Daniel Ralph Celentano"A Marro" WPA Mid 20th Century American Scene Social Realism Modernism Ashcan c. 1930s
c. 1930s
About the Item
- Creator:Daniel Ralph Celentano (1902-1980, American)
- Creation Year:c. 1930s
- Dimensions:Height: 14 in (35.56 cm)Width: 16 in (40.64 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1156210284732
Daniel Ralph Celentano
Daniel Celentano was born in New York, the fifth of 15 children of Neapolitan immigrants. He lived most of his life in the uptown Manhattan area known as Italian Harlem, and much of his work chronicles the events and people of that neighborhood. At the age of 12, Celentano became the first pupil of renowned American Scene painter Thomas Hart Benton and later assisted Benton in the execution of several murals. The two artists remained friends throughout their lives. By 16, Celentano had won several scholarships, one of which enabled him to study for three years at the Cape Cod School of Art under Charles W. Hawthorne. Other grants came from the New York School of Fine and Applied Arts, and the National Academy of Design. Celentano began showing his work in New York City in 1930 when he participated in an exhibition at Alfred Stieglitz's Opportunity Gallery. His success there was followed by exhibitions at other New York galleries and participation in major museum annuals, including the Corcoran Gallery of Art, the Pennsylvania Academy of the Fine Arts, the Whitney Museum of American Art, and the Carnegie Institute. Celentano showed six paintings at the Art Exhibition by the Staff Artists of the American Museum of Natural History. In 1936, the Carnegie Institute and the Chicago Art Institute bought works by Celentano exhibited at Walker Galleries. The Whitney Museum of American Art followed suit the next year, purchasing Celentano's entry First Born in the museum's biennial exhibition. The Walker Galleries gave Celentano his first one-man exhibition in 1938. Celentano joined the mural division of the WPA, where he created murals for the Queens Borough Public Library, Flushing Branch (Commerce, 1936), and P.S. 150 in Queens (Children in Constructive Recreation and Cultural Activity, 1940). In 1938, he won a commission through the Treasury Department to execute the mural, The Country Store and Post Office, for the U.S. Post Office in Vidalia, Georgia. With the outbreak of World War II, Celentano joined the art department of the Grumman Aircraft Corporation, Long Island, where he executed a mural entitled The Flight of Man, which depicts the advancement of transportation and communications from ancient times to present. The mural is now at the Cradle of Aviation Museum on Long Island. Daniel Celentano's work can be found in many museum collections, including the Whitney Museum of American Art, Smithsonian American Art Museum, and High Museum of Art.
- ShippingRetrieving quote...Ships From: Pawling, NY
- Return PolicyA return for this item may be initiated within 3 days of delivery.
- Men Working Mural Study American Scene Social Realism Mid 20th Century ModernBy Jo CainLocated in New York, NYMen Working Mural Study American Scene Social Realism Mid 20th Century Modern Jo Cain (1904 – 2003) Men Working: WPA Mural Study 17 ½ x 10 ½ inches Oil on ...Category
1940s American Realist Figurative Paintings
MaterialsOil, Board
- Chess Players WPA Depression Era Mid-20th Century American Scene Realism ModernBy Mervin JulesLocated in New York, NYChess Players WPA Depression Era Mid-20th Century American Scene Realism Modern. Signed upper right and verso 8 x 10 inches oil on board. BIO The son of a men's haberdasher, Mervin ...Category
1930s American Realist Figurative Paintings
MaterialsOil, Board
- "Old Shoemaker" Ashcan 20th Century Modernism 1924 California WPA Realism WorkerBy Otis OldfieldLocated in New York, NY"Old Shoemaker" Ashcan 20th Century Modernism 1924 California WPA Realism Worker. Signed “Otis Oldfield” lower left. 14 x 12 inches. Exhibited: Galerie des Beaux Arts, San Francisco, CA, 1925 Provenance: Estate of the Artist Born in Sacramento, CA on July 3, 1890, Otis Oldfield left high school at age 16 to work in a local print shop. In 1909 he arrived in San Francisco and enrolled at the Best Art School. After working for two years as a bellhop at the Argonaut Hotel and as a hat check boy at the Cliff House, he had saved enough money for further studies in Paris. In 1911 he sailed for France and enrolled at Académie Julian. Caught up in the activities of wartime Paris, he was an apprentice for a book...Category
1920s American Realist Figurative Paintings
MaterialsCanvas, Oil
- WPA Mural Study 1940 American Scene Modern Social Realism Figurative Mid CenturyBy Michael LoewLocated in New York, NYWPA Mural Study 1940 American Scene Modern Social Realism Figurative Mid Century Michael Loew (1907-1985) Detail for Mural (Social Security Building Washington D.C.) 24 x 24 inches ...Category
1940s American Realist Figurative Paintings
MaterialsCanvas, Oil
