Gouache Figurative Paintings

This impeccably rendered mid-century double portrait of a quarreling man and woman exhibits a supreme academic training knowledge lost in almost all contemporary art. It features an ...

This original work is hand signed in ink by the artist at the lower right corner "Rakoczi". Condition: Very good condition. A few cuts in the edges of the board (possibly from forme...

Aaron Bohrod, 1907-1992 Barbecue Stand, circa 1935 Gouache on board Signed Lower left: “Aaron Bohrod” Inscribed and signed on verso Bohrod-1 Provenance: Private estate, Rhode Island...

Las emociones negativas retienen toda la atención, impidiendo atender otra cosa.

Signed by artist lower left. The Century Illustrated Monthly Magazine Cover

Expressionist Figurative water color painting by Zhang Chunyang Series The Horse Whisper No.2-25 Dimension: 29 x 36 cm Material: Gouache, Watercolor on Paper Date: 2013 Artist B...

An artwork by Carlos Luna. "Miel y Canela" is a contemporary painting, gouache and charcoal on amate paper in red, black, and brown by Latin American artist Carlos Luna. The artwork ...

Medium: Watercolor and Gouache on Paper laid on Board Signature: Signed and Dated on the Reverse

Expressionist Figurative water color painting by Zhang Chunyang Title: Luckiness Dimension: 29 x 36 cm Material: Gouache, Watercolor on Paper D...

Gouache on card, signed lower right Image size: 16 1/2 x 11 1/2 inches (42 x 29.25 cm) Contemporary style frame Joan Fairfax Whiteside Joan Fairfax Whiteside was a prodigious arti...

Medium: Gouache on Board Signature: Signed Lower Right American Magazine story interior illustration

Joe Kaufman, writer, illustrator. Recipient Art Directors Club medal, 1948, New York Academy of Sciences Children's Science Book award, 1973, Gold award, Silver award Art Directors C...

Medium: Gouache on Board Dimensions: 27.00" x 12.75" Signature: Unsigned Written by Price on the mount below the image: Like endless lines of phantoms, men, horses, guns, wagons, continued to pass through the smoking forest. A striking and emotional night scene at the Battle of the Wilderness...

Grosset & Dunlap, Illustration, Art Seiden was a top children's book illustrator in the 1950' - 1060's Work comes in two parts that are butted together by the artist

Medium: Gouache Signature: Signed Lower Right a slave with shackles on the ground behind him appealing to Abraham Lincoln with the Civil War battle s...

Medium: Gouache on Board Signature: Signed Lower Right Seats of the Haughty, Munsey's Magazine illustration, December 1906 Literature: This illustration appeared in O. Henry's shor...

Signature: Signed Lower Right Medium: Gouache on Board

Medium: Gouache watercolor painting on artist board Signature: Signed Lower Left Size: 18" x 14"

Medium: Gouache on Board Signature: Signed Lower Right Saturday Evening Post magazine cover, October 25, 1941

Famed female illustrator Jessie Willcox Smith paints the " Ideal Child" in a spiritual moment for the Christmas cover of Good Housekeeping. The accompl...

Medium: Gouache and Pencil on Board Signature: Signed Lower Left Carter's Monthly, February 1898, cover illustration. Newly Framed.

Archivally Matted to 17.75 x 16.75 inches Signed lower left

Date: 1988 Medium: Gouache and Acrylic on Paper Dimensions: 9.50" x 26.00" Signature: Signed Lower Right Image of performers in front of the word "Variety." TV Guide, April 16, 1988.

Gouache on paper, signed (lower left) and titled (lower right), 68cm x 88cm, (88cm x 108cm framed). The work is framed behind museum quality non-reflective UV glass. A realist pain...

"Workers" Russian Constructivist 1920s Modern Social Realism Cubism Figurative VLADIMIR VASIL’EVICH LEBEDEV (1891-1967) "Workers" Gouache on paper Monogramed lower right 15 1/8 x 10...

