Henry David Potwin

"Bunny Bashing" Contemporary Pastel Surrealist Landscape Painting

2008

Surreal painting of an English bulldog in a Victorian wig and collar against a red background by local Houston artist Marianne Green in 1996.

Modern colorful abstract painting by Texas artist Don Snell. The work features two central nude female figures standing next to an animal in a tropical lands...

Blue, red, and brown abstract impressionist painting by Texas artist Fred Darge. The painting depicts a cowboy wearing a blue shirt and a red hat as he sits on a brown riding horse. Signed by the artist at the bottom right corner. Unstretched and unframed but framing options are available. Artist Biography: Friedrich Ernst (Fred) Darge was born in Rendsburg, Germany March 1, 1900, and died in Dallas, Texas April 10, 1978. He entered the U.S. at Port Arthur, Texas in 1923. By 1924 he was in Chicago...

Blue, yellow, brown, and red abstract figurative landscape painting by an outsider artist. The painting depicts a horse chase with two cowboys in the middle of a Western desert. Unsi...

Abstract folk art painting of a western scene by an unknown artist. The work features a cowboy wearing spurs in a corral with a white bulldog and a pair ...

Red tonal surrealist genre scene of two male figures sitting at a dining table with turkeys marching over the surface. The piece is signed and dated by the artist on the back of the canvas. The canvas is framed in a gold frame with a burlap matte. Dimensions Without Frame: H 20 in. x W 28 in. x D 1 in. Artist Biography: Romuald Oramus was born 1953 in Poland. He is known for painting and printmaking. His works have a satirical genre theme that reflects Dutch Masters like William Hogarth and Pieter Bruegel the Elder...

Please note, the whites areas in the painting are trully white as opposed to bluey as shown in the pictures. Painting is signed at the front. COA provided keywords; surrealism, humo...

Joséphine Beaudouin (1909-2005) Poetry of the Bird, surrealist painting, 1948 Oil on canvas Signed "Joséphine Beaudouin" and dated "1948" lower left 13,7 x 10,6 inch Born in Albi in 1909, Josephine Beaudouin (née Cals) showed an early interest in drawing. At the age of twelve, she moved to Paris where her mother, Jeanne Ramel-Cals, ran a literary salon that was frequented by art world figures such as Ambroise Vollard. In 1925, while her first drawings appeared in the magazine Crapouillot, the young artist entered the School of Decorative Arts where she studied fresco painting. She married the architect Eugène Beaudouin in 1928, with whom she traveled throughout Europe. Beaudouin, a member of the Académie des Beaux-Arts, designed a series of buildings that were precursors of modern architecture in France (Clichy, Maison du Peuple; Antony, Résidence universitaire Jean Zay). Josephine Beaudouin exhibited at the Salon des Indépendants, the Salon des Tuileries, the Salon d'Automne and the Salon des Artistes Décorateurs. The work of the one that Jean Cocteau described as "bewitching" is full of mystery. Her work bears the stamp of an extraordinary personality. Indeed, Josephine Beaudouin developed a penchant for dreams at a very early age and took refuge in the works illustrated by Gustave Doré. Her technical virtuosity and overflowing imagination were praised by the critics of her time who unanimously greeted her Marmorées (ill.1). Named by René Barotte, these are paintings made on marble slabs from 1955. The artist exploits the infinite resources of the veins of this support which inspires him poetic compositions with unusual subjects. Marked by surrealism, she returns to the fantastic by delivering a prodigious creation of the mind made of dreamed cities and trompe-l'oeil. The 1948 painting that we propose probably represents a red-billed chough. The bird is a recurring theme in the work of Josephine Beaudouin, as in her life. An avid ornithologist, she kept an aviary in her Parisian home where many island birds were kept. She also built up a collection of stuffed birds. Still on this theme, the writer Claude Aveline (1901-1992), author of the poem L'Oiseau-Qui-N'Existe-Pas, invited several visual artists to freely interpret what this bird could be. The first series of works was produced between 1956 and 1963. In 1957, Joséphine Beaudouin delivered a work with a pen of great finesse, now preserved at the Centre Pompidou (ill.2). Several renowned artists also responded to the invitation of the poet such as Jean Cocteau and Ossip Zadkine. The precision of the graphics of our painting testifies to an attentive observation of the anatomy of the birds. The artist paints with great delicacy: the technique is impeccable, the drawing is careful, the material is smooth, the details are represented with great finesse and mastery. Bibliography : Fernand Pouillon...

Oil on Canvas, Signed Dated 2013 14 x 18 Inches

Sacrifice - Surreal Painting of Golden Yellow Bird of Prey Hunting a Mouse, by Contemporary British Artist Original, Oil on Canvas 30 x 30 inches Unframed The painting continue...

Karen Shahverdyan „Torero“ 130 X 180cm, oil on canvas

Karen Shahverdyan „Toros“ 180 X 130cm, oil on canvas