Panel Abstract Paintings

This is a mixed-media artwork by Monty Montgomery. Its dimensions are 48 x 76 x 2.5 and it is Aerosol on Custom Panel with UV Gloss Varnish. A certificat...

Atmospheric gradations of color are encased in hardened surfaces in a constant push and pull between depth, light and texture. Capturing the effect of light purely with color is wher...

This is a mixed-media artwork by Monty Montgomery. Its dimensions are 13.25 x 13.25 x 2.25 and it is Aerosol on Birch with UV Gloss Varnish and Custom Cherry Wood Floater Frame. A ce...

This is a mixed-media artwork by Monty Montgomery. Its dimensions are 16 x 16 x 1.6 and it is Aerosol and Molding Paste on Birch Panel with UV Gloss Varnish. A certificate of authent...

A Los Angeles-based artist with a unique take on color and the relationship between space, shape and light. Andy Moses paints with pearlescent pigments on concave canvases, which cur...

A Los Angeles-based artist with a unique take on color and the relationship between space, shape and light. Andy Moses paints with pearlescent pigments on concave canvases, which cur...

A Los Angeles-based artist with a unique take on color and the relationship between space, shape and light. Andy Moses paints with pearlescent pigments on concave canvases, which cur...

This is a mixed media artwork by Monty Montgomery. Its dimensions are 14 x 14 x 2 and it is Aerosol and Molding Paste on Birch Panel with UV Gloss Varnish and Matte Black Wood Floate...

This is a mixed-media artwork by Monty Montgomery. Its dimensions are 13.75" x 13.75" x 1.6" and it is Aerosol and Molding Paste on Birch Panel with UV Gloss Varnish and Matte Black ...

This is a mixed-media artwork by Monty Montgomery. Its dimensions are 12 x 12 x 1.5 and it is Aerosol and Molding Paste on Birch Panel with UV Gloss Varnish. A certificate of authent...

A Los Angeles-based artist with a unique take on color and the relationship between space, shape and light. Andy Moses paints with pearlescent pigments on concave canvases, which cur...

In her latest series, "The Weaver," Shizico explores forms, layers, and time onto canvases. Applying the format of diptychs and triptychs, she creates lyrical narratives, capturing t...

This is a mixed media artwork by Monty Montgomery. Its dimensions are 11 x 14 x 1.5 and it is Aerosol and Molding Paste on Birch Panel with UV Gloss Varnish. A certificate of authent...

In her latest series, "The Weaver," Shizico explores forms, layers, and time onto canvases. Applying the format of diptychs and triptychs, she creates lyrical narratives, capturing t...

An abstract painting of a round shape, made in blue, creates a serene atmosphere reminiscent of the limitless sky. Its clean, geometric style lends a contemporary feel while giving t...

Stunning textural abstract aerial landscape painting by Hungarian artist Levente Baranyai. Oil on panel, 37.5 x 50 inches. With a focus on aerial urb...

SQUARE UP Series: "I love working in squares because they naturally evoke a sense of balance. Whatever tension is created in the image itself, a square resolves with its ‘even’ sides...

Red C (Abstract painting) Acrylic on linen mounted on shaped panel Elizabeth Gourlay is an American abstract artist whose work emerges from a progressive process of layering colour, ...

D30 (Abstract Painting) Acrylic on canvas mounted on shaped panel - Unframed Elizabeth Gourlay is an American abstract artist whose work emerges from a progressive process of layer...

Contemporary abstract landscape oil painting titled "Water #424" by Louise LeBourgeois. Size: 12 x 12 inches. Oil on panel. Muted orange, earth tones. LeBourgeois’s paintings are in...

Oil on Panel WEIR FARM Series: “[This] series runs the full range from natural to post-impressionism, yet always having the themes of the American pictorial sense of place with an ...

"Emergence in Azure" is a captivating artwork that invites contemplation of the ephemeral beauty and tranquility of nature. Against a backdrop of azure blue sky, verdant and golden-h...

Modernist Burton Kramer says his lyrical compositions are "inspired by the toe-tapping, hand-clapping rhythm of music." This delightful piece—geometric shapes—squares, lines, and rec...

A bright turquoise-blue ‘sun’ draws the viewer’s eye into the center of this beautiful new composition by Burton Kramer. A modernist, Kramer’s expressive work plays with geometric sh...

