Paper Animal Paintings

Somnath Hore - Untitled Pen & Ink on Paper, 7 x 5 inches ; dated 07-10-86 Inclusive of shipment mounted not framed, Should you wish to receive the same framed and shipped kindly con...

Somnath Hore - Untitled Pen & Ink on Paper, 7 x 10 inches ; 1980 Inclusive of shipment mounted not framed, Should you wish to receive the same framed and shipped kindly contact us. ...

Signed lower left. Robert Beauchamp (1923 – March 1995) was an American figurative painter and arts educator. Beauchamp's paintings and drawings are known for depicting dramatic creatures and figures with expressionistic colors. His work was described in the New York Times as being "both frightening and amusing,". He was a Guggenheim Fellow and a student of Hans Hofmann. Robert Beauchamp was born in Denver, Colorado in 1923. He had three brothers and three sisters, and the children were orphaned by both parents by the time Beauchamp was three. The family grew up impoverished due to the Great Depression, living in a community house with other families. As a child he dabbled in art but it wasn't until high school that he began taking art classes. When not creating art he also played sports; football and basketball, and enjoyed chemistry and geology. He was told he was good at drawing, and replaced study hall classes with art classes, receiving instruction and inspiration from a Welsh teacher named R. Idris Thomas. While in high school Beauchamp would go, every Monday, to the public library and a local museum where he would read books about art; specifically French painting, as assigned by Thomas. Beauchamp absorbed the tenets of European Modernism and American Abstract Expressionism—with which he eventually broke. While abstraction, with its focus on color and form, underlies his compositions, he filled canvas and paper with psychologically acute portraits of himself and others, nudes, animals, and objects of all kinds. Beauchamp would spend upwards of four hours a day in the art room and eventually won the Carter Memorial Prize, which provided a scholarship to the Colorado Springs Fine Arts Center. At Colorado Springs he studied under Boardman Robinson, painting landscapes in nature. Beauchamp eventually joined the Navy and then returned to Colorado Springs to continue his studies. Traveling the world as an Armed Guard, he spent a year and a half at sea and the rest of the three years in San Francisco. Seeking to make money, and to follow his love for a girl, Beauchamp decided to attend Cranbrook Academy of Art from 1947–1948. There he studied pottery, believing one could "make more money selling pots than you could selling paintings." He described his experience at Cranbrook as intimidating and claustrophobic, and eventually switched to sculpture before switching to painting. Beauchamp moved to New York City in the early 1950s and was involved in the Tenth Street galleries, which provided outlets for more experimental artists and the second generation of abstract expressionists. Despite his involvement with 10th Street and friendships with abstract artists, abstract art never interested in him. He showed at numerous galleries in New York and Provincetown, socializing with gallery owners, artists and collectors. His first exhibition was at the Tanager Gallery in New York, he also showed during the 1950s at the Hansa Gallery. In New York and Provincetown he studied under Hans Hofmann Eventually he felt that abstract expressionism became dull and stalemated. During the 1960s he showed at the Green Gallery. C. 1960 he was awarded a Fulbright Award allowing him to travel to La Romola, Italy. He traveled frequently to cities such as Rome and worked constantly. Beauchamp returned to the states and lived in Provincetown at Walter Gutman's house, who awarded Beauchamp a grant. That year he met his future wife, Nadine Valenti, whom he married in 1967. Beauchamp taught at a variety of schools during his lifetime including Brooklyn College, School of Visual Arts, Cooper Union and the Art Students League of New York during the last fifteen years of his life. Beauchamp described his drawings as painterly, seeking the spontaneity in an image. He would develop a drawing then a painting, and vice versa. His heavily impastoed paintings, often described as sculptures themselves, came from the pouring of paint from a can, with little planning and constant evolution in the medium upon the canvas. He preferred little planning to his creations, believing that an artists work would become stale and repetitive with constant planning. He also created large scale works, at times 70 inches long. Beauchamp had little intention of ever selling his large works, preferring to create them due to the slow and intense experience he received from the process. The large drawings he created on the floor, and the smaller works were created on a table. Paintings were created on either the floor or wall and he described his painting process as "splattering", "pushing the paint around," and sponging. Animals often appear in his paintings, despite a dislike for domestic animals outside of his artistic creations. He called the characters in his paintings as Beauchamps. Some Beauchamps hold meaning, with Beauchamp rarely sharing the meaning behind the symbols and characters. He made up the creatures himself, seeking to emphasize the character of each. In 2006 the University of Massachusetts Amherst College of Visual & Performing Arts hosted an exhibition of Beauchamp's pieces from the 1960s, curators stated that Beauchamp's work: "effortlessly blends innovative style elements with narrative, descriptive images. One senses equal enjoyment in the manipulation of, and interaction with, color and paint, and the often sudden and unexpected presence of a wasp or a lump of sugar." included in the important exhibit "Twelve New York Painters." New York: David Findlay Jr. Fine Art with Mary Abbott, Alcopley, Robert Beauchamp, Byron Browne, Charles Cajori, Jim Forsberg, Carl Heidenreich, Angelo Ippolito, Emily Mason, Robert Natkin, Robert Richenburg and Nina Tryggvadottir...

