Arthur B. Davies

'Gorges of the Tarn', New York Armory Show, Ashcan School Artist

Circa 1905

Signed lower left "M. Backman" for Muriel Durgin Backman. Titled verso "Union Lumber Co., Fort Bragg- Mendocino, Ca" and painted circa 1955. A moody, mid-c...

Signed lower left "Muriel Backman" for Muriel Durgin Backman and dated 1955. An elegant, Cubist-derived, mid-century view of the old Fisherman's Wha...

Signed lower right "Muriel Backman" for Muriel Durgin Backman (American, 1902-1996) and titled verso "The Cool Gray City". An elegant mid-century view of the San Francisco skyline a...

Signed lower right, 'Vanessa Stafford' (American, born 1954) and dated 1982. Vanessa Stafford received her Bachelor of Science in Graphic Design from San Jose State University. She ...

Signed lower left, 'Byron' for Byron Randall (American, 1918-1999) and dated 1947. Born in Tacoma, WA on Oct. 23, 1918. Randall was in Salem, OR during the 1930s. He created artwork...

Signed lower right, 'Rinaldo Cuneo' (American, 1877-1939) and painted circa 1925. Provenance: Private collection, Illinois. Previously in the collection of Frank E. Cummings. (accompanied by Butterfield & Butterfield documentation) A lyrical, early twentieth-century view of the Seine and this beloved Parisian landmark with laborers and pedestrians shown walking home beneath dramatic sunset clouds. Undated but likely painted between 1911-1913, when the artist was studying in Paris at the Académie Colarossi. Rinaldo Cuneo first studied at the Mark Hopkins Institute under Gottardo Piazzoni and Arthur Matthews. He subsequently furthered his studies in London and, later, at the Académie Colarossi in Paris. Cuneo exhibited with success worldwide, including at the Panama Pacific...

We offer a small number of these original illustration designs by this design studio based in Alcoy (Spain), which could pair well or make group sets if buyers so desired. Designed t...

A large scale French Mid Century watercolour painting of a stylish late 1950s villa and its garden in the South of France. This painting was acquired with another by the same artist...

Mid Century Fauvist view of a port and seascape by Verquin Henri. Signed bottom right, titled, located and signed to the backboard. Presented in period mid century gilt wood and clot...

'Winter in Provence', gouache on art paper, by Raymond Debiève (circa 1970s). There is both beauty and melancholy in this delightfully charming artwork. The artist's naive style is at odds with the refinement, poise and sophistication of the painting. Perhaps the artist was making a statement as well with the broken wall...

Born in 1922 and dying in 2003, the work of Ohaly-Ruckhaus became popular in Israel after his first exhibit in 1957. HaAretz spoke of some of his oil paintings being reminiscent of Dutch masters. His landscapes were known for their excellent composition, structure, and color, and their overall balance, despite the drama of the subject matter depicted. Ohaly Shaul, Teacher and Painter. born in 1922. Studies in "Gimnasia Herzlia" School in Tel Aviv; and the American University in Beirut. From 1972 art...

Abstract watercolor or gouache composition bearing the influence of the earlier color-block compositions of Paul Klee. Pawel August Kontny, (Polish-German-American artist) He was born in Laurahuette, Poland, in 1923, the son of a wealthy pastry shop owner. In 1939 he began studying architecture in Breslau where he was introduced to the European masters and to the work of some of the German Expressionists, soon afterward banned as "degenerate artists" and removed from museums throughout Germany by the Nazi regime. His studies were interrupted by World War II. Drafted into the German army, traveling in many countries as a soldier, he sketched various landscapes but in 1945, he was captured and held as a prisoner of war in Italy. After the war, he studied at the Union of Nuremberg Architects to help design buildings to replace ones destroyed in the war. He recorded his impressions of the local population and the landscapes through his watercolors and drawings. Pawel Kontny thereafter moved to Nuremberg, Germany, becoming a member of the Union of Nuremberg Architects and helping to rebuild the city's historic center. He soon decided to concentrate on his professional art career. He married Irmgard Laurer, a dancer with the Nuremberg Opera. Pavel Kontny 's career as an artist was launched with his participation in an all German exhibition, held at the Dusseldorf Museum in 1952. He held one-man shows in Germany, Switzerland and the United States. During his trip to the United States in 1960, Kontny became instantly enamored with Colorado, and decided to relocate to Cherry Hills with his wife and two children. He quickly established himself in the local art community, being affiliated for a time with Denver Art Galleries and Saks Galleries. His subject matter became the Southwest. During this time he received the Prestigious Gold Medal of the Art Academy of Rome. His extensive travel provided material for the paintings he did using his hallmark marble dust technique. he also worked equally in pastel, watercolor, charcoal and pencil-and-ink. in a style which merged abstraction and realist styles, influenced by Abstract Expressionist painting and South Western American landscapes. In the early 1960s he was one of only a few European-born professional artists in the state, a select group that included Herbert Bayer (1900-1985), a member of the prewar Bauhaus in Weimar and Dessau, Germany, and Roland Detre (1903-2001), a Hungarian modernist painter. As a Denver, Colorado resident, Pavel Kontny exhibited at galleries and museums throughout the United States, Germany and Japan. There, he was inspired by frequent trips to Native American pueblos in the Southwest, as well as by the study of the Plains Indians of Montana and Wyoming. Over the years Kontny had a number of students and generously helped young artist by hosting exhibitions at his Cherry Hills home. For many years he generously donated his paintings to support charitable causes in Denver. Influences during his European years included German pastelist C.O. Muller, German Informel painter Karl Dahmen and Swiss artist, Hans Erni. In the early 1950s his painting style showed the influence of the Die Brücke (The Bridge), a group of German expressionist artists formed in Dresden in 1905 who had a major impact on the evolution of modern art in the twentieth century in Germany. By the middle of the decade his style incorporated more referential abstraction and total abstraction, resulting in part from his study of Hans Hartung, a German artist based in Paris who exhibited his gestural abstract work in Germany. The American moon landing in 1969 inspired Paul Kontny...