Oil on panel WEIR FARM Series: “[This] series runs the full range from natural to post-impressionism, yet always having the themes of the American pictorial sense of place with an a...

Oil on panel WEIR FARM Series: “[This] series runs the full range from natural to post-impressionism, yet always having the themes of the American pictorial sense of place with an a...

Magical Box Large Abstract On Wood Panel Nicholas Wilton Nicholas Wilton Born 1961, San Francisco, CA. Is known for vibrant abstract paintings that delve into themes of nature, personal experience, and emotional complexity. His work, described as “visual poetry,” is characterized by rich color, texture, and organic forms, creating a complex visual weave that reflects the underlying feelings and intricacies of life. Informed by spontaneity and a balance of opposites, his paintings emphasize the accuracy of feeling over literal representation. Wilton studied at the College of Creative Studies in Santa Barbara, California, and earned a BFA from the ArtCenter College of Design in Pasadena. His work has been chosen for a stamp by the U.S. Postal Service, and featured on book covers such as The Four Agreements by Don Miguel Ruiz. Wilton also founded Art 2 Life, a program dedicated to nurturing creativity and artistic development through workshops and classes. EDUCATION 1979-1983 College of Creative Studies, University of Santa Barbara, CA 1983-1986 Art Center College of Design, Pasadena, CA EXHIBITIONS 2014 Solo Exhibition Caldwell Snyder Gallery, San Francisco, CA 2013 Solo Exhibition Campton Gallery, New York City, NY 2012 Solo Exhibition Caldwell Snyder Gallery, San Francisco, CA 2011 Solo Exhibition Costello Childs Gallery, Scottsdale Three Person Show Stremmel Gallery, Reno, NV 2010 Solo Exhibition Gallatin River Gallery, Big Sky, MT Solo Exhibition: Selby Fleetwood Gallery, Santa Fe, NM Solo Exhibition gallery Jones...

72x72 oil and acrylic on panel additional images available upon request About the artist: James Austin Murray’s paintings are made using the most basic of means: ivory black oil pai...

72x72 oil and acrylic on panel additional images available upon request About the artist: James Austin Murray’s paintings are made using the most basic of means: ivory black oil pa...

OYV-19 is part of Eric Mack's ongoing body of work utilizing multi-media, complex compositions, and a grid centered around urban design. Using a grid to create the framework of the painting, Mack has re-purposed an old Lenny Kravitz album cover as the structure of the piece. On the edges of the piece you can see a complex edge consisting of a faux leather album cover, nylon mesh, and torn paper. As imagery, Mack has chosen musical notes, tape measure, and other music composition elements through Zerox copy adhered by matte medium to the surface. Mack then creates his own color to further tweak and personalize the piece. Eric Mack (b.1976, Charleston) creates mathematically based renderings with a distinct post-modern twist. Works are informed with super imposed grids, patterns, and portals. Layered surfaces are created with paint, found objects, natural fibers, and synthetic substrates that explore the systems of our visual world. His most recent show “Charting the Terrain” is on view now at the California African American Museum in Los Angeles was covered by the Los Angeles Times, KCRW, and LALA Magazine. His last solo exhibition was titled "Impossible Architectures" at The University of North Carolina at Chapel Hill in 2017. Recent group shows include "Abstract Mind" at the Czong Institute of Contemporary Art, South Korea, "Small Works 2017 at Trestle Gallery, Brooklyn, "Checkered History", Outpost Artist Resources, Brooklyn, N.Y. 2015; Collections include High Museum Atlanta, Ing Investments, Hartsfield Jackson International Airport - Atlanta + Atlanta Gas & Light Co. Pepsi Cola, Tate Properties, Heath Gallery, Harold Dawson Properties, Turner Field/Atlanta Braves...

Sarah Brenneman is an American artist based in West Orange, New Jersey working primarily in painting. Her overarching interest lies in abstraction as a universal language and she wor...

Sarah Brenneman is an American artist based in West Orange, New Jersey working primarily in painting. Her overarching interest lies in abstraction as a universal language and she wor...

72x72, oil and acrylic on panel additional images available upon request About the artist: James Austin Murray’s paintings are made using the most basic of means: ivory black oil pa...

