Don Snell

Modern Colorful Tropical Abstract Painting of Two Female Figures and an Animal

Mid 20th Century

Colorful, pastel-toned painting by contemporary artist Henry David Potwin. This work features a woman driving a yellow car driving through a group of rabbits. Signed in the front low...

Blue, red, and brown abstract impressionist painting by Texas artist Fred Darge. The painting depicts a cowboy wearing a blue shirt and a red hat as he sits on a brown riding horse. Signed by the artist at the bottom right corner. Unstretched and unframed but framing options are available. Artist Biography: Friedrich Ernst (Fred) Darge was born in Rendsburg, Germany March 1, 1900, and died in Dallas, Texas April 10, 1978. He entered the U.S. at Port Arthur, Texas in 1923. By 1924 he was in Chicago...

Red tonal surrealist genre scene of two male figures sitting at a dining table with turkeys marching over the surface. The piece is signed and dated by the artist on the back of the canvas. The canvas is framed in a gold frame with a burlap matte. Dimensions Without Frame: H 20 in. x W 28 in. x D 1 in. Artist Biography: Romuald Oramus was born 1953 in Poland. He is known for painting and printmaking. His works have a satirical genre theme that reflects Dutch Masters like William Hogarth and Pieter Bruegel the Elder...

Abstract folk art painting of a western scene by an unknown artist. The work features a cowboy wearing spurs in a corral with a white bulldog and a pair ...

Blue, yellow, brown, and red abstract figurative landscape painting by an outsider artist. The painting depicts a horse chase with two cowboys in the middle of a Western desert. Unsi...

Modern Western wilderness scene by early Texas artist Otis Dozier. The work features two men kneeling and cleaning a hog set against a desert landscape. Signed and dated in the front lower left corner. Currently hung in a wooden frame with a cream matting. Visible Dimensions Without Frame: H 14 in. x W 19 in. Artist Biography: Otis Dozier (1904-1987) was raised on a cotton farm between Forney and Mesquite, developing a love for art and nature at a young age. After his family moved into Dallas in 1920, he received his earliest art training from well-known instructor Vivian Aunspaugh. Following his 1925 graduation from Forest High School, Dozier continued his art studies at the Dallas Art Institute with Olin Travis and Tom Stell. Also, during the 1920s, he accompanied his parents and three sisters on at least three automobile trips through the American West, familiarizing himself with the region that he would later depict in his art. Six of Dozier’s works were included in 1932’s “Exhibition of Young Dallas Painters”; a number of these artists, including Dozier, Jerry Bywaters, John Douglass...

*ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagina...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Exercising Ponies by Orovida Camille Pissarro (1893-1968) Oil on board 101.5 x 76 cm (40 x 30 inches) Signed and dated lower right Orovida 1954 Provenance Estate of Orovida Pissarro With John Bensusan-Butt, cousin of the artist Sotheby's London, 12th October 1988 G Hassell, 25th November 1988 With John Noott, 10th June 1992 Literature K L Erickson, Orovida Pissarro: Painter and Print-Maker with A Catalogue Raisonné of Paintings, (doctoral thesis), Oxford, 1992, Appendices, no. 161 (illustrated) Exhibitions London, Bowmore Gallery, Women in Art 1850-1989, 2nd-11th November 1989 Fort Lauderdale, Museum of Art, Camille Pissarro and his Descendants, January-April 2000, no.123 This work was included in the above important museum exhibition and a catalogue of the Fort Lauderdale museum show will be included with this painting. Biography Orovida Camille Pissarro, the only child of Lucien and Esther Pissarro, was the first woman in the Pissarro family to become a professional artist and the first Pissarro of her generation to take up painting. Born in Epping, England, in 1893, she lived and worked predominantly in London, where she was a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style from her father and, after a brief period of formal study with Walter Sickert in 1913, she renounced formal art schooling. Throughout her career, Orovida always remained outside mainstream British art movements. Much to Lucien's disappointment, she soon turned away from naturalistic painting and developed an unusual style that combined elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which, for the Pissarro family, was a way of life, and her simultaneous decision to drop her famous last name and use simply Orovida as a nom de peintre, reflected a desire for independence and distance from the family legacy, of which she nevertheless remained proud. Orovida's most distinctive works are her paintings from the 1920s...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Tiger Surprises Black Buck by Orovida Pissarro (1893-1968) Oil on canvas 127 x 101.5 cm (50 x 40 inches) Signed and dated lower left Orovida 1960 Provenance The Leicester Galleries, London, circa 1965 Literature K L Erickson, Orovida Pissarro: Painter and Print-Maker with A Catalogue Raisonné of Paintings, (doctoral thesis), Oxford, 1992, Appendices, no. 195 (illustrated) Exhibition London, Royal Society of British Artists, 3rd-25th November 1960, no. 82 (possibly; titled Tiger Entangled) London, Royal Academy, 1961, no. 534 Colchester, The Minories, 3rd- 24th March 1962 London, The Leicester Galleries, 1965, no. 37 Artist biography Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies. She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy. Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...

*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE Migrating horses by Orovida Pissarro (1893-1968) Oil on canvas 71.1 x 81.4 cm (28 x 32 inches) Signed and dated l...

Caterwaul by Orovida Pissarro (1893-1968) Oil on canvas 51 x 61 cm (20 ¹/₈ x 24 inches) Provenance Estate of the artist With John Bensusan-Butt, cousin of the artist G Hassell, 25th...

The Cattery by Orovida Pissarro (1893-1968) Oil and pencil on canvas 61 x 51 cm (24 x 20 ⅛ inches) Signed and dated upper right Orovida 1964 Provenance Estate of the artist G Hassel...