Wood Panel Interior Paintings

Thirty pigeon holes Ron Piller is a beautiful, contemporary painting with a mix of mediums: Acrylic, Gloss Medium Varnish on Canvas. It's strong colors and geometry with white, red a...

A Meal Van Den Eycken Charles Brussels 1859 – 1923 Belgian Painter Signature: Attributed to Charles Van Den Eycken Medium: Oil on panel Dimens...

Abstract interior. Oil on panel. 2022.

James Cassie was born at Keithhall near Inverurie, Aberdeenshire, the son of a prosperous tea and spirit merchant. Although briefly a pupil of the artist James Giles, Cassie was largely self-taught. He began his career as a painter of animals and portraits, but on moving to Aberdeen he increasingly turned his attention to local seascapes and coastal scenes, especially at dawn and sunset. He favored these outdoor scenes but continued to paint some domestic subjects and portraits throughout his life. In 1869 he moved to Edinburgh and was elected an associate of the Royal Scottish Academy. Shortly before his death in 1879 he was elected an Academician. This piece is framed in its original frame and the painting is signed lower right and inscribed on the reverse. From the inscription on the reverse, this painting was purchased from an important house sale...

Vibrant floral still life by Marilyn Simandle (American, b.1946). Splashes of color and white petals pop out against a dark background and glossy blac...

It is said that Marbling (his painting technique) originated in Japan in the 12th Century. Mikael has been able to reinvent the technique existing for more than hundreds of years li...

The Musical Performance by Antonio Ermolao Paoletti An italian genre painting showcasing two boys playing a trumpet and a guitar for their sist...

This is a beautiful small painting on wood panel in artist frame. Cole’s work, From Tokyo to Berlin, is the culmination of three years of travel (from 2015 to 2018) both east and we...

Cloudy Deddington Skies [March 2022] original Oil Paint on Gesso Board Image size: H:15 cm x W:15 cm Complete Size of Unframed Work: H:15 cm x W:15 cm x D:3.8cm Sold Unframed Please...

Behind Pretty Things (2022), oil on wood panel painting by Max Vesuvius Budnick, portrait, patterns, faux naif Classic faux naif portrait and interiors oil painting by Max Vesuvius Budnick. The artist cannot resist painting an appealing pattern and loves to render them by hand. In this painting he renders the ribbed pattern of his green corduroy hat, the tropical jungle motif of his bandana neckerchief complete with tropical birds, the tropical palm leaf pattern of his cell phone case, the blue stripe pattern of his button down shirt and the purple gradient of the walls behind him as he poses for a selfie in the mirror. His red beard peeks out from behind his bandana and on the wall behind him is a framed print of the painting, "Floral Still Life," by WWI veteran and African American artist, Horace Pippin...

Christy Stallop's (US based) "Snack Bandit" is an oil painting that depicts a Crow wearing a green wrestling mask.

Very decorative animal scene of two dogs in an interior surprising a cat walking towards them. Grover Hawking was a late 20th-century painter active in New Jersey and Long Island. ...

JOSÉ GALLEGOS Y ARNOSA Spanish, 1857 - 1917 CORO DE MONAGUILLOS ENSAYANDO signed, located and dated "JGallegos / Roma 1883" (lower right) oil on...

Vase in the Window (Impressionist Floral Still Life of Magenta Pink Peony Flowers in a Vase Against an Off-White Window Scene) by David Konigsberg oil on panel 50 x 36 x 1.5 inches no frame required - painting is wired on reverse for easy installation Signed by the artist, verso This painting is an exquisite example of the artist's unique ability to capture the very whimsical side of nature. Widely known for painting expansive views of the Hudson Valley where the artist often embarks on extensive hiking trails, Konigsberg also takes to painting more intimate and commonplace household objects. A coffee pot, salt and pepper shaker, or as in this case, a simple bouquet of long stemmed pink peonies careening over the side of a green vase; his use of oil washes capture both fluidity and structure. The fanciful treatment of the flowers calls to mind French Impressionist Toulouse Latrec...

Portarit - Angelo Granati Italia 2019 - Oil on panel cm.70 x 50. This is his reinterpretation of a greatest old master painting "Portrait de la duchesse de Morny, née princesse Troubetzko "by Franz Xaver Winterhalteri. Franz Xaver Winterhalter was a German painter and lithographer. He worked in numerous European courts, such as Karlsruhe, Paris, London, Prague and Moscow, performing grandiose portraits of rulers, such as the one for King Louis Philippe of France in 1839 (in Versailles) or the one for Queen Victoria with her family in 1842 at Windsor Castle. He also painted three famous portraits of Empress Elisabeth of Austria...

