Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Carlos Tirado
American Flag

About the Item

Carlos J. Tirado (born on April 3, 1964 in Caracas, Venezuela) is an artist, painter and sculptor who has developed a very personal and precise line of work linked to Neo-Pop art. With plenty of personal art exhibitions, Tirado has participated in numerous collective exhibitions, receiving different awards such as “III Premio de Escultura” del Certamen Aires de Córdoba in 2004 and other recognitions, among them, at the Venezuelan Embassy in DC (2005), and the X Latin Art Festival of Atlanta (2005). Childhood Tirado grew up in an upper-middle-class family environment. His inclination for the arts started from an early age. At 8 years old, he was already experimenting with tridimensional forms, creating molds out of cast lead from pieces previously gathered on the streets. These first artistic experiences led by his inquisitive nature, provided the ground to continue exploring the possibilities with different materials like wood, waste and plaster. His childhood games were centered around painting and sculpting, which played an important role that ranged from recreational to aesthetics. When Tirado turned 12 years of age, his parents agreed for him to attend private art classes with professor Javier Hernandez in Caracas. Later on, he realized that Art was a profession that required investment in materials, reason that led him to work at a furniture store painting landscapes and figurative art to decorate the exhibit room. He created numerous paintings of Caracas’ famous mountain: El Avila, and other art pieces that not only served as a source of income, but more importantly, led him to deepen his figurative expression. In 1985, he started drawing comic sets for a renowned newspaper El Diario de Caracas, alongside Jorge Blanco. This is when “Alfredo” was born, a cartoon character that has been part of Tirado all of his life. “Alfredo” has been featured in other newspapers like El Venezolano (in Miami, Florida). His presence in El Diario de Caracas was the beginning of a series of other comic characters that later were chosen by private companies as images for personal improvement and corporate safety programs. After finishing High School, Tirado decided to study Art. However, that was not part of his parents’ plan, to which he agreed to study Law at the Universidad Santa Maria in Caracas at night, at his parents request, while attending Art School at the Escuela Cristobal Rojas during the day. He graduated from Law School in 1991. His art studies have never stopped. Artistic Career He moved to South Florida and started working with materials that were very different from what he used in Venezuela, which in some cases were very restrictive and different: the river sand found in his country was substituted in his art work for a fine, white sand from ground coral, that resulted in a totally different outcome from the art pieces created in his native country. From this point on, a new series of Black and White artwork is born. With the use of coral sand mixed with black resin over different objects, Tirado recreated the objects and people found in the ruins of Pompeii, covered in ashes and lava, soaked by time. These pieces have a calcified look with an intense black hue that resembles raw petroleum. This art evokes the look of a city that could be covered in ashes from a Volcano, and at the same time, it is a metaphor for Caracas and its oil-covered society. The Antipixel Tirado agrees that he feels an attraction towards Pop-art . One of his major impulses has been to humanize those mass-reaching characters like comic characters, with common problems as any individual living in an everyday environment. Nevertheless, his major contribution has been his personal language representing these themes, which indeed resembles Pop Art, but with a twist that Tirado has been able to accomplish after years of investigation and research. In search of his own expression, he decided to recycle an already existing man-made material, changing its original purpose. He opts to use an approximate 600-pantone-color chart from exterior paints at home improvement stores. The strategic combination of these samples based on the principles of collage: cutting and pasting produce a marvelous pixel-like image of outstanding beauty and allure. In the digital realm, a pixel is the smallest chromatic unit of an image. In Tirado artistic expression this concept is inverted creating an interesting game as a result of his investigation. He manually cuts one-color pieces, positions and pastes them over the canvas, looking to create a desired image. In some instances, he applies small touches of color over the canvases. This technique, also known as “anti-pixel” by some art critique, simulates the pixelated look of an over-zoomed digital picture; however, when viewed in detail, is clear that the process is very different in Tirado work, as he begins breaking the digital logic: instead of taking the image to its minimum chromatic expression, he builds off that minimum expression. In fact, they are not realistically minimal since the materials (paint samples) used by the artist measure approximately 10 x 10 cms. Using this technique, Tirado has created portraits of internationally recognized characters (presidents, renowned politicians, and artists) and pop culture icons (Marilyn Monroe, Monalisa, and cartoon characters, among others). Tirado has participated in numerous collective art exhibitions, like Nobe 67 Art (Miami, 2008), Art Shangai 2004 and 2011, Florencia’s Biennal (2011), Mérida-Mexico Biennal, among others.
  • Creator:
  • Dimensions:
    Height: 30 in (76.2 cm)Width: 40 in (101.6 cm)Depth: 3 in (7.62 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Atlanta, GA
  • Reference Number:
    1stDibs: LU155528638942
More From This SellerView All
  • Desduno Frente a la Ventana, 2003
    By Graciela GENOVES
    Located in Atlanta, GA
    Graciela Genovés was born on October 24th, 1962. She graduated from the University of La Plata (Argentina) as a Professor and Licentiate in Fine Arts and subsequently worked at the U...
    Category

