Orazio Toschi

Untitled - Oil on Board by Orazio Toschi - 1960s

1960s

Into the tunnel is an original modern artwork realized by Isidore Odorico (1893-1945) in the early 20th Century. Oil on board. Hand signed on the lower margin. Includes frame

The Discussion is an original oil on canvas realized in the 19th Century by an italian artist. Original oil tempera on board. Gilded wood Frame is included. 30.5 x 34.5 x 34.5 cm ...

A French Room is an original oil painting on the board realized by Alexander Sergeev in the 1990s. Very beautiful painting depicting a room with a sofa. Includes frame

Girl In The Armachair is an artwork realized in the 1950s by Anonymous artist. Original oil painting on canvas applied to cardboard. Includes wooden frame:60 x 7 x 50.5 cm Good co...

Untitled is an original artwork realized by Italo Mus in the first half of the XX Century. Original oil on painting. Hand-signed on the lower right: I. M...

Beautiful pair of painting representing scenes of celebrations with musicians, executed by a Master belonging to the school of Giuseppe Bonito (Neaples...

Medium: Oil on Canvas Mounted to Board Signature: Signed Lower Left "H. Hintermeister"

Painting of The Merry Wives of Windsor attributed to John Calcott Horsley English, 19th Century Frame: Height 97.5cm, width 74cm, depth 7cm Panel: Height 78cm, width 54cm, depth 0.5c...

Chess Players WPA Depression Era Mid-20th Century American Scene Realism Modern. Signed upper right and verso 8 x 10 inches oil on board. BIO The son of a men's haberdasher, Mervin ...

CARLOS NADAL Spanish, 1917 - 1998 TEATRO COMEDOR signed "Nadal" (lower right) titled & dated "Teatro Comedor / 1986" (on the reverse) oil on canvas 32 x 39-1/2 inches (81 x 100 cm.) framed: 40 x 47-1/2 inches (101.3 x 120.3 cm.) PROVENANCE Private Collection, Barcelona, Spain Carlos Nadal was born in Paris in 1917, in 1921 with four years he moved with his family to Barcelona. It is formed at the School of La Lonja. In 1935 he won three awards: the one of the Watercolors Association of Barcelona, ​​the Mural Composition Count Lavern and the Masriera prize. In 1936 he received a scholarship from the Barcelona City...

Guy Pene du Bois' "Two Figures in Courtroom" is a WPA era American scene oil painting created in a realistic style. Modernism at its best The work is framed by Heydenryk. Pène du Bois descended from French immigrants who settled in Louisiana in 1738 and was raised in a Creole household. He was born in 1884 in Brooklyn, NY and first studied with William Merritt Chase at the New York School of Art and later continued his training with Robert Henri. Pène du Bois was greatly impressed with Henri's credo that "real life" was subject matter for art and throughout his life a realist philosophy informed his art as well as his parallel career, art criticism. In 1905, Pène du Bois made his first visit to Paris where he painted scenes of fashionable people in cafes rendered in the dark tonalities and impasto associated with the Ashcan School. By 1920, he had achieved his mature style, which was characterized by stylized, rounded, almost sculptural figures painted with invisible brushstrokes. The subjects of his paintings were often members of society whom he gently satirized. In 1924, Pène du Bois and his wife, Floy, left for France where they would remain until 1930. Returning to America showcases pictures the artist produced after this very productive period abroad. After five years of living in France, Pène du Bois was able to observe American life with fresh eyes. His work becomes more psychologically intense and less satirical. In Girl at Table a slender, blond is shown gazing at a small statue that she holds at arm's distance. The meaning is elusive, but a powerful sense of longing is evoked. Similarly, paintings such as Dramatic Moment and Jane are taut with unresolved dialogue. Both pictures depict mysterious interiors in which a lone woman anxiously awaits the denouement of a suspenseful scene. Other pictures, for example, Chess Tables, Washington Square and Bar, New Orleans, recall Pene du Bois's Ashcan origins in their depiction of urban entertainment. During this period, landscape becomes an important subject for Pène du Bois. Girl Sketching...

Pierre Coquet - "Les pots gris"/"Grey pitchers" Reference number F438 73 x 54 cm The painting is not framed but it could be with a natural oak floated (s...