This 30" x 24" acrylic on panel painting from 2013 by John Wolfe depicts a rural church in Davidson, Oklahoma. Wolfe's depiction focuses on the profile of the stark white church agai...

IKEA (2022), oil on wood panel painting by Max Vesuvius Budnick, coral reef and banana, bright pattern, faux naif Classic faux naif interiors oil painting by Max Vesuvius Budnick. The artist cannot resist painting an appealing pattern and was enamored with this IKEA shower curtain...

A suite of 3 small works that are each 12 x 12 inches. Painted in oil on wood panel. 'Everything is Pee Chee' 12 x 12 inches 2019. 'Game Select' 12 x 12 inches, 2019 'You're Livin''...

Story Teller With Cat and Mouse, painting by Melanie Yazzie, Navajo, Denver Yazzie was asked by the Denver Art Museum to select several items from its collection that were immediatel...

Porcupine Basket, painting by Melanie Yazzie, Denver Art Museum, Native American Yazzie was asked by the Denver Art Museum to select several items from its ...

Artist Commentary: This mixed media painting includes the back of the Ranchos de Taos church that Georgia O'Keefe made famous in her painting. My painting ...

Keimpe van der Kooi Autumn 122 x 100 cm framed: 132x 110 cm ( This frame is included) Oil on wood panel This Painting is made by Dutch Artist Keimpe van der Kooi. He likes to paint...

Keimpe van der Kooi Home 49 x 41 cm Framed: 54x 46 cm ( This frame is included) Oil on wood panel This Painting is made by Dutch Artist Keimpe van der Kooi. He likes to paint still...

Its owner unknown, this room in West London’s Mayfair neighborhood was decorated by the Iranian-born designer known as Alidad. The arrangement hints at ...

A five-bedroom, pale blue-and-turquoise country house located an hour and a half southwest of Paris, Maison de Lèves served as a lifelong laboratory for France’s maîtresse of interio...

Keimpe van der Kooi Winter 116 x 83 cm Framed: 126x 93 cm ( This frame is included) Oil on wood panel This Painting is made by Dutch Artist Keimpe van der Kooi. He likes to paint s...

Arnold Friedman studied with Robert Henri and Kenneth Hayes Miller at the Art Students League in 1905 . Yet as he developed his style he abandoned the academic influence of his teacher. He started experimenting with materials and techniques. Friedmans intimate style recalls a variety of post-impressionist artists such as Pointillism of Pisarro, Vuillard and Nabis, and perhaps even Seurat. His thick application of paint has definitive textual impasto that was influenced by his trip to Paris in 1909. In "Museum Piece...

Keimpe van der Kooi Yellow Gerbera's 50 x 50 cm Framed: 55x 55 cm ( This frame is included) Oil on wood panel This Painting is made by Dutch Artist Keimpe van der Kooi. He likes to...

While Jayne Wrightman’s taste was universally recognized as exquisite—she was a peerless collector and long served as a trustee at the Metropolitan Museum of Art—the society grande dame and philanthropist chose to work with Parisian decorators Maison Jansen upon acquiring her palatial Fifth Avenue home. In fact, Jansen had already started; the apartment’s previous owner, private dealer Renée de Becker, had brought them in. Wrightsman and husband Charles continued with Jansen; upon principal Stephane Boudin’s death, they began working with Henri Samuel, thus beginning a long association. While the bones of the room owe much to Jansen, the decoration—the colors, the upholstery, and most of the furnishings—are Samuel. Shown here is the sprawling 31-foot-by-21-foot drawing...

Christy Stallop's (US based) "Fry Crusher" is an oil painting that depicts a Crow wearing a red and blue wrestling mask.

Keimpe van der Kooi Summer 100 x 122 cm framed: 110-132 cm ( This frame is included) Oil on wood panel This Painting is made by Dutch Artist Keimpe van der Kooi. He likes to paint ...

Andrew Davis is a contemporary painter living and working in the Uk. Inspired by his home and surrounding area Andrew paints with a fresh energetic style, which gives his paintings a...

It took interior designer Howard Slatkin 33 months to recreate an 18th century European palace in an Upper East Side co-op. Set on the 14th floor of the...

EDUARDO LEÓN GARRIDO Spanish, 1856- 1949 THE PAINTER AND HIS MODEL signed "E. L Garrido" (lower right) oil on mahogany wood panel 19-3/4 x 24-1/8 inches (50 x 61 cm.) framed: 28-1/2 x 32-3/4 inches (72 x 83 cm.) PROVENANCE Private Spanish Collector Eduardo León Garrido (Madrid, 1856 - Caen, 1949) was a Spanish painter. He began his training at the Higher School of Painting in Madrid and as a disciple in Vicente Palmaroli...