Sandstorm, 2000 Oil on panel 24 x 30 in. (61 x 76.2 cm) Signed, titled, and dated, verso At the heart of Bousfield's work lies a lyrical celebration of color and tactile sensations....

Texcollage (M11). Colourful abstract geometric painting Mixed media on wood panel, 2015. Dimensions in cm.: 87 x 47 x 5 cm. (Without frame 80x40 cm.) In inches: 34.25" x 18.5" x 1.97...

My painting practice began with subverting the idea of a still life to create an absurd experience where the presence of carefully observed and exaggerated absurd forms painted from ...

Yum Three by artist Brenda Zappitell is a pink, blue, and grey, contemporary abstract made of flashe and Acrylic with cold wax on panel 60 x 60 and is priced at $16,000. Brenda Zapp...

Artist Statement My paintings emerge from the emotion I feel in the moment my brush touches a blank surface. I am a very physical and spontaneous painter. Moving back and forth with...

Yum II by artist Brenda Zappitell is a pink and light ingigo contemporary abstract made of flashe and Acrylic with cold wax on panel 50 x 50 and is priced at $14,000. Brenda Zappite...

"Between 9" by Denise Driscoll is a 48 x 36 x 1.5 inch acrylic painting on panel in which multicolored shimmering and textured webs are interwoven over a distressed surface of deep p...

Denise Driscoll's "Entanglement 1" is a large 48 x 36 inch colorful abstract acrylic painting in which webs of gold and coppery red dots intermingle, shimmer and float over a riot of...

A very unique diamond-shaped abstract painting by Troy Smith. It was recently painted on a plywood panel in the summer of 2023. Vivid gestural strokes skate across the painting, cras...

"Fluidity in Lines" is a modern abstract painting characterized by vertical stripes in azure, pink, and black hues, embodying a contemporary color palette. The artwork seamlessly mar...

JONATHAN FELDSCHUH Education: 1982-1986 Harvard University, summa cum laude in Physics 1993-1996 Academy of Fine Arts, Prague Selected Solo Exhibitions: 2017 “First Particles, Elementary Particles”, OPUS Project Space, New York 2016 "Large Hadron Collider", National Academy of Sciences, Washington DC, with subsequent travel to Keck Institute, Washington DC; Janelia Gallery, Ashburn Virginia (2017); Howard Hughes Medical Institute, Bethesda, MD (2017) 2013 "The World Egg", Skink Ink Gallery, Brooklyn, New York 2012 "Large Hadron Collider", Mixed Greens Project Space, New York 2008 "Large Hadron Collider", Galerie Vernon & Vernon Projekt, Prague 2005 "Simulations", Cynthia Broan Gallery, New York; AAAS Gallery, Washington DC 2004 "Trajectories", Marella Arte Contemporanea, Como 2003 "Solar", Art Resources Transfer, New York 2002 "macro-mini", Vernon Fine Art International, Prague "Macrocosm", Cynthia Broan Gallery, New York 2000 "Little Corner of the World", Cynthia Broan Gallery, New York Selected Group Exhibitions: 2017 “The Cloud and the Void”, UES Gallery, New York “Resonators” 524W26 Gallery, New York 2016 “Visual Inquiries: Artists Inspired by Science”, Fingesten Gallery at Pace University, Artists: Suzanne Anker, Julia Buntaine, Angie Drakopoulos, Jonathan Feldschuh, Carter Hodgkin, Eve Andree Laramee, Deanna Lee, Maureen McQuillan, Paula Overbay, Taney Roniger, Steven Salzman. "Dialogues: Drawings and Works on paper", Satellite Contemporary, Las Vegas, January 9 - February 12, 2016 2015 "Sun Light / Star Light: Contemplations Upon the Solar Orb" - Louisiana Art & Science Museum, October 9, 2015 – April 3, 2016 2014 "Pouring it On", Herter Art Gallery, University of Massachusetts, Amherst "What Lies Beneath", SciArt Center, New York 2013 "Salon", Active Space Gallery, Brooklyn "Opening", The Paper Factory, Queens, New York 2012 "The Quantum Effect", The Active Space, Brooklyn "Laboratory", Pfizer Labs, Brooklyn 2010 "Lost Horizon", ArtJail Gallery, New York 2009 "Starry Messenger: Galileo's Vision in the 21st Century", Louisiana Art & Science Museum 2006 "Science as Muse”, Montgomery Center for the Arts, New Jersey "Native Spirit" Supreme Trading, Brooklyn 2005 "Beautiful Dreamers" Spaces, Cleveland 2004 “DNA: Art & Science”, University of South Florida Contemporary Art Museum Art Miami (with Cynthia Broan Gallery) 2003 "Before and After Science", Marella Arte Contemporanea, Milan Scope Art Fair (with Cynthia Broan Gallery) Art Chicago (with Cynthia Broan Gallery) 2002 "Some Are Painting II", Educational Alliance, New York “Vivid”, Mead Gallery, Warwick Arts Center, Coventry; Northern Gallery for Contemporary Art, Sunderland "DNA", Art Resources Transfer, New York (Hallway Space project) 2001 "Vivid", Richard...

