Items Similar to William Astor's Schooner AMBASSADRESS Leads the Regatta
Want more images or videos?
Request additional images or videos from the seller
James Edward ButtersworthWilliam Astor's Schooner AMBASSADRESS Leads the RegattaCirca 1877
Circa 1877
About the Item
William Astor Pilots the New York Yacht Club Run
A superior and graceful schooner as grand as any ever built, AMBASSADRESS was William Backhouse Astor, Jr's "floating home" from its launch in 1877 until he sold it in 1884 and purchased his massive steam/sail yacht NOURMAHAL. Designed and built by the renowned David Carll, AMBASSADRESS wasn't intended as a 146'2" racing schooner (the largest centerboard yacht ever built), but as an opulent home on the water, with exotic woods, carpeting, panel mirrors and every amenity Astor could desire. Still she handled remarkably well and sailing in all weather at speed, by all accounts.
Buttersworth's art presents a selection of New York Yacht Club vessels tacking into a headwind on the port quarter. Two large schooners and a cutter sail along with AMBASSADRESS flying American ensigns, with the rolling Atlantic Ocean contesting each of them. Quite likely this is AMBASSADRESS first yacht club's cruise of 1877 to Newport, and Astor has commissioned the artist to capture it for posterity, with the club pennant and his private signal aloft. When not onboard, Astor's yacht would often be found docked off his Hudson River Estate, Ferncliff. The 500-acre "farm" had cattle and his horse stables as well, with his prize thoroughbred Vagrant winning the 1876 Kentucky Derby.
Buttersworth frequently accepted commissions from many of the era's most important yachtsmen, who wished to preserve their seasonal victories and beautiful ships. The sharp details and gracefully drawn lines of the schooner yacht are well represented, as the regatta follows her under a clouded yet bright sky. The textured application of oil brings forth a realistic first-person view of a classic schooner from the water. Astor would sell his prized yacht to Nathaniel Thayer of Boston in 1884.
Sight Size: 12 x 20 Inches
Signed LR: J.E. Buttersworth
- Creator:James Edward Buttersworth (1817-1894, American)
- Creation Year:Circa 1877
- Dimensions:Height: 20 in (50.8 cm)Width: 28 in (71.12 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Costa Mesa, CA
- Reference Number:1stDibs: LU2139212467572
James Edward Buttersworth
Born in 1817 in Middlesex County, Great Britain, James Edward Buttersworth was the son of important English sea painter Thomas Buttersworth. Settling in New York in 1845, he soon established himself as one of America's leading marine artists. For the most part he signed his works J.E. Buttersworth. During the next period of his life, many of his works were chosen by Currier & Ives as subjects for lithographs. His images were also used in magazines and newspapers that reported the yachting events of the day. New York Harbor and the surrounding areas became a favorite background for his vessels which he portrayed faithfully with an eye for precise detail. His reputation sprang from his accurate representations of the great sailing yachts of his time. In order to accent the speed and grace of these vessels, he would often elongate the hulls and sails to create a feeling of motion portrayed along a low horizon line. With dramatic skies, churning seas and accurate detail, he ennobled and romanticized sailing ships with what have become historically important paintings that are both beautiful and refined.
About the Seller
No Reviews Yet
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1972
1stDibs seller since 2022
5 sales on 1stDibs
Typical response time: 1 to 2 days
- ShippingRetrieving quote...Ships From: Costa Mesa, CA
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Barkentine THOMAS P. EMIGH with Photos and EphemeraBy William EdgarLocated in Costa Mesa, CAReaching under full sail, including a jib-headed "kicker" topsail on the Jigger mast, the white-hulled barkentine THOMAS P. EMIGH is depicted approaching what appears to be the headl...Category
Early 1900s American Realist Paintings
MaterialsCanvas, Oil
- Distant IslandBy Frederick WaughLocated in Costa Mesa, CAFrederick Waugh was a prolific seascape artist who generated 2,500 paintings of the sea and shore. Although it was never published, he penned a ten chapter book on marine painting. S...Category
1920s American Realist Landscape Paintings
MaterialsCanvas, Oil
- SAPPHO, DAUNTLESS and GRACIE Racing at Cape May 1871By James Edward ButtersworthLocated in Costa Mesa, CAJames E. Buttersworth's most sought-after artworks emerge from his depictions of American racing yachts going head to head in the major regattas...Category
1870s American Realist Paintings
MaterialsCanvas, Oil
- Colonel Bates Leads the 30th Colored Infantry at the Battle of the CraterBy Abbott Fuller GravesLocated in Costa Mesa, CAColonel Bates Leads the 30th Colored Infantry at the Battle of the Crater Watercolor on Paper Circa 1903 15 ½ x 21 ½ Inches 25 ½ x 33 ½ Inches Framed LR: Graves This rare portrait of African American troops serving in battle during the Civil War depicts the 30th United States Colored Infantry at the Battle of the Crater, at Petersburg, Virginia. The regiment was composed of African American enlisted men commanded by white officers and was authorized by the Bureau of Colored Troops which was created by the United States War Department on May 22, 1863. The Battle of the Crater, July 30th, 1864, was part of the Siege of Petersburg, fought between the Confederate Army of Northern Virginia, commanded by General Robert E. Lee and the Union Army of the Potomac, commanded by Maj. Gen. George G. Meade (under the direct supervision of the general-in-chief, Lt. Gen. Ulysses S. Grant). At the top of the painting, Colonel Delevan Bates raises his saber to lead the charge of the 30th United States Colored Infantry. Bates was promoted to this command just prior to this