Marianne Loir

Presumed portrait of Baron de Vennac

circa 1775

Nicolas de LARGILLIERRE (Paris 1656 – 1746) Portrait of a woman, presumed to be Marie-Anne de Bourbon, Princess of Conti (1666-1739) Oil on oval canvas H. 80 cm; L. 61 cm (107 x 91 c...

French school circa 1840 Sketch of a dandy portrait Oil on canvas mounted on cardboard H. 21 cm; L. 20.5 cm

Attributed to Jacques DUMONT aka DUMONT LE ROMAIN (Paris 1701 - 1781) Presumed portrait of Louis-Joseph de Formanoir (?-1732) Oil on canvas H. 91.5 cm; ...

Charles FRÉCHOU (Paris 1820 – Paris 1900) Portrait of a child with a cat Oil on canvas H. 41 cm; L. 33 cm Signed lower left and dated 1849 Apart from participation in the Salon betw...

After Baron Gérard, circa 1835 Portrait of King Louis-Philippe Oil on canvas H. 79 cm; L. 65 cm Provenance : Private collection, Périgord, by descent since the 19th century This po...

Charles CHAPLIN (Les Andelys 1825 – Paris, 1891) Portraits of women Pair of oils on rectangular canvases H. 60 cm; L. 50 cm Signed Student of Michel Martin Drolling at the École des...

SPRING BEAUTY - Oil on canvas painting by Angelo Granati, Italy 2011 Gold leaf gilded, pleated silk and mirror wooden frame ext. mis. cm. 164x106. This is his reinterpretation of pa...

Musketeers - Oil on canvas cm.90x80, Italia, 2006, Eugenio De Blasi (3c59a) Eugenio De Blasi's painting is inspired by the neoclassical genre of the French painter Alex De Andreis who portrays his favorite subjects The Musketeers...

Nino Giuffrida (Sicilian, 1924, active in France) Un Garçon avec des Fruits • Oil on canvas, ca. 41 x 33 cm • Frame, made by the renowned framer Knöll from Zürich, ca. 54 x 46 cm • Signed top left Worldwide shipping for this object is complimentary - There are no additional charges for handling & delivery. Born in 1924 in Sicily, Nino already attended the artistic high school in Catania at the age of 17, where he befriended fellow painters including Pippo Aleo and Giovanni Calogero. At that time, he painted with passion everything he saw, landscapes, seascapes, still lifes. After a first attempt to come to France with his friend Giovanni in 1948, aborted for lack of a visa. Nino finally arrived at the Gare de Lyon on December 8, 1949 and settled at number 30 rue Gabrielle in Montmartre. Nino began to paint Paris. Like many Montmartre artists of this period, while he painted all day long, he moved about in the evening on the terraces of the cafés of Montmartre and Saint-Germain-des-Prés to transform himself into a portrait painter and randomly sketch the customers in restaurants. Nino then devoted himself more and more to the painting of children, which became his favorite theme of inspiration. Pierre Imbourg, journalist and art critic, wrote of him: "Montmartre, the land of little ‘Poulbots’, inspiring Nino to record in his mind all these childrens faces whose intense facial expression he would endevour to reproduce". It was also at this time that his career as a Montmartre painter influenced by cubism began. With the disappearance of the art galleries in Montmartre, Nino decides to settle on the French Riviera, in Cannes then in Vallauris. From 1952 his personal exhibitions follow one another and Nino becomes an international painter: Rome, Brussels, Chicago, Copenhagen, Helsingborg and Aüs in Sweden, in Geneva, in Kourou in Guyana... In Paris, he manages the Galerie de la Colonne...

Charles Zacharie LANDELLE (Laval, 1821 – Chennevières/Marne, 1908) Portrait of a child with blue eyes Oil on canvas Monogrammed and dated lower l...

Ary SCHEFFER (1795-1858), workshop of Mignon regretting his homeland Mignon aspiring to heaven Two oils on canvas in the same frame 44 x 22 cm each Mig...

François Jean SABLET (Morges, 1745 – Nantes, 1819) Portrait of Jean Claude Pellegrini (1787-1854) Honorary Divisional Inspector of Bridges and Roads. Oil on canvas Monogrammed and dated lower right 30x25cm 1819 Painter of portraits, Jean François Sablet, originally from Morges, born November 23, 1745, is the eldest son of Jacob Sablet (1720–1798), bourgeois of this city, house painter, gilder, art dealer, and Suzanne Dupuis (1722–1775), settled in Lausanne from 1754. In 1767, on June 8, he prepared to leave to “improve in the art of painting” with a viaticum from the Council of Morges and a scholarship from Bern. In Paris, he was a pupil of Joseph-Marie Vien at the Royal Academy (1768–73). In 1772, he was joined by his younger brother Jacques, who in 1776 left for Rome to pursue a brilliant career there. François, he remains in Paris, goes almost unnoticed there having neither competed, nor received a prize, nor even exhibited. In 1774, he signed and dated the Portrait of the Count of Artois, as Colonel-General of the Swiss and Graubünden. In 1777, he married Marie Madeleine Borel, daughter of a wood merchant, and settled near the Quinze-Vingt at the Bastille, as a portrait painter. He entered the Masonic lodge of Celestial Friendship and therefore enjoyed a certain notoriety. He executed the portrait of Charles-Henri, Comte d'Estaing, engraved by Charles-Etienne Gaucher (1779). In 1781, L. Perrot reproduced two of his works from the cabinet of Madame de Saint-Maurice, Childhood in the Countryside and Visit to the Nurse, for the philanthropic society founded in particular by Louis d'Affry, captain of the Swiss Guards. . In addition to the fact that these subjects denote an ideal of benevolence under the aegis of Jean-Jacques Rousseau, they testify to relations with the Swiss milieu. Finally, the format and quality of two large full-length portraits Vestal pouring incense (1781) and the Offering to Hymen (1783) reflect her favor in society on the eve of the Revolution and, although in shadow, he is able to build life annuities. From this first stage are dated two sketchbooks in black chalk and red chalk of characters, interior scenes, theatrical evocations, including the Vestal Virgin pouring incense. He also signed a series of wash illustrations relating to mythology and other subjects taken from Ovid. In 1789, the political climate suddenly darkened, the amateurs left, dragging the artists with them. François Sablet took the road to Switzerland and, in January 1792, joined his brother in Rome, a genre painter in Italian costumes and portraits in nature called "conversation pieces", models from which François was to draw inspiration. François spent the summer in Genzano in the Roman countryside, where he also devoted himself to landscape and popular costumes. Beat d'Hennezel, their compatriot, evokes the evenings at the Sablets' with their artist friends, busy drawing portraits while exchanging heated remarks on the political situation. However, the events in Paris had repercussions in Rome. In January 1793 the French representative was assassinated, the French and other French speakers...