Pastel Figurative Paintings

Raju Sarkar - Kolkata City Watercolour on Paper, 12 x 13 inches ( Set of 4 works) (Shipment in a roll form). These watercolors typically frame to be 22x23 inches Raju Sarkar is a resident of Kolkata. He completed his BVA (painting) with a first class from Rabindra Bharati University, Kolkata. He has been a part of solo and group shows throughout the country, including venues such as the Jahangir Art Gallery, Mumbai. He also participated in many exhibitions in Kolkata. His work is predominated by contrasting colors and innovative patterns that not only balance the figures, but also add a finishing touch to his creativity. Born on 3rd January, 1980, Kolkata Academics : 2006 B.V.A (Painting) with 1st Class from Rabindra Bharati University, Kolkata Exhibitions : SOLO EXHIBITIONS 2009 Taj Bengal, Kolkata Award : painting award Aranya Exhibition, 2012 Sculpture award Aranya Exhibition, 2013 Exhibition Participation : (i) Annual Exhibition of Academy of - Fine Arts, Kolkata 2003&2004 (ii) Annual of “Indian society of Oriental Art. Kolkata, 2002 (iii) Annual Exhibition of “Agnipath” 2005. (iv) Annual Exhibition of The Indian college of Art & Draftsmanship, 2005 (v) Annual Exhibition of “State academy” Kolkata 2007 (vi) Annual Exhibition of “Birla Academy of art &Coulture”,2007 & 2009. (vii) Annual Exhibition of Camlin art foundation, kolkata 2009 (viii) Aranya Exhibition (RAD) 2011,2012,2013 GROUP EXHIBITIONS : 2004 Palm Court...

Jack Hooper "Side Stretch Nude" 9/7/1984 Gouache and pastel on paper 20"x26" unframed Signed and dated in pencil lower left In this intriguing modernist artwork, Jack Hooper's minim...

Marker, ink, acrylic, pastel & watercolor on paper, Unstretched Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studi...

Jack Hooper "Side Stretch Nude 3" 9/7/1984 Gouache and pastel on paper 20"x26" unframed Signed and dated in pencil lower right In this exemplary work of modernist art, Jack Hooper e...

Female figure, basking in the sun; Ink, marker, watercolor, and pastel on paper; custom framing available. Pink, blue, yellow and black. Figurative and folk art style. Prominent line...

Gloria Dudfield (1922-2015) Untitled c.1960s Mixed media: gouache, pastel and encaustic on newsprint 12"x19.5" paper cut unevenly, unframed Unsigned Gloria (Fischer) Dudfield July 1...

Jack Hooper "Side Stretch Nude 2" 9/7/1984 Gouache and pastel on paper 20"x26" unframed Signed and dated in pencil lower right In this modernist masterpiece, Jack Hooper deftly navi...

A fine impressionist pastel painting of a ballerina by American artist Louis Kronberg (1872-1965). The painter, dealer and art advisor Louis Kronberg was born in Boston, Massachusetts. He studied at the Arts Student League in New York and at the Boston Museum of Fine Arts School, where he was influenced by Edmund Tarbell...

Elegant and graphic study of a figure of undetermined gender. It's executed with quick and confident brush strokes in the artist's signature color scheme of black and red. It's a fla...