Robert Beauchamp (1923 – March 1995) was an American figurative painter and arts educator. Beauchamp's paintings and drawings are known for depicting dramatic creatures and figures with expressionistic colors. His work was described in the New York Times as being "both frightening and amusing,". He was a Guggenheim Fellow and a student of Hans Hofmann. Robert Beauchamp was born in Denver, Colorado in 1923. He had three brothers and three sisters, and the children were orphaned by both parents by the time Beauchamp was three. The family grew up impoverished due to the Great Depression, living in a community house with other families. As a child he dabbled in art but it wasn't until high school that he began taking art classes. When not creating art he also played sports; football and basketball, and enjoyed chemistry and geology. He was told he was good at drawing, and replaced study hall classes with art classes, receiving instruction and inspiration from a Welsh teacher named R. Idris Thomas. While in high school Beauchamp would go, every Monday, to the public library and a local museum where he would read books about art; specifically French painting, as assigned by Thomas. Beauchamp absorbed the tenets of European Modernism and American Abstract Expressionism—with which he eventually broke. While abstraction, with its focus on color and form, underlies his compositions, he filled canvas and paper with psychologically acute portraits of himself and others, nudes, animals, and objects of all kinds. Beauchamp would spend upwards of four hours a day in the art room and eventually won the Carter Memorial Prize, which provided a scholarship to the Colorado Springs Fine Arts Center. At Colorado Springs he studied under Boardman Robinson, painting landscapes in nature. Beauchamp eventually joined the Navy and then returned to Colorado Springs to continue his studies. Traveling the world as an Armed Guard, he spent a year and a half at sea and the rest of the three years in San Francisco. Seeking to make money, and to follow his love for a girl, Beauchamp decided to attend Cranbrook Academy of Art from 1947–1948. There he studied pottery, believing one could "make more money selling pots than you could selling paintings." He described his experience at Cranbrook as intimidating and claustrophobic, and eventually switched to sculpture before switching to painting. Beauchamp moved to New York City in the early 1950s and was involved in the Tenth Street galleries, which provided outlets for more experimental artists and the second generation of abstract expressionists. Despite his involvement with 10th Street and friendships with abstract artists, abstract art never interested in him. He showed at numerous galleries in New York and Provincetown, socializing with gallery owners, artists and collectors. His first exhibition was at the Tanager Gallery in New York, he also showed during the 1950s at the Hansa Gallery. In New York and Provincetown he studied under Hans Hofmann Eventually he felt that abstract expressionism became dull and stalemated. During the 1960s he showed at the Green Gallery. C. 1960 he was awarded a Fulbright Award allowing him to travel to La Romola, Italy. He traveled frequently to cities such as Rome and worked constantly. Beauchamp returned to the states and lived in Provincetown at Walter Gutman's house, who awarded Beauchamp a grant. That year he met his future wife, Nadine Valenti, whom he married in 1967. Beauchamp taught at a variety of schools during his lifetime including Brooklyn College, School of Visual Arts, Cooper Union and the Art Students League of New York during the last fifteen years of his life. Beauchamp described his drawings as painterly, seeking the spontaneity in an image. He would develop a drawing then a painting, and vice versa. His heavily impastoed paintings, often described as sculptures themselves, came from the pouring of paint from a can, with little planning and constant evolution in the medium upon the canvas. He preferred little planning to his creations, believing that an artists work would become stale and repetitive with constant planning. He also created large scale works, at times 70 inches long. Beauchamp had little intention of ever selling his large works, preferring to create them due to the slow and intense experience he received from the process. The large drawings he created on the floor, and the smaller works were created on a table. Paintings were created on either the floor or wall and he described his painting process as "splattering", "pushing the paint around," and sponging. Animals often appear in his paintings, despite a dislike for domestic animals outside of his artistic creations. He called the characters in his paintings as Beauchamps. Some Beauchamps hold meaning, with Beauchamp rarely sharing the meaning behind the symbols and characters. He made up the creatures himself, seeking to emphasize the character of each. In 2006 the University of Massachusetts Amherst College of Visual & Performing Arts hosted an exhibition of Beauchamp's pieces from the 1960s, curators stated that Beauchamp's work: "effortlessly blends innovative style elements with narrative, descriptive images. One senses equal enjoyment in the manipulation of, and interaction with, color and paint, and the often sudden and unexpected presence of a wasp or a lump of sugar." included in the important exhibit "Twelve New York Painters." New York: David Findlay Jr. Fine Art with Mary Abbott, Alcopley, Robert Beauchamp, Byron Browne, Charles Cajori, Jim Forsberg, Carl Heidenreich, Angelo Ippolito, Emily Mason, Robert Natkin, Robert Richenburg and Nina Tryggvadottir...