Mid-Summer Dance Cheryl D. McClure acrylic on canvas 40 x 40 x 1.5 in To make my paintings I have come to the realization that I use what I call the ‘Three I’s” of INFLUENCES, INTUITION. and INTENT. Like a lot of artists, McClure’s interest in art developed early in childhood. She recalls, “When I was eight years old, I begged my dad to let me take an after-school painting class. I was shocked when I got there and found out they were painting with paint by number kits. I did not want to do that. I hate coloring inside the lines. So, the teacher allowed me to look for images to use as inspiration. In my memory, I think the first one must have been a reproduction of a Cezanne landscape. I just did what I did all on my own, but I loved mixing colors. Then my dad died, and we moved from Oklahoma to Texas. Sadly, I never really did anything else until I was in my twenties. I then took up painting again all on my own and trying to learn from other artists demonstrating their painting techniques and taking workshops. I have been painting ever since, more than forty years.” She continues, “For many years I only painted with acrylics or mixed media collage. In 2005, I also started painting with encaustic and have gone back to using oil paint again. I suppose acrylic remains my dominant medium. Mixing it up now and then keeps me on my toes and is a great way to learn. Each medium can teach you certain aspects of painting others do not. Each medium has its strengths and weaknesses depending on what you want to express. You can learn from all. I did not love watercolor because it took too much pre-planning. But I learned a lot about negative shapes and composition. I learned a lot with pastel and charcoal about making marks. By working back and forth with different media, I am growing as a painter.” If I used only intent, I would more than likely be disappointed because my imagined intent is always elusive. I get more than I imagined by not setting too many rules about how to get there. Using all of these factors, I can use the knowledge of formal issues that comes from viewing a lot of art and, also, from being in the studio making art all of the time. Using that comprehension of formal design as an aid to intuitively know what is the right relationship of color, mark, space, etc. is the intent. Intention is necessary to direct you to explore the former two. Intention also demands you delve more into your own reasons for making art. 2020 University of Texas, College of Pharmacy Partnership Exhibit, Tyler, TX Beauty of Art and Medicine IV, Rogers Nursing and Health Sciences Building, Tyler Junior College, Tyler, TX Stable, Cerulean Gallery, Dallas, TX 2019 Mississippi Art Colony Fall Travel Show, juror, Stanley Kurth Small Works, Gallery Mack, Seattle, WA 2017 Black Tie (optional), Invitational, Adam Peck Gallery, Provincetown, Mass. Mississippi Art Colony Fall Travel Show, David Hornung, juror, Meridian Museum of