1840s Figurative Paintings

Attributed to Charles de Steuben (1788-1856) Portrait of a man, oil on canvas 22 x 18 cm In a modern frame : 35,5 x 31,5 cm The attribution of this small portrait to Charles de St...

Samuel John Egbert Jones (1797- 1861) PHEASANT SHOOTING Oil on canvas Frame H. 38cm x W. 47cm Image H. 30cm x W. 40cm A hunting scene in a beautiful early autumnal wooded landscap...

Essay: David Monies (1812-1894) was a danish artist, specializing in portrait and genre painting. His father Salomon Monies (1786-1853) was a Jewish busin...

Suite of four large family portraits, kept together to this day. Created around 1840 by the painter Théophile Morel, who presented portraits at the Salon des Artistes Français from t...

Jacob THOMPSON (1806 – 1879) Deer by the Banks of a Lake 1842 oil on canvas 18.9 x 27.6 inches; 22.5 x 31 inches Inc. frame Jacob Thompson (1806–1879) was an English landscape-pa...

Signed lower right, 'Richmond' for George Richmond, RA (British, 1809 – 1896) and painted circa 1845. Displayed in a period, carved and giltwood frame. (Framed dimensions: 22.75 x 21.5 x 1.0) This English painter and portraitist was a founding member of The Ancients, a group of followers of William Blake. Later in life, he established himself as a successful society portrait painter of the British gentry, nobility and royalty. George Richmond was the son of Thomas Richmond the miniature-painter and, also, the father of the painter William Blake Richmond. For a short time, he attended a day school in Soho, before became a student at London's Royal Academy. Here he was much impressed by Henry Fuseli, his professor of painting, and formed a lifelong friendship with Samuel Palmer, and had as fellow-students and companions Edward Calvert...

Well painted 19th-century portrait of a young boy possible in a School Uniform. With the label on the reverse being from Scottish panel makers, we bel...

Well painted and very interesting oil on canvas depicting a Race Horse, the Jockey, and the owner on a Race track, possibly Epsom in Surrey. Harry Hall was...

A wonderful view of a river landscape with a rustic cottage and pollarded trees by Henri Sieurac. It isa rare, early and very fresh landscape by this Parisian artist which may well have been painted in the countryside around Barbizon, near the river Loing. Henry Sieurac had studied with his father, François Joseph Sieurac , and of Paul Delaroche...

Signed lower left, "E. Brown' and dated 'May, 1844'. A fine, mid-nineteenth century portrait of a lady of quality wearing the hairstyle made popular by Queen Victoria in the early years of her reign; the lady shown relaxed, standing beside a velvet-draped, Neo-Classical column and wearing a satin ball...

Antoine-Claude PONTHUS-CINIER (Lyon, 1812 - Lyon, 1885) Lake Albano, Castel Gandolfo and the Roman countryside Oil on canvas mounted on cardboard H. 38 cm; L. 55 cm Signed lower left Ponthus-Cinier belongs to what could be defined as the third (and so to speak last) generation of neo-classical or historical landscape painters, born in the years 1810/1820, like Félix Lanoüe, Achille Bénouville...

Charles Bouchez (1811-1882) French A Soldier Blowing the Trumpet oil on canvas signed and dated ch. Bouchez 1842 canvas dimensions 6.29 x 4.13 inches (16 x 10.5 cm) frame 10.23 x 7...

François-Edme RICOIS (Courtalain, 1795 - Mareil-Marly, 1881) View of Châteaudun Oil on canvas H. 65 cm; W. 98 cm Signed and dated lower center 1860 François-Edme Ricois although bor...