Antique Horse Painting “Dapple Horse in its Stall” Julius Paul Junghanns (German, 1876-1958) Watercolor, gouache, paper 10 7/8 x 8 1/2 (18 x 5 1/...

Santo (2021) by east coast street artist Sean 9 Lugo Ink, acrylic and marker on paper and mixed media on reclaimed long board skateboard depicting a portrait with a classic Sean 9 L...

Untitled, Serigraph on Paper Edition 18 / 30 12 x 9 inches ( Set of 7 works ) ( Framed & Delivered ) MF Husain , world acclaimed artist has been famous for various of his series ,  ...

The G.O.A.T. (2023) by east coast street artist Sean 9 Lugo Ink, acrylic and marker on paper and mixed media on reclaimed vintage metal street sign...

Swiss artist Fredi Gertsch creates lively colorful pop-folk art paintings with one inexhaustible element: the Emmentaler cow. Humor and optimism are essential traits of the artist: "...

Signed on reverse, 22"x30" available unframed. Thomas Broadbent has shown extensively throughout the U.S. as well as internationally. Broadbent’s work won the Pulse Prize for best s...

This elegant minimal black and white dog painting of a seated English Setter gazing lovingly at his owner, is a contemporary portrait in ink on Ind...

Theodore Waddell's sophisticated modernist paintings have attracted widespread recognition. A native Montanan cattle rancher, Waddell most often paints freely-rendered range animals ...

Kobe (2023) by east coast street artist Sean 9 Lugo Ink, acrylic and marker on paper and mixed media on reclaimed vintage metal "Speed Limit 25" street sign depicting Kobe Bryant we...

Gurucharan Singh - Untitled - 30 x 22 inches (Unframed Size ) Acrylic on Fabriano Paper ( Framed & Delivered ) Born 1949 Exhibitions : Selected Solo Exhibitions 2012 'Twilight...

Acrylic on paper, unframed This artwork hints at the concept of lovers ascending into the cosmos.

Swiss artist Fredi Gertsch creates lively colorful pop-folk art paintings with one inexhaustible element: the Emmentaler cow. Humor and optimism are essential traits of the artist: "...

New Year (2023) by east coast street artists Sean 9 Lugo Ink, acrylic and marker on paper and mixed media on reclaimed vintage metal street sign...

Laser Flip (2020) by east coast street artist Sean 9 Lugo Ink, acrylic and marker on paper and mixed media on reclaimed long board skateboard depicting a portrait of a skater doing ...

No One Cares (2022) by east coast wheatpaste and street artist Sean 9 Lugo Ink, acrylic and marker on paper and mixed media on reclaimed metal triangle shaped street sign depicting ...

Edward 40 Hands (2023) collaborative piece by east coast street artists Sean 9 Lugo and City Kitty Ink, acrylic and marker on paper and mixed media on reclaimed vintage metal STOP s...

The Things U Do (2023) by east coast wheatpaste and street artist Sean 9 Lugo Ink, acrylic and marker on paper and mixed media on reclaimed metal diamond shaped street sign depictin...

The Things U Do (2023) by east coast wheatpaste and street artist Sean 9 Lugo Ink, acrylic and marker on paper and mixed media on reclaimed metal diamond shaped street sign depictin...