Signed by Artist Lower Left The present work was published on the cover of the September 4th, 1948 edition of The Saturday Evening Post. An accompanying “Keeping Posted” article abo...

by Paul-Louis Bolot (French 1918-2003) signed original gouache painting on thick paper/ card unframed condition: very good and sound; the edges have a few curls and scuffs/ edge tear...

Raoul Dufy 1877-1953 | French The Visit of the English Squadron to Le Havre Signed "Raoul Dufy" (lower center) Watercolor and gouache on paper Growing up along the coastline of th...

Richard E Howard (1912 - 1996) Massachusetts. Medium: Gouache / Paper Frame Size: 19.5" x 19" Size: 13" x 13 " Condition:great, no visible damage Provenance: ...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. This is a miniature watercolor and gouache vibrant, colorful bouquet of flowers in a vase. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

French Figures by Bernard Labbe (French mid 20th century) original gouache on card size: 19.5 x 13 inches condition: very good and ready to be enjoyed ...

This vigorous drawing has long been attributed to Polidoro da Caravaggio: The Abduction of the Sabine Women is one of the scenes that Polidoro depicted between 1525 and 1527 on the façade of the Milesi Palazzo in Rome. However, the proximity to another drawing inspired by this same façade, kept at the Ecole des Beaux-Arts, and to other drawings inspired by Polidoro kept at the Musée du Louvre, leads us to propose an attribution to Biagio Pupini, a Bolognese artist whose life remains barely known, despite the abundant number of drawings attributed to him. 1. Biagio Pupini, a Bolognese artist in the light of the Roman Renaissance The early life of Biagio Pupini, an important figure of the first half of the Cinquecento in Bologna - Vasari mentions him several times - is still poorly known. Neither his date of birth (probably around 1490-1495) nor his training are known. He is said to have been a pupil of Francesco Francia (1450 - 1517) and his name appears for the first time in 1511 in a contract with the painter Bagnacavallo (c. 1484 - 1542) for the frescoes of a church in Faenza. He then collaborated with Girolamo da Carpi, at San Michele in Bosco and at the villa of Belriguardo. He must have gone to Rome for the first time with Bagnacavallo between 1511 and 1519. There he discovered the art of Raphael, with whom he might have worked, and that of Polidoro da Caravaggio. This first visit, and those that followed, were the occasion for an intense study of ancient and modern art, as illustrated by his abundant graphic production. Polidoro da Caravaggio had a particular influence on the technique adopted by Pupini. Executed on coloured paper, his drawings generally combine pen, brown ink and wash with abundant highlights of white gouache, as in the drawing presented here. 2. The Abduction of the Sabine Women Our drawing is an adaptation of a fresco painted between 1525 and 1527 by Polidoro da Caravaggio on the façade of the Milesi Palace in Rome. These painted façades were very famous from the moment they were painted and inspired many artists during their stay in Rome. These frescoes are now very deteriorated and difficult to see, as the palace is in a rather narrow street. The episode of the abduction of the Sabine women (which appears in the centre of the photo above) is a historical theme that goes back to the origins of Rome and is recounted both by Titus Livius (Ab Urbe condita I,13), by Ovid (Fasti III, 199-228) and by Plutarch (II, Romulus 14-19). After killing his twin brother Romus, Romulus populates the city of Rome by opening it up to refugees and brigands and finds himself with an excess of men. Because of their reputation, none of the inhabitants of the neighbouring cities want to give them their daughters in marriage. The Romans then decide to invite their Sabine neighbours to a great feast during which they slaughter the Sabines and kidnap their daughters. The engraving made by Giovanni Battista Gallestruzzi (1618 - 1677) around 1656-1658 gives us a good understanding of the Polidoro fresco, allowing us to see how Biagio Pupini reworked the scene to extract this dynamic group. With a remarkable economy of means, Biagio Pupini takes over the left-hand side of the fresco and depicts in a very dense space two main groups, each consisting of a Roman and a Sabine, completed by a group of three soldiers in the background (which