    21st Century and Contemporary Modern Figurative Paintings

    Materials

    Oil

  • Frente al Espejo, 2002
    By Graciela GENOVES
    Located in Atlanta, GA
    Graciela Genovés was born on October 24th, 1962. She graduated from the University of La Plata (Argentina) as a Professor and Licentiate in Fine Arts and subsequently worked at the U...
    Category

    21st Century and Contemporary Modern Figurative Paintings

    Materials

    Oil

  • Falling II, 2011
    Located in Atlanta, GA
    Harry Holland is widely regarded as one of Britain’s finest figurative artists. Using classical techniques to realise his contemporary figurative paintin...
    Category

    20th Century Modern Figurative Paintings

    Materials

    Oil

  • Boat Twelve, 2011
    Located in Atlanta, GA
    Harry Holland is widely regarded as one of Britain’s finest figurative artists. Using classical techniques to realise his contemporary figurative paintin...
    Category

    20th Century Modern Figurative Paintings

    Materials

    Oil

  • En el Florida Garden, 2003
    By Graciela GENOVES
    Located in Atlanta, GA
    Graciela Genovés was born on October 24th, 1962. She graduated from the University of La Plata (Argentina) as a Professor and Licentiate in Fine Arts and subsequently worked at the U...
    Category

    21st Century and Contemporary Modern Figurative Paintings

    Materials

    Oil

  • El Otoño del Pintor, 2006
    By Graciela GENOVES
    Located in Atlanta, GA
    Graciela Genovés was born on October 24th, 1962. She graduated from the University of La Plata (Argentina) as a Professor and Licentiate in Fine Arts and subsequently worked at the U...
    Category

    21st Century and Contemporary Modern Figurative Paintings

    Materials

    Oil

You May Also Like
  • Three Figures
    By Wifredo Lam
    Located in Beverly Hills, CA
    Provenance: Cernuda Art, Coral Gables Private Collection, Los Angeles
    Category

    1970s Modern Figurative Paintings

    Materials

    Canvas, Oil

  • "Jesus y Los Pescadores", Alvar Sunol, Modern Cubist, 59x59, Original Oil
    By Alvar Sunol Munoz-Ramos
    Located in Dallas, TX
    "Jesus y Los Pescadores" by Alvar Sunol is an original oil on canvas painting and measures 59 x 59 inches. This painting incorporates Alvar's favorites drawing inspiration of mixing ...
    Category