American decorator Tony Duquette’s exuberant vision was most fully expressed in his Beverly Hills retreat, known as Dawnridge, where he lived with his wife Elizabeth (known as “Beegl...

Andrew Davis is a contemporary painter living and working in the Uk. Inspired by his home and surrounding area Andrew paints with a fresh energetic style, which gives his paintings a...

Figure standing with window

When it came to decorating his residences, haute-couture iconoclast Karl Lagerfeld (1933–2019) was known for committing completely to a given style—and then dispensing with it. Follo...

Bed, Original Contemporary Surrealist Painting, 2012 18" x 11.25" x 1.625" (HxWxD) This muted, dream-like surrealist painting by artist Megan Frazer can be compared to both the subject matter and painterly style of the work of Leonara Carrington...

EDUARDO LEÓN GARRIDO Spanish, 1856- 1949 AN ELEGANT DANCE signed "E. L Garrido" (lower right) oil on mahogany wood panel 25-1/8 x 32 inches (63.5 x 81 cm.) framed: 31 x 38 inches (78.5 x 96 cm.) PROVENANCE Private Spanish Collector Eduardo León Garrido (Madrid, 1856 - Caen, 1949) was a Spanish painter. He began his training at the Higher School of Painting in Madrid and as a disciple in Vicente...

'Trio of Apples' by Barbara Vanhove is an exceptional still-life painting. You can almost pick up the apples to eat them, such is the detail with which they have been painted. Barbar...

Watching, Original Contemporary Surrealist Painting, 2014 11.25" x 18" x 1.625" (HxWxD) Gouache on Wood Panel This surreal gouache painting features a woman laying on top of her bed...

Oil Painting of still life Havdalah scene with braided candle, spice tower box and kiddush cup. Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors (panels) in his work. Other members of group included Ilya Bolotowsky, Lee Gatch, Adolph Gottlieb, Louis Harris, Yankel Kufeld, Marcus Rothkowitz (later known as Mark Rothko), Louis Schanker, and Joseph Solman. The Art of “The Ten” was generally described as expressionist, as this style offered the best link between modernism and social art. Their exhibition at the Mercury Gallery in New York held at the same time as the Whitney Annual Exhibition of Contemporary American Painting, included a manifesto concentrating on aesthetic questions and criticisms of the conservative definition of modern art imposed by the Whitney. Ben-Zion’s work was quickly noticed. The New York Sun said he painted “furiously” and called him “the farthest along of the lot.” And the triptych, “The Glory of War,” was described by Art News as “resounding.” By 1939, The Ten disbanded because most of the members found individual galleries to represent their work. Ben-Zion had his first one-man show at the Artist’s Gallery in Greenwich Village and J.B. Neumann, the highly esteemed European art dealer who introduced Paul Klee, (among others) to America, purchased several of Ben-Zion’s drawings. Curt Valentin, another well-known dealer, exhibited groups of his drawings and undertook the printing of four portfolios of etchings, each composed of Ben-Zion’s biblical themes. He worked as a WPA artist. Ben-Zion’s work is represented in many museums throughout the country including the Metropolitan, the Whitney, and the Museum of Modern Art in New York, the Art Institute of Chicago, the Philadelphia Museum of Art and the Phillips Collection, Washington. The Jewish Museum in New York opened in 1948 with a Ben-Zion exhibition. Ben-Zion consistently threaded certain subject matter—nature, still life, the human figure, the Hebrew Bible, and the Jewish people—into his work throughout his life. "In all his work a profound human feeling remains. Sea and sky, even sheaves of wheat acquire a monolithic beauty and simplicity which delineates the transient as a reflection of the eternal. This sensitive inter- mingling of the physical and metaphysical is one of the most enduring features of Ben-Zion's works." (Excerpt from Stephen Kayser, “Biblical Paintings,” The Jewish Museum Catalogue, 1952). Mystical Imprints: Marc Chagall, Ben-Zion, and Ben Shahn presents the print work of three prominent 20th century Jewish artists born in the Russian Empire. Among these seventy pieces are etchings and lithographs from Chagall’s Bible series...

Found It, Original Signed Contemporary Satirical Surrealist Painting, 2014 18" x 11" x 1.625" Gouache on Wood Panel Hand-signed by the artist. When socks go missing, this disarticulated human arm can find them! In this dream-like surrealistic painting by artist Megan Frazer a laundry basket full of blue, red, and yellow clothing...