- Guy Pene du Bois WPA American Modernism Realism NYC Scene Oil Lawyers in CourtBy Guy Pène Du BoisLocated in New York, NYGuy Pene du Bois' "Two Figures in Courtroom" is a WPA era American scene oil painting created in a realistic style. Modernism at its best The work is framed by Heydenryk. Pène du Bois descended from French immigrants who settled in Louisiana in 1738 and was raised in a Creole household. He was born in 1884 in Brooklyn, NY and first studied with William Merritt Chase at the New York School of Art and later continued his training with Robert Henri. Pène du Bois was greatly impressed with Henri's credo that "real life" was subject matter for art and throughout his life a realist philosophy informed his art as well as his parallel career, art criticism. In 1905, Pène du Bois made his first visit to Paris where he painted scenes of fashionable people in cafes rendered in the dark tonalities and impasto associated with the Ashcan School. By 1920, he had achieved his mature style, which was characterized by stylized, rounded, almost sculptural figures painted with invisible brushstrokes. The subjects of his paintings were often members of society whom he gently satirized. In 1924, Pène du Bois and his wife, Floy, left for France where they would remain until 1930. Returning to America showcases pictures the artist produced after this very productive period abroad. After five years of living in France, Pène du Bois was able to observe American life with fresh eyes. His work becomes more psychologically intense and less satirical. In Girl at Table a slender, blond is shown gazing at a small statue that she holds at arm's distance. The meaning is elusive, but a powerful sense of longing is evoked. Similarly, paintings such as Dramatic Moment and Jane are taut with unresolved dialogue. Both pictures depict mysterious interiors in which a lone woman anxiously awaits the denouement of a suspenseful scene. Other pictures, for example, Chess Tables, Washington Square and Bar, New Orleans, recall Pene du Bois's Ashcan origins in their depiction of urban entertainment. During this period, landscape becomes an important subject for Pène du Bois. Girl Sketching...Category
1930s American Modern Figurative Paintings
MaterialsPaper, Oil, Board
- "Tailor" WPA American Scene Social Realism Modernism Mid Century Modern FashionBy Mervin JulesLocated in New York, NY"Tailor" WPA American Scene Social Realism Modernism Mid Century Modern Fashion The board measures 9 1/2 x 15 1/2. Provenance: Mervin Jules Estate. Bio A painter, illustrator, pri...Category
1930s American Modern Figurative Paintings
MaterialsOil, Board
- "Three Engineers, " Albert Pels, Men at Table with Compass, WPA, American RealismBy Albert PelsLocated in New York, NYAlbert Pels (1910 - 1998) Three Engineers, circa 1935 Oil on board 10 x 13 1/2 inches Signed lower right Albert Pels was an art educator and painter of figures, genre scenes, urban ...Category
1930s American Realist Figurative Paintings
MaterialsOil, Board
- DinerBy Max FergusonLocated in Greenwich, CTBorn in New York City in 1959, Max Ferguson started as a filmmaker, making award-winning animated films as a teenager. But it was while he was a visiting student at an art school in ...Category
Early 2000s American Realist Figurative Paintings
MaterialsAcrylic, Board
- Peek-a-BooBy Seymour Joseph GuyLocated in New York, NYIn the latter half of the nineteenth century and into the first decade of the twentieth, New York City art aficionados could count on finding recent work of Seymour Joseph Guy hanging on the walls of the city’s major galleries. Primarily a genre artist, but also a portraitist, between 1859 and 1908 Guy showed more than seventy works at the National Academy of Design. From 1871 to 1903 he contributed over seventy times to exhibitions at the Century Club. From 1864 to 1887, he sent about forty pictures to the Brooklyn Art Association. A good number of these works were already privately owned; they served as advertisements for other pictures that were available for sale. Some pictures were shown multiple times in the same or different venues. Guy was as easy to find as his canvases were omnipresent. Though he lived at first in Brooklyn with his family and then in New Jersey, from 1863 to his death in 1910 he maintained a studio at the Artist’s Studio Building at 55 West 10th Street, a location that was, for much of that period, the center of the New York City art world. Guy’s path to a successful career as an artist was by no means smooth or even likely. Born in Greenwich, England, he was orphaned at the age of nine. His early interest in art was discouraged by his legal guardian, who wanted a more settled trade for the young man. Only after the guardian also died was Guy free to pursue his intention of becoming an artist. The details of Guy’s early training in art are unclear. His first teacher is believed to have been Thomas Buttersworth...Category
19th Century American Realist Figurative Paintings
MaterialsCanvas, Oil
- Light of LoveLocated in Washington, DCExhibited: National Academy of Design, New York, 1906 (as no. 101) Art Institute of Chicago, 1908 (as no. 74)Category
Early 1900s American Realist Figurative Paintings
MaterialsCanvas, Oil
- The EmperorBy Zoe HawkLocated in Columbia, MOZoe Hawk Artist Statement My work deals with the complex experience of girlhood, exploring adolescent anxiety, feminine identity, and belonging. These themes are tackled within scen...Category
21st Century and Contemporary American Realist Figurative Paintings
MaterialsOil
- Les Deux PalaisBy Paul G. OxboroughLocated in Greenwich, CTPaul G. Oxborough's mastery as a painter has been firmly established over a decades-long career. His ability to render light in a room has been compared to the work of Velázquez; the...Category
2010s American Realist Figurative Paintings
MaterialsLinen, Oil