battle, having served with distinction in the 121st New York Infantry at the Battles of Fredericksburg, Chancellorsville and Gettysburg. Though the Battle of the Crater would eventually be won by the Confederacy, it was here that Bates and 23 other troops would be award the United States highest award for bravery during combat, the Medal of Honor. After weeks of preparation, on July 30, Union forces exploded a mine in Maj. Gen. Ambrose E. Burnside's IX Corps sector, blowing a gap in the Confederate defenses of Petersburg, Virginia. From this propitious beginning, everything deteriorated rapidly for the Union attackers. Unit after unit charged into and around the crater, where soldiers milled in confusion. Grant considered the assault "the saddest affair I have witnessed in this war." The Confederates quickly recovered and launched several counterattacks led by Brig. Gen. William Mahone. The breach was sealed off, and Union forces were repulsed with severe casualties. Brig. Gen. Edward Ferrero's division of black soldiers...Category
Early 1900s American Realist Figurative Paintings
MaterialsPaper, Watercolor
- The Start of the Great 1866 Transatlantic Yacht RaceBy James Edward ButtersworthLocated in Costa Mesa, CAA beautiful painting with historic importance, three schooner yachts line up before the Sandy Hook Lightship for the start of the world's first Transatlantic Yacht Race held in 1866. In his book, "J.E. Buttersworth, 19th Century Marine Painter", biographer Rudolph J. Schaefer has noted six views by the artist of this event. This is largest of the known works of this important benchmark in American yacht racing. Identification of the racing schooners is assisted by the special colored flags worn by the yachts. Foremost in the painting, wearing the Blue was HENRIETTA, owned by renowned newspaper publisher and infamous yachtsman James Gordon Bennett, Jr. White was atop the mast of VESTA, owned by tobacco baron and racehorse aficionado Pierre Lorillard, who initiated the competition with a dinner party boast over turtle soup...Category
1860s Paintings
MaterialsCanvas, Oil
- Solent Ones Rounding the Lepe MarkBy Montague DawsonLocated in Costa Mesa, CASolent One Racers cut across the rolling waves in this striking work by master maritime artist Montague Dawson. These are racing on the Solent, the strait between the Isle of Wight and the English mainland. The Solent One Design was one of the first One Design classes created. 22 were built between 1896 and 1897 for members of the Royal Yacht Squadron and the Island Sailing Club. Here, there is a fair wind...Category
1950s Paintings
MaterialsCanvas, Oil
You May Also Like
- "Snow Squals, Parmelee Farm"By Peter PoskasLocated in Lambertville, NJSigned Lower Left Poskas was born in Waterbury, Connecticut, a small industrial city set on the banks of the Naugatuck River. He was interested in art as a child, but on entering ...Category
20th Century American Realist Landscape Paintings
MaterialsCanvas, Oil
- Strawberries Strewn on a Forest FloorBy William Mason BrownLocated in New York, NYWilliam Mason Brown was born in Troy, New York, where he studied for several years with local artists, including the leading portraitist there, Abel Buel Moore. In 1850, he moved to ...Category
19th Century American Realist Landscape Paintings
MaterialsCanvas, Oil
- Hydrangeas and Other Garden FlowersBy John Ross KeyLocated in New York, NYSigned (at lower right): John Ross Key 1882Category
Late 19th Century American Realist Still-life Paintings
MaterialsCanvas, Oil
- Still Life with PeachesBy Lilly Martin SpencerLocated in New York, NYLilly Martin Spencer was a professional artist for over sixty years, painting portraits, still lifes, miniatures, and genre scenes. In the 1850s to mid-1860s her genre scenes depicti...Category
19th Century American Realist Still-life Paintings
MaterialsCanvas, Oil
- The RaceBy William John HennessyLocated in New York, NYWilliam John Hennessy was born in Ireland. He came to America in 1849 with his mother and brother a year after his father had fled their homeland after taking part in the unsuccessful Young Ireland Party uprising. The Hennessys settled in New York, and when young William came of age, he decided upon a career as an artist. At the age of fifteen, he enrolled at the National Academy of Design, where he learned to draw from the antique, and the following year he was granted admission to the Academy’s life-drawing class. Hennessy first exhibited at the National Academy in 1857, starting a continuous run of appearances in their annuals that lasted until 1870, when he expatriated himself to Europe. During his time in America, Hennessy was principally known as a genre painter and prolific illustrator for such publications as Harper’s Weekly and a number of books, including illustrated works of William Cullen Bryant...Category
19th Century American Realist Figurative Paintings
MaterialsCanvas, Oil
- Copley Square, BostonBy Thomas FransioliLocated in New York, NYThomas Fransioli’s cityscapes are crisp and tidy. Buildings stand in bold outline, trees are sharp, and saturated color permeates the scene. But Fransioli’s cities often lack one critical feature: people. His streets are largely deserted, save for the rare appearance of figure and the occasional black cat scurrying across pavement. Instead, humanity is implied. Magic Realism neatly characterizes Fransioli’s viewpoint. First applied to American art in the 1943 MoMA exhibition “American Realists and Magic Realists...Category
20th Century American Realist Landscape Paintings
MaterialsCanvas, Oil
Recently Viewed
View AllMore Ways To Browse
William Thayer
Sailing Regatta Painting
Massive Antique Mirror
Gabriel Portoles Ascaso On Sale
Art Islamique
Canelo Alvarez
Cao Yong
Cardwell Higgins On Sale
Cartier Femme
C_t_lin Petri_or On Sale
Catalin Petrisor
Christiane Pap Poppies
Claudio Martinenghi On Sale
Cruz Diaz
Cynthia Packard
David Leviathan On Sale
Derek Aylward
Duffer Vintage