Shelley Reed

These Green Pastures

2021

This is an oil painting on canvas and is monochromatic black. Reed's primary focus has been the rich vein of Northern European art from the mid-17th through 18th centuries, a period of enlightenment and profound interest in science, nature, and the animal world. Animals were assigned human traits (peacock:vanity; dog:fidelity), and nature itself was considered a symbol of God's providence - a commonly held belief within the stratified, gentry dominated social order of the time. Reed (b. 1958, New York, NY) lives and works in Boston, MA. She is a recipient of the Boston Museum of Fine Arts Maud Morgan...

This is a framed painting. This painting is oil on paper, and is monochromatic black. Reed's primary focus has been the rich vein of Northern European art from the mid-17th through 18th centuries, a period of enlightenment and profound interest in science, nature, and the animal world. Animals were assigned human traits (peacock:vanity; dog:fidelity), and nature itself was considered a symbol of God's providence - a commonly held belief within the stratified, gentry dominated social order of the time. Reed (b. 1958, New York, NY) lives and works in Boston, MA. She is a recipient of the Boston Museum of Fine Arts Maud Morgan...

This is a unframed painting and is painted in the influence of the artist Duranti. This painting is oil on paper, and is monochromatic black. Reed's primary focus has been the rich vein of Northern European art from the mid-17th through 18th centuries, a period of enlightenment and profound interest in science, nature, and the animal world. Animals were assigned human traits (peacock:vanity; dog:fidelity), and nature itself was considered a symbol of God...

This is a framed painting. This painting is oil on paper, and is monochromatic black. Reed's primary focus has been the rich vein of Northern European art from the mid-17th through 18th centuries, a period of enlightenment and profound interest in science, nature, and the animal world. Animals were assigned human traits (peacock:vanity; dog:fidelity), and nature itself was considered a symbol of God...

Adirondack artist Judy Scammell is well known for immersing her viewers in the personality and essence of her animal subjects. Her unique portraits capture the intelligence and supre...

Todd Horton lives and paints full time on Samish Island, Washington. His work involves landscape and wildlife with elements of chance that play between realism and abstraction. His ...

Conradijn Cunaeus ( Dendermonde 1828-1895 Nieuwer-Amstel ), Two friends. Oil on canvas cm 100 x 118 signed lower right.

This beautifully painted oil painting depicts a serene scene of a goat mother and her kid grazing in the forest thicket. The little goat has nothing to fear, because his mother is ne...

As we gaze upon this artwork, we are immediately struck by the warmth and tenderness exuding from the scene. The woman, with a gentle smile on her face, carefully feeds the pet calf,...

Сollaboration work by two Norwegian artists: Morten Müller (1828-1911) and Olaf Christopher Dahl (1842-1895). Painted approximately in late 19th century (ca. 1870 - 1880). And this rare and awesome work of art should be considered for museum collection as well. Both painters presented in National Museum Oslo, Norway. Contrast picture of light and shadow, calm pastoral below and sky drama above. Oil painting on canvas, framed. Size app.: 46 x 69 cm (roughly 18.1 x 27.2 in), with frame 60 x 84 cm cm (roughly 23.6 x 33.1 in). Good condition with wear, tiny losses to paint in minor areas and craquelure. So it needs minor care and conservation. Please study good resolution images for overall cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 4.4 kg is going to measure some 6 kg volume weight packed for shipment. Morten Müller - was born by the Christianiafjord at Holmestrand, in Vestfold County, Norway. Morten Müller began his art studies with Adolph Tidemand and Hans Gude in Düsseldorf, Germany, from 1847 to 1848. From 1850 he was again a student at the Kunstakademie Düsseldorf, with Johann Wilhelm Schirmer as a teacher. From 1850 to 1851, Müller painted with the Swedish landscape painter Marcus...

The painting depicts a French cuirassier in full combat gear on a mounted patrol, peering into the distance... The powerful physique of the rider and his horse inspires awe and fear ...

Oil painting of horses and hounds set on a country road, this is a contemporary 20th century landscape painting in excellent condition. The color is c...