John Frederick Kensett (1816 - 1872) Portrait of an Italian Fencer, circa 1845-47 Watercolor on wove paper 13 1/8 x 8 1/8 inches Signed with initials and inscribed lower right "J.F.K. Rome" From October 1845 through the spring of 1847, Kensett lived in Rome. He attended classes where he sketched from live models, and he sketched in the countryside outside Rome and around Florence, Perugia, and Venice, places he visited with his artist friends. He fulfilled commissions for paintings from Americans in Italy, and by 1847 his career was well established. Son of an English immigrant engraver, John Kensett lacked enthusiasm for that medium and became one of the most accomplished painters of the second generation of Hudson River School painters. His reputation is for Luminism, careful depiction of light, weather, and atmosphere as they affect color and texture of natural forms. He was particularly influenced by the painting of Asher Durand in that he focused on realism and detail rather than the highly dramatic views associated with Thomas Cole. Going to the western United States in the mid 1850s and the 1860s, he was the first of the Hudson River School painters to explore and paint the West. Kensett was born and raised in Cheshire, Connecticut, and learned his engraving from his father, Thomas Kensett with whom he worked in New Haven, Connecticut until 1829. He continued working until 1840 as an engraver of labels, banknotes and maps and was employed part of that time by the American Bank Note Company in New York City. There he met Thomas Rossiter, John Casilear, and other artists who urged him to pursue painting. In 1840, he and Rossiter, Asher Durand, and Casilear went to Europe where Kensett stayed for seven years and supported himself by doing engraving but became accomplished in landscape painting. Having sent canvases of Italian landscapes back to New York, he had a reputation for skillful painting that preceded him. When he returned to New York City in 1847, he was an "instant success" and very sought after by collectors. Two of his Italian landscapes had already been purchased by the American Art Union. By 1849, he was a full member of the National Academy of Design and was generally popular among his peers. His studio was a gathering place with travelers stopping by to see his canvases and to identify "precise locations in the Catskills or Newport or New England in the oil sketches and drawings that covered his walls." (Zellman 170). For the women, he was a popular bachelor, "romantic looking with high forehead and sensitive expression." (Samuels 262) He was also sought after by many organizations. Among his activities were serving on the committee to oversee the decoration of the United States Capitol in Washington DC, and becoming one of the founders of the Metropolitan Museum in New York. An inveterate traveler, Kensett spent summers on painting excursions away from New York City. One of these trips was a special painting excursion with fifteen other artists sponsored by the B & O Railroad from Baltimore, Maryland to Wheeling, West Virginia. Unlike many of the Hudson River painters...

JOAQUÍN DOMÍNGUEZ BÉCQUER Spanish, 1817 - 1879 THE CARD GAME signed, located & dated "Joaq. D. Becquer. Sevilla - 1849." (lower left) oil on ...

JOAQUÍN DOMÍNGUEZ BÉCQUER Spanish, 1817 - 1879 DANCERS IN A COURTYARD signed, located & dated "Joaq. D. Becquer. Sevilla 1849." (lower right)...

A rare mid 19th Century watercolor depicting Native Americans approaching a fort. The subjects appear to be from a Northern Plains Tribes, and arre approaching a palisades style f...

Well painted and very interesting composition attributed to the English landscape painter john Frederick Tennant. His work is very similar to ...

JOAQUÍN DOMÍNGUEZ BÉCQUER Spanish, 1817 - 1879 RIDERS PASSING BY A TAVERN signed, located & dated "Joaq. D. Becquer. Sevilla, 1847." (lower l...

JOAQUÍN DOMÍNGUEZ BÉCQUER Spanish, 1817 - 1879 OUTSIDE THE TAVERN signed, located & dated "Joaq. D. Becquer. Sevilla 1849." (lower right) oil...

A very well painted classic English Folk art painting of figured playing by the pond with ducks and a rural cottage. This style of painting would Im sure have been painted by a cou...

A wonderful portrait of a young boy seated in his room looking out over the expansive landscape. Painted circa 1840 this piece has all the style of middle European art. French, Swis...

Well painted and very unique oil on a card of an English town landscape with figures, soldier, monument, and a boy on his way to a school with a hoop and stick. Possible painted for...

Spanish School of the 19th Century Santa Justa and Santa Rufina Oil on canvas 40 x 27 cm In quite good condition, the paint surface presents numerous crack...

Outstanding 19th century English warship off the Italian, Mediterranean coast, with village, mountains and hills. A very interesting and somewhat unique oil on slate depicting an English ship at anchor in what looks like an Italian or Mediterranean coastline. The piece has influences from John Thomas Serres...

This portrait depicts a seated colonial woman, painted in a realist style that can be compared to John Smibert. This painting has beautiful details such a...

19th Century French school, Two italian women in a landscape, oil on canvas 59 x 43.5 cm Bears a signature and a date on the lower left (see photograph please) but barely lisible ...

French School of the 19th century, Attributed to Achille Deveria (1800-1857) A Lady and a boy with a dog, a Renaissance style scene Oil on wood panel 22 x 13 cm A label on the revers...

Archer was born at Newcastle-upon-Tyne, in 1808. In 1820 he went to London, and became a pupil of John Scott, a noted engraver of animals. His apprenticeship was cut short when Scott became ill, and he returned to Newcastle. There, in collaboration with William Collard he etched a series of large plates of Fountains Abbey, after drawings by John Wilson Carmichael, and on his own produced several plates for Mackenzie's History of Durham. He then moved to Edinburgh, where he made a collection of drawings of the ancient buildings and streets of the city. In about 1830 he returned to London, and entered the studio of the engravers William and Edward Finden, who were then working on illustrations for the annuals and such publications as their Bible Illustrations, and The Ports and Harbours of Great Britain. After a few years the market for this kind of illustration declined, and Archer had to find less renumerative work engraving plates for the New Sporting Magazine. Having been elected a member of the New Society of Painters in Water Colours, he produced a series of drawings of St. Mary Overy, previous to its restoration, and of Lambeth Palace. Having accumulated more than one hundred drawings of London...