Gurucharan Singh - Untitled - 29.5 x 22.5 inches (Unframed Size ) Acrylic on Fabriano Paper ( Framed & Delivered ) Born 1949 Exhibitions : Selected Solo Exhibitions 2012 'Twil...

Brodie the Don (2023) by east coast street artist Sean 9 Lugo Ink, acrylic and marker on paper and mixed media on reclaimed vintage metal "BICYCLE" street sign depicting a classic S...

This elegant minimal black and white dog painting of a seated English Pointer which has turned his head to hear his owner speak, is a contemporary portrait in ink on Indian rag paper...

Gurucharan Singh - Untitled - 30 x 22 inches (Unframed Size ) Acrylic on Fabriano Paper ( Framed & Delivered ) Born 1949 Exhibitions : Selected Solo Exhibitions 2012 'Twilight...

Kartick Chandra Pyne - Laxmi's Consort 19 x 14.5 inches (unframed size) Watercolour on Thick Imported Paper, 2003 ( Unframed & Delivered ) Style : After graduating from the Government College of Art and Crafts, Calcutta in 1955 Pyne began to move away from the tenets of both classical Indian and Western art to respond to the beckoning of his own artistic impulses. Landscapes fascinated him initially. But along with the world of nature and flora emerged his own reconstructed images of fauna that often signified as metaphors of human passion and energy, and his paean to the elemental magic of women. This transition may have risen from his penchant for human psychology and observing the intricacies of human behavior. An inveterate introvert, the world of workaday reality does not attract Pyne as much as lower depths of psyche and the transformed world out of his fancy. Adherents of Surrealism thought that the horrors of World War I were the culmination of the Industrial Revolution and the result of the rational mind. Consequently, however, irrational thought and dream-states were viewed as the natural antidote to those social problems. The Surrealist diagnosis of the ‘problem’ of the realism and capitalist civilisation is a restrictive overlay of false rationality, including social and academic convention, on the free functioning of the instinctual urges of the human mind. The Surrealist ethos also connected itself with the theories of Sigmund Freud who asserted that unconscious thoughts do motivate human behaviour while advocating free association and dream analysis to reveal subterranean thoughts. In the case of Pyne too, his artistic vision does not adhere to logic because he does not see with his eyes but rather through his subconscious mind -- in an act of surrender to the liberty of his dreamy vision -- with little control over the wanton caprice of his depictions. So, in this distinctive vein, he is perhaps the most seminal surrealist of the contemporary Indian art. About the Artist and his work : Born : 1937 in Calcutta, West Bengal. Education : 1955 Diploma in Fine Arts, Govt. College of Art and Craft, Calcutta. Exhibitions : 1961 : AIFACS, New Delhi. 1967, 80, 82 : Academy of Fine Arts, Calcutta. 1968-87 : Lalit Kala Akademi, New Delhi. 1968 : Jehangir Art exhibition, Bombay. 1979 : 100 Years of Modern Indian Art...

DAVID JAMES GILHOOLY (American, 1943-2013), Mixed media collage 6 x 4 inches, Hand signed and dated verso titled: "Many frivolous titles come to mind" A man on horseback, man and horse. cut and pasted cardstock assemblage, collaged art. David Gilhooly RCA (1943 – 2013), was an American ceramicist, sculptor, painter, printmaker, and professor. He is best known for pioneering the Funk art movement. He made a series of ceramic frogs called FrogWorld, as well as ceramic food, planets, and other creatures. David James Gilhooly III was born on April 15, 1943, in Auburn, California. He was raised in Los Altos, California; Saint Croix in the Virgin Islands; and Humacao, Puerto Rico. He enrolled in University of California, Davis (UC Davis) initially studying biology, followed by anthropology, and ending with a focus on fine art. While attending UC Davis, Gilhooly served as artist Robert Arneson assistant starting in 1963. He graduated from UC Davis with a BA degree in 1965, and an MA degree in 1967. Gilhooly, together with Robert Arneson, Peter Vandenberge...

This charming minimal black and white dog painting of a Papillon with his wing like ears is a contemporary portrait in in on Indian rag paper which...

Swiss artist Fredi Gertsch creates lively colorful pop-folk art paintings with one inexhaustible element: the Emmentaler cow. Humor and optimism are essential traits of the artist: "...

This lovely minimal black and white dog painting of a Bassett Hound, is a contemporary portrait in ink on Indian rag paper which displays Ian Mason's unique ability to harmoniously i...