Art, Meridian, Miss., Southern Cultural Arts Center, Vicksburg, Miss., Museum of the Mississippi Delta, Greenwood, Miss. You Name It, Cerulean Gallery, Amarillo, Texas 2016 N° 10, Invitational, Adam Peck Gallery, Provincetown, Mass. 2015 One + One, Invitational, A Gallery Art, Provincetown, Mass. 2014 East Texas Regional Artists, Longview Museum of Fine Arts, Longview Texas (4 person) Mississippi Art Colony Fall Travel Show, Jenene Nagy, juror (Mary C. O’Keefe Center for the Arts, Ocean Springs, Miss., Meridian Museum of Art, Meridian, Miss., Wm. Carey College, Hattiesburg, Miss.) 2013 Texas Rugged and Shiny. LuminArte Gallery, Dallas, Texas SEVEN, International Encaustic Conference, Provincetown, Mass., Shawn Hill, juror RED, A Gallery, Provincetown, Mass. Texas Women with Brushes, Jack Meier Gallery, Houston, Texas (2 person) 2012 EncaustiCon 2012, Gallery Nord, San Antonio, TX, Paula Berg Owen, juror WAX: Contemporary Art Works, Pajaro Valley Arts Council, Watsonville, CA Wise Earth: Land and Art, Wise Earth Gallery, Denton, TX, curator, Katy Crocker Continuum 2012, VamArt, Inc., Metuchen, NJ 2011 One Foot of Wax, North Lake College, Irving, TX Mississippi Art Colony Travel Show, Guild Hardy Architects Purchase Award, Sheri Fleck Rieth, juror Hunting Art Prize Finalist *Paintings, DCL, Tyler, TX 2010 Fusion, PFAMily Arts Gallery, Plano, TX Melting Point, Arts Centre of Plano, Plano, TX *Influenced by the Land, Encaustic Center, Richardson, TX Hive, Cole Art Center, Nacogdoches, TX 2009 Uncommon Composites, Cerulean Gallery, Dallas, TX Meltdown, Art Hotel Gallery, Dallas, TX Global Swarming, TX Discovery Gardens Gallery, Dallas, TX Encaustic Methods, Tarrant County Community College, Arlington, TX The Alchemy of Encaustic, Ann Dean Turk Gallery, Kilgore College, Kilgore, TX 2008 Coming Home, Longview Museum of Fine Arts, Longview, TX Some Like It Hot, Bath House Cultural Art Center, Dallas, TX Texas Artists Museum, Port Arthur, TX, Firehouse Gallery, Fort Worth, TX 2007 Landscapes, Longview Museum of Fine Arts, Longview, TX *Little Pieces of Land, Joyous Lake Gallery, Pinetop-Lakeside, AZ Mississippi Art Colony Travel Show, Meridian Art Museum, Meridian, MS East – West, Meeting in the Middle, Hilligoss Galleries, Chicago, IL 2006 Artist Residency, Centre d’Art Contemporain (Cat’Art) Sainte Colombe sur lâ Hers, France Mixed Media Invitational, Longview Museum of Fine Arts, Longview, TX 2005 Dance with the Imagination, 3 artists, West End Gallery, Winston-Salem, NC Southwestern Water Society Signature Members Show, Irving Art Center, Irving, TX, Marcie Inman juror of awards, Honorable Mention 2004 East Texas Regional Exhibit, Longview Museum of Fine Art, Longview, TX; juror, David Band Traveling the Carolinas, National Association Of Women Artists Mississippi Art Colony Travel Show, Spring, Joseph A Smith, juror Artist Career Training 1st National Juried Exhibition, 2nd place Award, jurors, Geoffrey Gorman...

