right Artist Signed, Abstract Oil on Canvas. Figure in the distance. Approx: 30" x 27 1/2" framed, 26 1/2" x 23 1/2" canvas. TRAINING: National Academy of Design The Art Students League, NYC Ralph Eugene Della-Volpe's semi-abstract paintings of often simplified, minimalist, beach scenes and anonymous portraits "convey profound awareness of mood and character", and his paintings are hardly as literal as they may first appear (Arts Magazine. "New York Exhibitions". 1965). His brightly-colored, light-infused, ornamental compositions bring together aspects of many modernist art movements including Fauvism, Impressionism, Symbolism, and abstraction. Della-Volpe first studied painting at the prestigious National Academy of Design before joining the Army during World War II. As a soldier, the artist saw action on Utah Beach, winning a Purple Heart, and his experiences undoubtedly affected his later artistic style. The Fauvist "coloristic exuberance" found in the works beginning in the mid 1960's, with their vibrant fuschias and yellows, seem to offset what could be an otherwise solemn tone to many of his works at the time. Upon his return from military service, Della-Volpe’s style evolved significantly. In the years following the second world war, his work was solemn, imbued with a quiet darkness. Over time, this darkness faded: by the 1950s, influenced by his time at the Art Students League, his oeuvre was overtaken by the tenants of Abstract Expressionism. Paintings from this period boast bold brushwork, energetic compositions, and strong color. Although the next decade saw Della-Volpe trade expressionist abstraction for figuration, his love of color continued to shine through his work.Della-Volpe took a teaching position as the first artist-in-residence at Bennett College in Millbrook, New York where he remained for 28 years, serving as chairman of the Art Department for most of that time. Obviously influenced by impressionism 's preoccupation with the treatment of light, Della-Volpe's own works have a "faultless tonal quality, with its sense of failing light—the areas of silvery gray deepening into rosy tans" (Arts Magazine. "In the Galleries". 1960). Della-Volpe has exhibited widely throughout his career and has lectured on art at colleges, universities, and galleries across the country. He was included in the show Abstraction: 1950-1970 at Taylor Graham, Greenwich CT. A survey of post-war abstract art movements including Abstract Expressionism, Color Field, Hard Edge, Minimalism and Op-Art. Adolph Gottlieb, André Cottavoz, Carl Robert Holty, Cleve Gray, Friedel Dzubas, Ilya Bolotowsky, James Hiroshi Suzuki, Norman Bluhm, Ralph Della-Volpe, Theodore Appleby...