Lucite Abstract Paintings

Vibrant abstract composition by Aromas, California, Monterey Bay Area abstract expressionist artist Frank Thomas Romero (American, b-1985). Signed ...

Abstract Floral painting with geometric vase by Stephanie Marrott (American, 20th Century). Original acrylic on artists board. Signed lower right "Stephanie Workman Marrott" in pen. ...

Small-scale vibrant contemporary abstract composition with blue, gold, & pink by Aromas, California, Monterey Bay Area abstract expressionist artist Frank Thomas Romero...

Intense figurative abstract with bold colors and the text "I Don't See Anything Here" by R. Navarro (American, 20th Century). Signed "R. Navarro" and dated "2000" on verso. Image, 30...

Abstract Composition in Pink and Black in Acrylic on Cardboard Dynamic abstract in black and pink by Honora Berg (American, 1897-1985). This piece is composed of multiple layers, with bright, bold colors at the bottom, building to black on top. Pink, magenta, yellow, and orange shine through a net of black. Unsigned, but was acquired with a collection of the artist's work. Estate stamp on verso "Estate of Honora Berg - Miller Fine Art" Numbered "246" on verso Unframed. Art size: 21.25"H x 14"W Honora Berg (American, 1897-1985) was an Abstract Expressionist and Bay Area Figurative School artist who studied at the San Francisco Art Institute with David Park, Elmer Bischoff and James Budd Dixon. Berg's friend Edith Truesdell — David Park's aunt — suggested a move to California in 1951 to study under Park. She exhibited at the 25th Annual Drawing, Print and Sculpture Exhibition at the San Francisco Museum of Modern Art, 1961. Provenance, Estate of Honora Berg - David Carlson Gallery, Larry Miller...

"Future Code" , a wonderful abstract geometric composition by Monterey Bay Area abstract expressionist artist Frank “Frankie” Romero (American, b. 1985). Signed lower right and title...

Highly textured composition by an unknown artist (20th Century). Thick diagonal swatches of blue and white are layered over an off white background in a nearly parallel pattern. Sand...

Silence. Cardboard, acrylic, 60x70 cm Abstract composition

Large Abstract Expressionist mixed media from the 'Megaliths' series by French artist Joseph Alessandri. Signed to the front bottom left side and dated 99 and signed with a reference...

Signed lower left, 'Thall V' for Victor Thall (American, 1902-1983) and painted circa 1950. A mid-century, American abstract oil comprising complex, contiguous and superimposed, linear and ovoid forms painted with an energetic and painterly brush in primary and secondary colors in both pure and pastel tints. Born in New York in 1902, Victor Thall first attended the Art Students League in New York City where he studied under Arthur B. Davies, George Bellows, John Sloan and Robert Henri. He furthered his studies at the Pennsylvania Academy of Fine Arts before leaving for Paris, in 1924, to attend the Ecole des Beaux Arts and the Academie Julien. He remained in France for six formative years before returning to the United States in the early 1930's. Back in New York, he became friendly with Willem de Kooning and Arshile Gorky and was both influenced and inspired by the ferment of ideas that developed around the New York School during the late 1940's and early 1950's. Thall was also an active participant in the WPA New Deal Art Project of New York City between 1935 and 1939 and returned to the Art Students League as a teacher from 1947-9. He exhibited widely and with success including at the Whitney Museum Annuals of 1949 and 1950 and the Leicester Gallery, London, in 1961. Victor Thall's paintings are held in numerous private and public collections including the permanent collections of the Brooklyn Museum and the Newark Museum and the artist is listed in all relevant reference works including Who Was Who in American Art. Reference: Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 3, p. 3273; Falk, Peter Hastings , ed. The Annual and Biennial Exhibition Record of the Whitney Museum of Art 1918-1989. (New York): Sound View Press, 1991; Levick, L.E., "A Guide to the Art Galleries," New York Journal American, May 23, 1964. Review of one-man show at Southampton Gallery; 1950 Annual Exhibition of Contemporary American Painting. New York: Whitney Museum of American Art, 1950; Coates, Robert M., "The Art Galleries: Paul Klee, The Whitney Annual, and John Marin, The New Yorker, December 31, 1949, pp. 42-43; 1949 Annual Exhibition of Contemporary American Painting. New York: Whitney; Museum of American Art, 1949; Lansford, Alonzo, "Thall at Binet," The Art Digest' December 15, 1947, ill; Upton, Melville, "George Binet Gallery," Sun, December 13, 1947; Devree, Howard, "Victor Thall at the Binet Gallery," New York Times, December 10, 1947; "Victor Thall at Binet Gallery," Art News, December 1947, p. 59; Oil Paintings by Victor Thall, New York: George Binet Gallery, 1947; et al. Select Exhibitions: 1968 DePoliolo Gallery, Palm Springs 1965 Studio Gallery, Naples, Florida 1964 L’lnstitute Francais d’Haiti 1964 Summit Gallery, New York City 1964 Southampton Gallery, New York City 1963 Guildhall Gallery, Chicago 1961 Leicester Gallery, London 1950 Whitney Museum , New York City 1949 Whitney Museum, New York City 1947 Binet Gallery, New York City 1946 Chinese...

Small-scale vibrant contemporary abstract composition with blue, gold, & pink by Aromas, California, Monterey Bay Area abstract expressionist artist Frank Thomas Romero...

Richly textured abstract composition by California artist Devon Brockopp-Hammer (American, b. 1986). Large bold swatches of white and yellow float against a blur background. Surround...