seems to differ quite significantly from Polidoro's composition). The balance of the drawing is based on a very strongly structured composition. The drawing is organised around a median vertical axis, which runs along both the elbow of the kidnapped Sabine on the left and the foot of her captor, and the two main diagonals, reinforced by four secondary diagonals. This diamond-shaped structure creates an extremely dynamic space, in which centripetal movements (the legs of the Sabine on the right, the arm of the soldier on the back at the top right) and centrifugal movements (the arm of the kidnapper on the left and the legs of the Sabine he is carrying away, the arm of the Sabine on the right) oppose each other, giving the drawing the appearance of a whirlpool around a central point of support situated slightly to the left of the navel of the kidnapper on the right. 3. Polidoro da Caravaggio, and the decorations of Roman palaces Polidoro da Caravaggio was a paradoxical artist who entered Raphael's (1483 - 1520) workshop at a very young age, when he oversaw the Lodges in the Vatican. Most of his Roman work, which was the peak of his career, has disappeared, as he specialised in facade painting, and yet these paintings, which are eminently visible in urban spaces, have influenced generations of artists who copied them abundantly during their visits to Rome. Polidoro Caldara was born in Caravaggio around 1495-1500 (the birthplace of Michelangelo Merisi, known as Caravaggio, who was born there in 1571), some forty kilometres east of Milan. According to Vasari, he arrived as a mason on the Vatican's construction site and joined Raphael's workshop around 1517 (at the age of eighteen according to Vasari). This integration would have allowed Polidoro to work not only on the frescoes of the Lodges, but also on some of the frescoes of the Chambers, as well as on the flat of Cardinal Bibiena in the Vatican. After Raphael's death in 1520, Polidoro worked first with Perin del Vaga before joining forces with Maturino of Florence (1490 - 1528), whom he had also known in Raphael's workshop. Together they specialised in the painting of palace façades. They were to produce some forty façades decorated with grisaille paintings imitating antique bas-reliefs. The Sack of Rome in 1527, during which his friend Maturino was killed, led Polidoro to flee first to Naples (where he had already stayed in 1523), then to Messina. It was while he was preparing his return to the peninsula that he was murdered by one of his assistants, Tonno Calabrese, in 1543. In his Vite, Vasari celebrated Polidoro as the greatest façade decorator of his time, noting that "there is no flat, palace, garden or villa in Rome that does not contain a work by Polidoro". Polidoro's facade decorations, most of which have disappeared as they were displayed in the open air, constitute the most important lost chapter of Roman art of the Cinquecento. The few surviving drawings of the painter can, however, give an idea of the original appearance of his murals and show that he was an artist of remarkable and highly original genius. 4. The façade of the Milesi Palace Giovanni Antonio Milesi, who commissioned this palace, located not far from the Tiber, north of Piazza Navona, was a native of the Bergamo area, like Polidoro, with whom he maintained close friendly ties. Executed in the last years before the Sack of Rome, around 1526-1527, the decoration of Palazzo Milesi is considered Polidoro's greatest decorative success. An engraving by Ernesto Maccari made at the end of the nineteenth century allows us to understand the general balance of this façade, which was still well preserved at the time. The frescoes were not entirely monochrome, but alternated elements in chiaroscuro simulating marble bas-reliefs and those in ochre simulating bronze and gold vases...

*Dimensions include the frame This French watercolor dating from around 1930 conveys a serene maritime scene that resonates with the aesthetic principles of the Impressionists. The ...

Late 20th century surrealist gouache and watercolour on paper of The Three Graces by British artist Derek Carruthers. The painting is signed to the bottom right. An imposing and hig...

One of the most prolific and acclaimed illustrators of the 20th century, Mark English produced work for such publications as McCalls, Time, Sports Illustrated, and Redbook before co-...

Josine Vignon (French 1922-2022) ...