    2010s Modern Figurative Paintings

    Materials

    Canvas, Oil

  • "In Front of the Store"
    By Charles Robert Searles
    Located in Lambertville, NJ
    Jim’s of Lambertville is proud to offer this artwork. Signed and dated lower right. Illustrated in "Charles Searles" 2013 exhibition catalog (La Salle University Art Museum / Tyler School of Art) pg. 195 Charles Searles (1937-2004) He was born in Philadelphia, PA and received his fine art education at the Pennsylvania Academy of Fine Art (PAFA) from 1969-72. He also attended the University of Pennsylvania for liberal arts studies, where he worked in the labs beside the scientists and engineers creating technical illustrations for text books. His early paintings embraced the tumultuous 60's and also reflected his own family life and surroundings. Before graduating the PAFA, Searles received the Cresson Memorial Traveling Scholarship, and the following year, the Ware Memorial Traveling Scholarship. He was the first student to use these funds to travel to Africa. His travels in Africa marked his life and work forever -- the life, the rhythms, the patterns, and the energy. Searles returned to Philadelphia and began teaching at the Ile Ife Cultural Center. It was then that he began his "Dancer" Series. This series marked a change in his life, celebrating his new sense of renewal and the African experience. He was awarded his first mural commission at the William G. Green Federal Building. This work, entitled "Celebration" is still on view today. At that time, he was also hired as a drawing teacher at the (then) Philadelphia College of Art, where he remained a professor for over twenty years. In 1978, Searles moved to New York City. He found a large, raw space -- an old sewing factory -- on Broadway and Bleeker where he would remain for the rest of his life. He continued to commute to Philadelphia teaching part time. He met Kathleen Spicer, an art student, in 1983. They married in 1985. Together, they shared a wonderful, open, artistic, social, and creative experience. Searles gradually moved away from painting and into sculpture. His sculptures maintained the vibrant color and patterns from his paintings, but seemed to dance in three dimensions. These new works embodied a live sense of rhythm and energy -- trademarks that he maintained throughout his career, whether in wood, bronze, or aluminum. In his lifetime, Charles Searles participated in over 60 group shows, and 25 solo exhibitions. He was represented by the Sande Webster Gallery in Philadelphia for over 20 years. His paintings and sculptures can be found in innumerable public and private collections. Public commissions include the Delaware River Port Authority, the NYC Mass Transit Authority, the First District Plaza in Philadelphia, and the Amtrak station in Newark, NJ. He was the recipient of many awards, including ones from the Pollock-Krasner Foundation, the Adolph and Esther Gottleib Foundation, the Creative Arts Project Fellowship, and the National Endowment for the Arts. His wife of 23 years, Kathleen Spicer adds: "Charles was his work, and his work was him. Inseparable. Our lives were all about art. We lived each day as if it was a gift. To me, he was enchanted. His vision was clear -- he could envision something and make it come to life as easy as breathing. Genius. Charles made the world a better place. Charles speaks loud and clear." Bio courtesy of Kathleen Spicer (Searles) Selected Periodical Citations: Newhall, Edith, "Dual Celebration of Self-expression", Philadelphia Enquirer, May 2013 Fabbri, Anne, "A Farewell to Charles Searles", Art Matters, January 2005 Cornell University Review, August 2000 O'Neill, Denise I., "Black Experience Puts Soul Into the Heart of Christmas", Chicago Sun-Times, December 1996 Gleuck, Grace, Review, The New York Times, December 1996 McBride, Octavia, "An Artist Acclaimed", Philadelphia Tribune, April 1993 Fox, Catherine, "National Black Arts Festival Program Guide", The Atlanta Journal, July 1990 Wilson, William, "Black Artists in Tune with Ancestors", Los Angeles Times, January 1990 Jamusch, Ann, "Special Show-Legacy of Black Art", Dallas Times Herald, January 1990 Binkley, Barbara, "Colors, Bright and Bold", The Daily News, April 1986 Grafly, Dorothy, "Charles Searles at Neumans", ART in Focus, Summer 1978 Crittendon, Denise, "Back Home from Nigeria", The Michigan Chronicle, December 1977 Garrett, Bob, Art Section Review. Boston Sunday Herald, November 1975 Patry, Louise, "A Jubilee of Afro-American Art in Boston", New England Journal, December 1975 Wright, Charles, "Paint Art Racist", The Village Voice, April 1971 Nelson, Nells, "Black Artists Rise Above the Tempest", Philadelphia Daily News, April 1971 Canaday, John, "Black Artist on View in Two Exhibitions", The New York Times, February 1970 Collections: - Philadelphia Museum of Art - The Woodmere Art Museum - Smithsonian Institute of American Art - Pennsylvania Academy of the Fine Arts - LaSalle University Art Museum - Howard University Gallery of Art - Dallas Museum of Art - Delaware Valley Arts Alliance - Montclair Museum of Art - Afro-American Historical & Cultural Museum - Museum of Afro-American History - 35 + corporate collections - National & international private collections 75+ Group Exhibitions, Including: - Woodmere Art Museum - Pennsylvania Academy of the Fine Arts - Whitney Museum of American Art - Museum of American Art - Boston Museum of Fine Arts - Brooklyn Museum - Art Alliance - National Afro-American Museum - Liberty Museum - National Blacks Fine Arts Show - Institute of Contemporary Art - Ackland Arts Museum - Arnot Art Museum 30+ Solo Exhibitions, Including: - Philadelphia Museum of Art, Philadelphia PA - The State Museum of Pennsylvania, Harrisburg, PA - LaSalle University, Philadelphia, PA - Temple University, Philadelphia, PA - Montclair Art Museum, Montclair, NJ - Noyes Museum, Oceanville, NJ - Delaware Valley Arts Alliance, Narrowsburg, NY - North Carolina State University - Winston Salem State University, Winston Salem, NC - G.R. N’Namdi Gallery, New York, NY - Sande Webster Gallery, Philadelphia, PA - June Kelly Gallery, New York, NY - Noel Gallery, Charlotte, NC - Malcolm Brown...
    Category

    1970s American Modern Figurative Paintings

    Materials

    Canvas, Oil

  • Corrida Espagnole by JEAN DUFY - Bullfighting scene, oil on canvas, modern art
    By Jean Dufy
    Located in London, GB
    Corrida Espagnole by JEAN DUFY (1888-1964) Oil on canvas 33.2 x 55.3 cm (13 ¹/₈ x 21 ³/₄ inches) Signed lower right, Jean Dufy This work is accompanied by a certificate of authentic...
    Category

    20th Century Modern Paintings

    Materials

    Oil, Canvas

  • Place Jean-Baptiste-Clément by Maurice Utrillo - Street scene in Paris
    By Maurice Utrillo
    Located in London, GB
    *PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Place Jean-Baptiste-Clément by Maurice Utrillo (1883-1955) Oil on cradled panel 51.3 x 76.2 cm (20¹/₄ x 30 inches) Signed towards lower right, Maurice. Utrillo. V. Executed circa 1918 This work is accompanied by a certificate of authenticity from the Comité Utrillo. Painted circa 1918, this Utrillo oil...
    Category

    1910s Modern Figurative Paintings

    Materials

    Panel, Oil

  • Picking the Olives by REUVEN RUBIN - 20th century art, oil painting
    By Reuven Rubin
    Located in London, GB
    Picking the Olives by REUVEN RUBIN (1893-1947) Oil on canvas 65 x 81 cm (24 ¾ x 31 ½ inches) Signed Executed circa 1940
    Category

    20th Century Modern Landscape Paintings

    Materials

    Oil

Recently Viewed

View All