Chris Brizzard

'Rider at Sunset' Equestrian and Horse Oil on Canvas Painting by Chris Brizzard

2020

This 12"x12" oil painting by George Oswalt features a masked female face celebrating the 'Day of the Dead'. The piercing aqua blue eyes of the model inv...

This classic English school 12 x 16 in. Oil on Canvas framed painting features a pet Spaniel and cat resting on a desk in a home study environment. The dog is seated, its body facing...

"Conquest," by Vojna Bastovanovic Casteel, is a framed oil on canvas painting from 2021 that features an image of a running horse. Rendered in cool values of blue, purple, white, gray, the painting also features accents of warmer colors like pinks, tan and cream. The cropped view of the running horse accentuates its impression speed, while the emphasis on the rendering of its muscles heightens the physicality of the animal. The urgency of the scene is accentuated by what appears to be an approaching storm. Award winning Serbian artist Vojna Bastovanovic Casteel is known for artworks with natural elements, like people and animals (usually wild tigers and lions), that show selective flashes of realism often distorted by an abstract background. In her professional career, she has created hundreds of square meters of portrait mosaics for public spaces and large churches...

This 38" x 26.25" acrylic on canvas painting by artist Katarina Dordevic refers to the transformation of the form and visual integrity, the conversion of samples displaced from the authentic temporal and spatial frames. The objects in the painting cannot be directly linked to the content of the literary origin or motif. These segments are quotes of descriptive elements from prehistoric votive sculptures of idols (the Paleolithic culture from Lepenski vir, the oldest urban settlement in Europe, situated at the banks of the Danube river, around 8,5 millennia old. They were shaped as unique anthropomorphic entities that represented presumably river deities. The meanings that were given to these symbolical sculptures changed over time, but the strange expression of the stone idols...

This 39.37" x 27.55" Acrylic on Canvas Painting by Katarina Dordevic examines the possibilities of presenting an idea with the limited use of visual elements and figuration in the v...

This Acrylic Modernist still-life on Canvas Painting depicts a gray Siamese cat seated on a tabletop amongst ceramic and glass vessels containing plants, rocks and flowers. A renderi...

This monumental painting is by the celebrated Dutch artist Otto Eerelman, one of 19th-century Europe's most popular and important animal portraitists, an...

A magnificent oil painting of grand proportions by the great British academic artist William Strutt RBA FZS of lions, elephants and zebras at a watering hole. William Strutt RBA FZS...

Signed and dated '1901' lower left

William Holt Yates Titcomb (British, 1858 – 1930) Gulls at St. Ives bay Oil on canvas Signed ‘W. H. Y. TITCOMB’ (lower right) 34 x 44 in. (86.3 x 111.8 cm.) Frame measurements: 110.3 x 136 cm.) William Holt Yates Titcomb (1858 - 1930) was an English artist. He was a figurative oil painter, particularly known for his depictions of the Cornish fisherfolk. Titcomb was born in Cambridge, the eighth child and first son of the Rev. Jonathan Holt Titcomb and his wife Sarah. He was educated at Westminster School in London and began his art training at the South Kensington School. His father was appointed the first Bishop of Rangoon, Burma in 1877 and Titcomb joined him there in December 1880. In Burma he made a series of paintings and sketches of life in the local monasteries. Titcomb was taught in Paris by Gustave Boulanger and at the Royal College of Art in Antwerp by Charles Verlat. He married Jessie Ada Morison, in 1892. She was also an artist, living at the time in St. Ives, Cornwall. His painting Primitive Methodists at Prayer, was displayed at the Dudley Museum and Art Gallery in 1889. It won many international medals and was the first of three paintings that Titcomb completed of the Primitive Methodist congregation of Fore street, St. Ives. In 1909, Titcomb settled in Bristol, where he was already an elected Academician of the Bristol Academy...

Signed landscape oil on canvas circa 1890 by French Academic painter Marie-Francois Firmin-Girard. The work depicts a farmyard filled with animals - cows, horses, chickens and ducks. Signature: Signed lower left Dimensions: Framed: 29"x35" Unframed: 20"x26" Provenance: Private French collection As a very young man in 1854, Firmin Girard entered the studios of Charles Gleyre...

Charming impressionist oil on canvas from the late 19th century representing a view of a quay in Rouen on the Seine with a herd on pasture and Rouen Cathedral...