This is an original oil painting on paper that was then mounted onto canvas. It was created by Rosa Bonheur and has the artist's stamp on the verso of the canvas, as well as the fram...

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Oil painting, 19th century, seascape with ducks. Age-related condition. Dimensions with frame.

Dynamic and abstracted still-life artworks are the specialty of Georgia-based artist Kellie Newsome. Her work is characterized by a loose and expressive style emphasizing line struct...

Swiss artist Fredi Gertsch creates lively colorful pop-folk art paintings with one inexhaustible element: the Emmentaler cow. Humor and optimism are essential traits of the artist: "...

Columbus, Georgia (USA) based artist Kellie Newsome specializes in dynamic and abstracted still-life artworks. Her expressive style emphasizes line structure, creating vibrant painti...

my cat original ink drawing realist painting Manel Font Díaz (Barcelona, 1950) es un artista centrado especialmente en la pintura, primero formado en la facultad de Bellas Artes de...

"Commanding Curve" is a captivating watercolor painting on rag paper that beautifully portrays the freedom horse riding allows. The artwork depicts a woman with short brown hair grac...

Fiocchetto is an artwork realized by Elica Balla (Rome,1914 - 1993) Hand signed lower right. Hand signed and titled o rear. Good conditions!

Waddell's paintings are a combination of rough marks, thick paint, transparent elegant strokes, and, on a few occasions a slow, hard line scratched into the canvas. You can feel the ...

Shop "Returning Life" by Tapas Das, an Indian contemporary artist. This one-of-a-kind contemporary artwork is made with tempera on paper medium. Artwork Description: The constant us...

"Victory Gallop" is a mesmerizing watercolor on textured rag paper, capturing the essence of the Bon Vivant lifestyle. A woman, adorned in resplendent garments and an exquisite hat, ...

Sunil Das - Bull, 16 x 11 inches ( Unframed sizes ) Mixed Media on Paper, 2006 ( Unframed & Delivered ) Sunil Das (1939-2015) was a Master Modern Indian Artist from Bengal. Extreme...

Pankaj Panwar Pastel on Paper, 6 x 9 inches (Unframed Size) 2017 (Each) Set of 2 works ( Delivered unframed ) Born : 1961. Education : 1988 - M.F.A. (Sculpture) from Fine Arts Faculty, M.S. University, Baroda. 1986 - B.F.A. (Sculpture), Kala-Bhavana, Visva-Bharati University, Santlniketan.1989-1990 - Post-Experience Diploma in Sculpture, Royal College of Art, London, UK . Professor in Sculpture, Kala-Bhavana, Visva-Bharati University, Santiniketan, W.B. India. Select Solo Exhibitions : 2008 Aicon Gallery, Palo Alto. Grosvenor Museum, Chester, UK. R. C. A., London, UK . Leeds City Art Gallery, Leeds, UK Art-Heritage, New Delhi. Select Group Exhibitions : 2008 Shaptarishee, Sculpture in Steel, organized by Depika Jindal, by curated Alka Pandey, Habitat center, New Delhi . Edge of Desire – Idioms of Indian & Italian Contemporary Art, NGMA, Kolkata, Bombay; New Delhi. The Human Figure, Gallery Threshold, New Delhi. Entrusted, Charles Wallace Trust, New Delhi . Continuity, Disjuncture, Creativity, Akar Prakar, Kolkata. Tale of Two Cities, Birla Academy, Kolkata; Mumbai . Hundred and Fifty years of Art of Bengal, CIMA, Kolkata; Mumbai. Multi Media Art...

Pankaj Panwar Pastel on Paper, 6 x 9 inches (Unframed Size) 2017 (Each) Set of 2 works ( Delivered unframed ) Born : 1961. Education : 1988 - M.F.A. (Sculpture) from Fine Arts Faculty, M.S. University, Baroda. 1986 - B.F.A. (Sculpture), Kala-Bhavana, Visva-Bharati University, Santlniketan.1989-1990 - Post-Experience Diploma in Sculpture, Royal College of Art, London, UK . Professor in Sculpture, Kala-Bhavana, Visva-Bharati University, Santiniketan, W.B. India. Select Solo Exhibitions : 2008 Aicon Gallery, Palo Alto. Grosvenor Museum, Chester, UK. R. C. A., London, UK . Leeds City Art Gallery, Leeds, UK Art-Heritage, New Delhi. Select Group Exhibitions : 2008 Shaptarishee, Sculpture in Steel, organized by Depika Jindal, by curated Alka Pandey, Habitat center, New Delhi . Edge of Desire – Idioms of Indian & Italian Contemporary Art, NGMA, Kolkata, Bombay; New Delhi. The Human Figure, Gallery Threshold, New Delhi. Entrusted, Charles Wallace Trust, New Delhi . Continuity, Disjuncture, Creativity, Akar Prakar, Kolkata. Tale of Two Cities, Birla Academy, Kolkata; Mumbai . Hundred and Fifty years of Art of Bengal, CIMA, Kolkata; Mumbai. Multi Media Art...

