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'Spaniel and Sleeping Cat' , Unknown, Oil on Canvas Painting, 19th c.

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"Conquest," by Vojna Bastovanovic Casteel, is a framed oil on canvas painting from 2021 that features an image of a running horse. Rendered in cool values of blue, purple, white, gray, the painting also features accents of warmer colors like pinks, tan and cream. The cropped view of the running horse accentuates its impression speed, while the emphasis on the rendering of its muscles heightens the physicality of the animal. The urgency of the scene is accentuated by what appears to be an approaching storm. Award winning Serbian artist Vojna Bastovanovic Casteel is known for artworks with natural elements, like people and animals (usually wild tigers and lions), that show selective flashes of realism often distorted by an abstract background. In her professional career, she has created hundreds of square meters of portrait mosaics for public spaces and large churches...

The rapid pace of the ride over a country landscape and the relationship between the rider and horse are felt in this oil on canvas painting by Chris Brizzard...

This 12"x12" oil painting by George Oswalt features a masked female face celebrating the 'Day of the Dead'. The piercing aqua blue eyes of the model inv...

This surrealistic acrylic painting on canvas by Dragana Milovic depicts her impressions and dream images after moving to the central US. As a Serbian ...

This 38" x 26.25" acrylic on canvas painting by artist Katarina Dordevic refers to the transformation of the form and visual integrity, the conversion of samples displaced from the authentic temporal and spatial frames. The objects in the painting cannot be directly linked to the content of the literary origin or motif. These segments are quotes of descriptive elements from prehistoric votive sculptures of idols (the Paleolithic culture from Lepenski vir, the oldest urban settlement in Europe, situated at the banks of the Danube river, around 8,5 millennia old. They were shaped as unique anthropomorphic entities that represented presumably river deities. The meanings that were given to these symbolical sculptures changed over time, but the strange expression of the stone idols...

This large scale 76" x 90" mixed media canvas painting by XVALA features a Basquiat-style large red creature predominantly placed on the canvas against a light blue background. Other colors include varying blues, golds and black. Acrylic paint, spray paint and oil stick were used on a linen canvas. XVALA's art illuminates the hidden fallout spawned from our high tech Internet age. His 'Fear Google' campaign exposed the decay of privacy and 'No Delete' used hacked nude celebrity photos to highlight loss of control over personal information. The artist has worked with trash from the homes of Mark Zuckerberg, Steve Jobs, and others, as well as dirt from the graves of George Orwell and Aldous Huxley. The dirt appears in the New World Order collection as part of a pyramidal, 3D printed, living ant farm...

A 19th century portrait of a dark bay horse standing in an extensive English landscape by David Dalby of York (fl.1797-1836). Oil on canvas in a giltwood p...

This fine mid-19th-century oil painting by British artist Edmund Bristow (1787-1876) depicts a farmhouse with a saddled white mare taking water while a cockerel looks on. An older ma...

A painting of a chestnut hunter in a landscape with a horse and rider accompanied by two hounds by a woodland river in the distance. Signed and inscribed 'Melton Mowbray', lower left. Oil on canvas in a giltwood frame. John Ferneley Sr (1782-1860) was born the son of a Leicestershire wheelwright, the youngest of six children. He is known as one of the great British equine artists, perhaps only second to Stubbs in terms of raw ability. Ferneley originally worked with his father, until by chance the Duke of Rutland saw some of his work on the side of a cart on which Ferneley and his father had been working. The Duke was so impressed with Ferneley that he persuaded John's father to allow him to become the pupil of Benjamin Marshall. Ferneley was so talented that apparently he produced almost perfect copies of his tutor's paintings and they were said to have been indistinguishable from the master’s. Marshall also enrolled him as a student of the Royal Academy Schools. In 1804 Ferneley paid a man named Thomas Harrison...

Circle of George Stubbs (1724-1806). English 18th century portrait of a water spaniel standing in a wooded landscape. This charming painting is a wonderful example of the style of English dog painting made popular by artists such as George Stubbs and other sporting artists working in England in the 18th century who painted the dogs and horses of the aristocracy and wealthier classes. It follows in the ancient tradition of celebrating and commemorating our faithful canine companions through portraiture. Oil on canvas in a giltwood frame Provenance: Private collection, Somerset George Stubbs (1724-1806) was classified in his lifetime as a sporting painter, and as such was excluded from full membership of the Royal Academy. He is best remembered for his paintings of horses and his conversation pieces. Having studied anatomy, Stubbs's pictures of horses are among the most accurate ever painted. Stubbs was born in Liverpool, the son of a leather worker...

The English Hunting Party late 20th century signed oil on canvas, framed framed: 21 x 25.5 inches canvas: 16 x 20 inches provenance: private collection, UK condition: very good and s...

Children with dog Jean Philipe Moreno Italia 2002 Oil on canvas mis. cm. 70x55 Moreno is a traditional painter who observes and studies the great masters of the 18th century, together with his own personality he creates original works with mastery and artistic skill. This is a reinterpretation of the London Master Arthur John Elsley...