Andrew Davis is a contemporary painter living and working in the Uk. Inspired by his home and surrounding area Andrew paints with a fresh energetic style, which gives his paintings a...

Andrew Davis is a contemporary painter living and working in the Uk. Inspired by his home and surrounding area Andrew paints with a fresh energetic style, which gives his paintings a...

Early 19th century oil on panel portrait of a young girl spinning. Pietro Longhi was a Venetian painter who mastered the portrayal of scenes of everyda...

Henk Helmantel probably does not need an introduction to a lot of worldwide art lovers. After all, the artist from Westeremden even has its own museum. ...

In this series of trompe-l'œil oil and acrylic paintings, Myron Stephens realistically recreates images of mundane objects taped to what appears to be chalkboards covered with free s...

In this series of trompe-l'œil oil and acrylic paintings, Myron Stephens realistically recreates images of mundane objects taped to what appears to be chalkboards covered with free s...

This layered paper collage and drawing artwork titled "Mass Study III" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, and acrylic on wood panel. Usin...

VICNTE PALMAROLI y GONZÁLEZ Spanish, 1834 - 1896 PLAYING HIDE AND SEEK signed "V. Palmaroli" (lower right) oil on mahogany panel 17-3/4 x 13-1/2 inches (45 X 34 cm.) framed: 25-1/4 X 21-1/4 inches (64 X 53.7 cm.) PROVENANCE Leslie Hindman Inc., Auctionners Private Collector, Madrid Oil on table by Vicente Palmaroli...

this is oil on wood panel with a rough sandy textured surface . it comes ready to hang with a black frame that nicey complements the color scheme

Quaint mid-century painting of a cabin interior and view by Leslie Buck (American, 1907-1991), 1930. A realistic "slice of life" rendition of the cabin interior provides an image of the artist's life. Various cooking items sit on shelves below the right window, with the sink and water pump below the window on the left. Signed on verso. Description "Kitchen Corner" Davis's Rental Cottage, Porter Beach, Indiana 1930 written on verso. Presented in a wood frame. Image, 7.5"H x 8.5"L. Born in Chicago, she studied at the School of the Art Institute of Chicago and with Claude Buck after their marriage in 1934. With her husband, she moved to the Santa Cruz mountains...