Rabbi in the synagogue at prayer wearing tallit and tefillin. Hugó Scheiber (born 29 September 1873 in Budapest – died there 7 March 1950) was a Hungarian modernist painter. Hugo Scheiber was brought from Budapest to Vienna at the age of eight where his father worked as a sign painter for the Prater Theater. At fifteen, he returned with his family to Budapest and began working during the day to help support them and attending painting classes at the School of Design in the evening, where Henrik Papp was one of his teachers. He completed his studies in 1900. His work was at first in a post-Impressionistic style but from 1910 onward showed his increasing interest in German Expressionism and Futurism. This made it of little interest to the conservative Hungarian art establishment. However, in 1915 he met the great Italian avant-gardist Filippo Tommaso Marinetti and the two painters became close friends. Marinetti invited him to join the Futurist Movement. The uniquely modernist style that he developed was, however, closer to German Expressionism than to Futurism and eventually drifted toward an international art deco manner similar to Erté's. In 1919, he and his friend Béla Kádar held an exhibition at the Hevesy Salon in Vienna. It was a great success and at last caused the Budapest Art Museum to acquire some of Scheiber's drawings. Encouraged, Scheiber came back to live in Vienna in 1920. A turning point in Scheiber's career came a year later, when Herwarth Walden, founder of Germany's leading avant-garde periodical, Der Sturm, and of the Sturm Gallery in Berlin, became interested in Scheiber's work. Scheiber moved to Berlin in 1922, and his paintings soon appeared regularly in Walden's magazine and elsewhere. Exhibitions of his work followed in London, Rome, La Paz, and New York. Scheiber's move to Germany coincided with a significant exodus of Hungarian artists to Berlin, including Laszlo Moholy-Nagy and Sandor Bortnyik. There had been a major split in ideology among the Hungarian avant-garde. The Constructivist and leader of the Hungarian avantgarde, Lajos Kassák (painted by Hugó Scheiber in 1930) believed that art should relate to all the needs of contemporary humankind. Thus he refused to compromise the purity of his style to reflect the demands of either the ruling class or socialists and communists. The other camp believed that an artist should be a figurehead for social and political change. The fall out and factions that resulted from this politicisation resulted in most of the Hungarian avant gardists leaving Vienna for Berlin. Hungarian émigrés made up one of the largest minority groups in the German capital and the influx of their painters had a significant effect on Hungarian and international art. Another turning point of Scheiber's career came in 1926, with the New York exhibition of the Société Anonyme, organized by Katherine Dreier. Scheiber and other important avant garde artists from more than twenty-three countries were represented. In 1933, Scheiber was invited by Marinetti to participate in the great meeting of the Futurists held in Rome in late April 1933, Mostra Nazionale d’Arte Futurista where he was received with great enthusiasm. Gradually, the Hungarian artists began to return home, particularly with the rise of Nazism in Germany. Kádar went back from Berlin in about 1932 and Scheiber followed in 1934. He was then at the peak of his powers and had a special flair in depicting café and cabaret life in vivid colors, sturdily abstracted forms and spontaneous brush strokes. Scheiber depicted cosmopolitan modern life using stylized shapes and expressive colors. His preferred subjects were cabaret and street scenes, jazz musicians, flappers, and a series of self-portraits (usually with a cigar). his principal media being gouache and oil. He was a member of the prestigious New Society of Artists (KUT—Képzőművészek Új Társasága)and seems to have weathered Hungary's post–World War II transition to state-communism without difficulty. He continued to be well regarded, eventually even receiving the posthumous honor of having one of his images used for a Russian Soviet postage stamp (see image above). Hugó Scheiber died in Budapest in 1950. Paintings by Hugó Scheiber form part of permanent museum collections in Budapest (Hungarian National Museum), Pecs (Jannus Pannonius Museum), Vienna, New York, Bern and elsewhere. His work has also been shown in many important exhibitions, including: "The Nell Walden Collection," Kunsthaus Zürich (1945) "Collection of the Société Anonyme," Yale University Art Gallery, New Haven, Connecticut (1950) "Hugó Scheiber: A Commemorative Exhibition," Hungarian National Museum, Budapest (1964) "Ungarische Avantgarde," Galleria del Levante, Munich (1971) "Paris-Berlin 1900-1930," Centre Georges Pompidou, Paris (1978) "L’Art en Hongrie, 1905-1920," Musée d’Art et l’Industrie, Saint-Etienne (1980) "Ungarische Avantgarde in der Weimarer Republik," Marburg (1986) "Modernizmus," Eresz & Maklary Gallery, Budapest (2006) "Hugó Scheiber & Béla Kádár," Galerie le Minotaure, Paris and Tel Aviv (2007) Hugó Scheiber's paintings continue to be regularly sold at Sotheby's, Christie's, Gillen's Arts (London), Papillon Gallery (Los Angeles) and other auction houses. He was included in the exhibition The Art Of Modern Hungary 1931 and other exhibitions along with Vilmos Novak Aba, Count Julius Batthyany, Pal Bor, Bela Buky, Denes Csanky, Istvan Csok, Bela Czobel, Peter Di Gabor, Bela Ivanyi Grunwald, Baron Ferenc Hatvany, Lipot Herman, Odon Marffy, C. Pal Molnar...

Rosie Copeland Title – Nude sitting, green and blue Original Nude Painting Medium (Gouache and soft pastel on 200gsm paper ) Sold Unframed 
Image Size: 58 cm x 40cm Please note that...

Raju Sarkar - Untitled Watercolour on Paper, 20 x 24 inches (Shipment in a roll form) Raju Sarkar is a resident of Kolkata. He completed his BVA (painting...