Denise Driscoll’s “Confluence 2” is a 48 x 36 inch abstract painting of swooping overlapping ovals in brightly saturated color including teal, goldenrod, violet and green with accent...

Texcollage (M10). Colourful abstract geometric painting Mixed media on wood panel, 2015. Dimensions in cm.: 87 x 47 x 5 cm. (Without frame 80x40 cm.) In inches: 34.25" x 18.5" x 1.97...

Denise Driscoll's "Entanglement 3" is a large 48 x 36 inch abstract acrylic painting in which webs of gold, white and teal dots intermingle, shimmer and float over transparent veils ...

In "Between 11" by Denise Driscoll, textured webs of tiny dots in orange, teal, gold and iridescent white are interwoven against a warmly muted red surface. The mesmerizing patterns ...

Dan McCaw's (US based) "Textures" is an original, handmade oil painting that depicts an abstracted figure of gray and teal standing within a neutral, abstracted interior. Artist Sta...

"Tributaries" by Bonnie Zahn Griffith, Oil and Cold Wax Medium on Wood Panel, 18" x 18" unframed, 20" x 20" framed in a modern black frame with hanging wire included. Known for her plein air pastels, Bonnie also does some amazing abstract pieces like this one. Bonnie Zahn Griffith is an artist of the western landscape, working in oils and pastels. The rich pigments of pastel and oil allows her to create paintings that have the brilliance and the bold color we see in the landscapes of the western United States, giving her unlimited options to create. These mediums allow Griffith to bring depth and texture, light and mood into her paintings. "My goal is to create work that draw the viewer in to experience and imagine the time of day, the temperature, the sounds, the smells. I want the viewer to experience the work and get lost in it – if only for a moment. My love of the landscape prompts me to paint it. I look for a story to tell when I look at the sagebrush hills, the lush river lands, the wheat fields, the intense greens of spring in rich mountain valleys and the ever changing colors of the desert. My mediums allow me to tell that story with strong color and intensity." As a child of artist parents, Griffith grew up on a ranch near the Missouri Breaks in central Montana. They lived in a remote area and that allowed for a lot of self-directed entertainment - drawing, painting, reading, horseback riding and daily ranch chores. Griffith was a self-proclaimed artist at age 5, getting into her mother's paints and paper. Landscape shapes, texture and color were observed and studied. Famous artists like Russell, O’Keefe and Payne were favorite sources of reference. "I don't remember ever being "bored" because there was always something to do that interested me! Pretty much all of that stuck with me through a career in Radiology Sciences; showing work in galleries and exhibits during that time. In the mid 1990's my art became a full time endeavor." Bonnie Zahn Griffith has studied with instructors such as Robert Moore, Lorenzo Chavez, Ned Mueller and others in the quest to strengthen and develop her style of representational work. Griffith is a signature member and the Secretary for the Pastel Society of the West Coast, a signature member of and past President for the Northwest Pastel Society, member of the Landscape Artists International (juried membership), Plein Air Painters of Idaho and American Impressionist Society. She has served 7 years as the chair for the Meridian (ID) Arts Commission, has served as the Executive Director of WaterWorks Art Museum, Miles City, MT and curator for several galleries. Griffith also teaches workshops in plein air technique, pastel painting techniques (Studio and Plein Air) and multimedia art. She works out of her studio in southwestern Idaho and paints plein air throughout the Rocky Mountain region, the western US...

Dan McCaw's (US based) "Seated Figure" is an original, handmade oil painting that depicts an abstracted figure of gray and white seated at an abstracted table within a neutral interi...

Passages of black and grey lit with subtle marks of ecrue, pink, blue and yellow bring to life Andrew Lui's theme of inexorable change. Born in Guangzhou, China, Lui participated in the Chinese Cultural Revolution as a member of the Red Guard but escaped to Hong Kong in 1970. Making his way to Toronto, Lui studied at the Ontario College of Art before traveling to the UK, and Italy. In Florence, he was drawn to the dynamic Uccello's Battle of San Romano (c. 1456). Lui is represented in multiple public, corporate and private collections in Canada, Europe and China: Musée d'art contemporain, Musée de Dijon, France, L'Ecole des Beaux Arts, Bruxelles, Pallazo Strozzi, Florence, Musée National des Beaux-Arts du Quebec, Musée des Beaux-Arts de Sherbrooke, Grimsby Art Gallery, Robert McLaughlin Art Gallery, Art Gallery of Stratford, Stratford, Coburg Art Gallery, Rodman Hall Art Centre, Canadiana Foundation (Art Collection of Governor General of Canada). He is part of a large number of private and corporate collections, including HSBC of Canada, DKNY and Sun Life Insurance...

Alexander Eulert's original mixed media paintings on wood panels are abstract propositions of worlds where divergent forces coalesce into harmonious geometric interactions. He draws ...

Acrylic,tempera,chameleon pigment,tinned Color,soft pastel on wood panel Giorgi Kavelashvili is a Georgian artist born in 1994 who lives and works in Tbilisi, Georgia. He is graduat...

Laura Culic’s distinct aesthetic is built on her use of cold wax painting to represent natural landscapes, imbued with abstracted elements, where she subverts our expectations of thi...

Peter Roux combines principles of landscape and abstract painting. His cloud paintings oscillate between representational and non-objective painting by rendering recognizable cloud f...

Threshold (Abstract Painting) Oil on panel — Unframed. Dana Gordon’s kaleidoscopic compositions are contemplative and evoke somewhat Orphic Cubism. His paintings have an overwhelmi...