Harry Humphrey Moore led a cosmopolitan lifestyle, dividing his time between Europe, New York City, and California. This globe-trotting painter was also active in Morocco, and most importantly, he was among the first generation of American artists to live and work in Japan, where he depicted temples, tombs, gardens, merchants, children, and Geisha girls. Praised by fellow painters such as Thomas Eakins, John Singer Sargent, and Jean-Léon Gérôme, Moore’s fame was attributed to his exotic subject matter, as well as to the “brilliant coloring, delicate brush work [sic] and the always present depth of feeling” that characterized his work (Eugene A. Hajdel, Harry H. Moore, American 19th Century: Collection of Information on Harry Humphrey Moore, 19th Century Artist, Based on His Scrap Book and Other Data [Jersey City, New Jersey: privately published, 1950], p. 8). Born in New York City, Moore was the son of Captain George Humphrey, an affluent shipbuilder, and a descendant of the English painter, Ozias Humphrey (1742–1810). He became deaf at age three, and later went to special schools where he learned lip-reading and sign language. After developing an interest in art as a young boy, Moore studied painting with the portraitist Samuel Waugh in Philadelphia, where he met and became friendly with Eakins. He also received instruction from the painter Louis Bail in New Haven, Connecticut. In 1864, Moore attended classes at the Mark Hopkins Institute in San Francisco, and until 1907, he would visit the “City by the Bay” regularly. In 1865, Moore went to Europe, spending time in Munich before traveling to Paris, where, in October 1866, he resumed his formal training in Gérôme’s atelier, drawing inspiration from his teacher’s emphasis on authentic detail and his taste for picturesque genre subjects. There, Moore worked alongside Eakins, who had mastered sign language in order to communicate with his friend. In March 1867, Moore enrolled at the prestigious École des Beaux-Arts, honing his drawing skills under the tutelage of Adolphe Yvon, among other leading French painters. In December 1869, Moore traveled around Spain with Eakins and the Philadelphia engraver, William Sartain. In 1870, he went to Madrid, where he met the Spanish painters Mariano Fortuny and Martin Rico y Ortega. When Eakins and Sartain returned to Paris, Moore remained in Spain, painting depictions of Moorish life in cities such as Segovia and Granada and fraternizing with upper-crust society. In 1872, he married Isabella de Cistue, the well-connected daughter of Colonel Cistue of Saragossa, who was related to the Queen of Spain. For the next two-and-a-half years, the couple lived in Morocco, where Moore painted portraits, interiors, and streetscapes, often accompanied by an armed guard (courtesy of the Grand Sharif) when painting outdoors. (For this aspect of Moore’s oeuvre, see Gerald M. Ackerman, American Orientalists [Courbevoie, France: ACR Édition, 1994], pp. 135–39.) In 1873, he went to Rome, spending two years studying with Fortuny, whose lively technique, bright palette, and penchant for small-format genre scenes made a lasting impression on him. By this point in his career, Moore had emerged as a “rapid workman” who could “finish a picture of given size and containing a given subject quicker than most painters whose style is more simple and less exacting” (New York Times, as quoted in Hajdel, p. 23). In 1874, Moore settled in New York City, maintaining a studio on East 14th Street, where he would remain until 1880. During these years, he participated intermittently in the annuals of the National Academy of Design in New York and the Pennsylvania Academy of the Fine Arts in Philadelphia, exhibiting Moorish subjects and views of Spain. A well-known figure in Bay Area art circles, Moore had a one-man show at the Snow & May Gallery in San Francisco in 1877, and a solo exhibition at the Bohemian Club, also in San Francisco, in 1880. Indeed, Moore fraternized with many members of the city’s cultural elite, including Katherine Birdsall Johnson (1834–1893), a philanthropist and art collector who owned The Captive (current location unknown), one of his Orientalist subjects. (Johnson’s ownership of The Captive was reported in L. K., “A Popular Paris Artist,” New York Times, July 23, 1893.) According to one contemporary account, Johnson invited Moore and his wife to accompany her on a trip to Japan in 1880 and they readily accepted. (For Johnson’s connection to Moore’s visit to Japan, see Emma Willard and Her Pupils; or, Fifty Years of Troy Female Seminary [New York: Mrs. Russell Sage, 1898]. Johnson’s bond with the Moores was obviously strong, evidenced by the fact that she left them $25,000.00 in her will, which was published in the San Francisco Call on December 10, 1893.) That Moore would be receptive to making the arduous voyage across the Pacific is understandable in view of his penchant for foreign motifs. Having opened its doors to trade with the West in 1854, and in the wake of Japan’s presence at the Philadelphia Centennial Exposition of 1876, American artists were becoming increasingly fascinated by what one commentator referred to as that “ideal dreamland of the poet” (L. K., “A Popular Paris Artist”). Moore, who was in Japan during 1880–81, became one of the first American artists to travel to the “land of the rising sun,” preceded only by the illustrator, William Heime, who went there in 1851 in conjunction with the Japanese expedition of Commodore Matthew C. Perry; Edward Kern, a topographical artist and explorer who mapped the Japanese coast in 1855; and the Boston landscapist, Winckleworth Allan Gay, a resident of Japan from 1877 to 1880. More specifically, as William H. Gerdts has pointed out, Moore was the “first American painter to seriously address the appearance and mores of the Japanese people” (William H. Gerdts, American Artists in Japan, 1859–1925, exhib. cat. [New York: Hollis Taggart Galleries, 1996], p. 5). During his sojourn in Nippon (which means, “The Land of the Rising Sun”), Moore spent time in locales such as Tokyo, Yokohama, Kyoto, Nikko, and Osaka, carefully observing the local citizenry, their manners and mode of dress, and the country’s distinctive architecture. Working on easily portable panels, he created about sixty scenes of daily life, among them this depiction of an interior of a dwelling. The location of the view is unknown, but the presence of a rustic rail fence demarcating a yard bordering a distant house flanked by tall trees, shrubs and some blossoming fruit trees, suggests that the work likely portrays a building in a city suburb or a small village. In his book, Japanese Homes and Their Surroundings, Edward S. Morse (an American zoologist, orientalist, and “japanophile” who taught at Tokyo Imperial University from 1877 to 1879, and visited Japan again in 1891 and 1882) noted the “openness and accessibility of the Japanese house...

oil on panel My current body of work is an investigation of the relationship between the tangible and intangible moments in the context of everyday life experience; where the tangi...

Jill Pottle’s interior titled “Lanni’s Rental” is part of a new series titled “Interiors.” Jill started interiors four years ago and often times engages th...

In this painting, Robert Richter presents the viewer with something of a still life. Not unlike the early cubist paintings of Picasso and Braque, which often focused on the vibrant c...