Excellent work from this Indian Born (1930) artist, who moved to South Africa. She has received International critical aclaim and her work rarely reaches the market Reddy’s style of...

Girl Portrait by Bernard Labbe (French mid 20th century) original gouache on artist paper size: 26 x 19.75 inches condition: very good and ready to be enjoyed provenance: the artist...

Late 20th century surrealist gouache and watercolour on paper by British artist Derek Carruthers. The painting is signed to the bottom right and titled 'Birth of Sculpture' to the re...

Three Old Friends by Bernard Labbe (French mid 20th century) original gouache on artist paper size: 18.5 x 16.5 inches condition: very good and ready to be enjoyed provenance: the ...

Contemporary surrealist watercolour and gouache on paper by British artist Derek Carruthers. Signed bottom right. An intriguing and beautifully painted surrealist work of a figure ...

Josine Vignon (French 1922-2022) ...

French Landscape by Bernard Labbe (French mid 20th century) original gouache on artist paper size: 20.5 x 10 inches condition: very good and ready to be enjoyed provenance: the art...

French Landscape by Bernard Labbe (French mid 20th century) signed original gouache on artist paper size: 15 x 21 inches condition: very good and ready to be enjoyed provenance: the...

Beautiful painting depicts a young black man holding skull and flip phone. Gouache on illustration board, image measuring 8 x 10 inches; 16 x 20 inches framed. Signed lower left.

Figures In Restraunt by Guy Nicod (French 1923 - 2021) gouache paper stuck on artist paper, unframed painting : 10 x 13 inches provenance: artists estate, France condition: very good...

The Cafe Interior by Guy Nicod (French 1923 - 2021) gouache on artist paper, unframed painting : 20 x 26 inches provenance: artists estate, France condition: very good and sound cond...

Titled Torah Service, hand signed on Arches archival paper. In this painting, Nussbaum portrays a joyful holiday celebration of the Torah reading in the synagogue in a sketch-like m...

The Lady in the Interior Josine Vignon (French 1922-2022) ...

Signed lower right, 'Storer' for Inez May Storer (American, born 1933) and dated 1979. Inez Storer first studied at the San Francisco College for Women, the San Francisco Art Instit...

Fabulous illustration depicts a costume for Broadway production. Gouache on illustration board, image measures 10.5 x 16.5 inches; 15 x 22 inches framed. Excellent condition in ori...

Compelling figurative study in gouache and pencil by Joesph Capozio (American, 1928-2016). Estate stamp lower right corner with bio on verso. Presented in mahogany wood frame. Framed size: 19"H x 17"W. Capozio was born in Philadelphia, Pennsylvania in 1927. After serving in World War II, he attended art school in Philadelphia, Pennsylvania. He lived and worked in San Francisco, California; New Orleans, Louisiana; Siesta Key...

Gouache and pastel on paper An artist whose work was simultaneously figurative and abstract, Brodie was praised as "one of the best painters of his generation" by art historian, Mey...

Signed lower right, 'Storer' for Inez May Storer (American, born 1933) and dated 1979. Inez Storer first studied at the San Francisco College for Women, the San Francisco Art Instit...

Elegant and glamorous fashion illustration from the 1920's, Original signed gouache painting on paper. Monogrammed V.S. lower right. Site: 10"x 7.75" Frame: 19.25"x 17"

The Band by Guy Nicod (French 1923 - 2021) watercolour on artist paper, unframed painting : 18.5 x 13 inches provenance: artists estate, France condition: very good and sound condition

Late 20th century gouache and watercolour on paper by British artist Derek Carruthers. The painting is signed to the bottom right and signed and dated 1985 to the reverse. An impos...

Gloria Dudfield Leaning in Chair 1960's Gouache and Charcoal on Paper 11.75"x17.75" unframed. Gloria (Fischer) Dudfield July 12, 1922 – May 27, 2015 Came from a portfolio of her wor...