Swiss artist Fredi Gertsch creates lively colorful pop-folk art paintings with one inexhaustible element: the Emmentaler cow. Humor and optimism are essential traits of the artist: "...

"Mule I" Charcoal on Paper Drawing 12.5" x 20.5" inch by Ahmed Saber AHMED SABER - BIO Ahmed Saber is an Egyptian artist based in Luxor in U...

Cultures across Europe and Asia Minor saw the killing of a boar as proof of one's valor and strength. In this painting the boar is depicted as the sufferer whereas the other elements...

33.5x27, sight size 28x22 Lionel Kalish born 1931 New York, NY A painter and childrens book illustrator. Education: 1951 Cooper Union of the Advancement of Science and Art, New York, NY Selected Solo Exhibitions: 1978 Forum Gallery, New York, NY 1980 Galerie Brusberg, Hannover, Germany 1981 ACA Galleries, New York, NY 1982 Galerie Stubler, Frankfurt Germany 1984 Galerie Brusberg, Berlin, Germany 1990 Sid Detuch Gallery, New York, NY 1994 Lewis Newman Galleries, Beverly Hills, CA Galerie Brusberg, Berlin, Germany 1996 The Horwitch Newman Gallery, “Italy: The Poetry of Landscape,” Scottsdale, AZ Gremillion & Co. Fine Arts, “Italy: The Timeless Landscape,” Houston, TX 1997 Hoorn-Hashby Gallery, “Color and Light: The Italian Façade...

Dynamic and abstracted still-life artworks are the specialty of Georgia-based artist Kellie Newsome. Her work is characterized by a loose and expressive style emphasizing line struct...

Haymaking time 1930, pastel on paper, 30x39 cm "Haymaking Time" is a serene and evocative artwork that transports viewers to a simpler time, celebrating the beauty of the countryside and the age-old agricultural activities that have shaped the lives of people for generations. The use of pastels and the light figurative style imbue the artwork with a sense of warmth and nostalgia, inviting viewers to appreciate the natural rhythms of rural life. Aleksandra Belcova...

This painting is inspired by the colours of an old Persian carpet and its background, jal, with its colour schemes have been subtly incorporated here. The panther represents the raw,...

Circus Paper, mixed media, 27,5x39,5 cm ''Circus'' is a delightful and cheerful composition that celebrates the enchanting world of the circus, inviting viewers to immerse themselves in the captivating and joyous experience that only a circus can provide. The artist has skillfully combined various materials and techniques to bring the circus-themed artwork to life. The use of mixed media allows for a dynamic and multi-dimensional visual experience, where different textures and colors blend harmoniously to create an engaging spectacle. Aleksandra Belcova...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on Mulberry paper, which mimics the swirl of water, the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options. Jeff Conroy Fontainebleau sumi ink and colored pencil on mulberry paper 12.50h x 18.25w in 31.75h x 46.35w cm JEC120 Gyotaku - A Japanese word translated from "gyo" meaning fish and "taku" meaning stone impression and is believed to get its inspiration from Chinese stone rubbings...

Swiss artist Fredi Gertsch creates lively colorful pop-folk art paintings with one inexhaustible element: the Emmentaler cow. Humor and optimism are essential traits of the artist: "...

Swiss artist Fredi Gertsch creates lively colorful pop-folk art paintings with one inexhaustible element: the Emmentaler cow. Humor and optimism are essential traits of the artist: "...

A small octopus is inked in the Japanese style of Gyo-Taku print making. Using sumi ink to "print" the octopus, the artist then embellishes it with colored pencil to convey an extraordinary dimensionality. By printing it on Mulberry paper, which mimics the swirl of water, the artist achieves a beautiful aesthetic. The artwork is unframed. Please contact the gallery for framing options. Jeff Conroy Blue Blood...