Florent Chade

Environ de Grenoble

1982

Artist: Florent Chade (French, 1896-1985) Title: Ferme aux Environs de Sallanches Year: Circa 1950 Medium: Oil on board Board size: 8.5 x 10.5 inches Signature: Signed lowe...

This artwork titled "Paysage de la cote d'azur (Coastal Scene of the French Riviera)" c.1960, is an oil painting on canvas by French artist Rene Dulieu, 1903-1992. It is signed at the lower left corner by the artist. The canvas size is 21.5 x 25.85 inches, framed size is 35 x 39 inches. Custom framed in original dark brown and gold distressed frame, with fabric liner and gold color fillet. It is in excellent condition, the frame have minor restorations, practically invisible. About the artist. Self-taught painter of figurative painting. At eleven years old, it was the Great War and his Certificate of Studies in his pocket, he first worked in the fields of the village farms, then until he was 17, he was employed at the Coeuvres distillery where he is responsible for the proper functioning of the machines. In 1925 he did his military service at the barracks of St Vincent de Laon (Aisne) in the 101st heavy artillery regiment as a pointer brigadier, and he was already drawing on notebooks. At the end of his service, having chosen to go to Paris to take drawing and painting lessons, he became a cashier at the Grand Magasins du Louvre. He begins to discover Paris, its districts, its buildings, shops, churches. During the week he sets up his easel on the sidewalks of Montmartre, Notre Dame, where the Latin Quarter and on Sundays, he sells these paintings on Boulevard Raspail. He took part in the Battle of France in September 1939at june 1940. He testifies in a notebook of the events and emotions he has gone through. After the Second World War, he set up his home and studio in the 15th arrondissement of Paris, but he remained very attached to his native village where he went very regularly. Married, he takes his family almost every summer to the Côte d'Azur where he paints with great pleasure the warm colors and the intense light of the Esterel or the Var coast. He participates in many Parisian salons and exhibitions in Paris and province. Awarded at the Salon des Artistes Indépendants in 1961, as well as at the Salon Violet in Paris. From 1967, Mrs. Rosenthal of the Galerie Haussmann (Paris), regularly exhibited her works on "Old Paris" which particularly appealed to British and American tourists. He participated with the painters René Demeurisse...

This artwork "Landscape with Bridge" c.1970 is an oil painting on canvas by American artist Bert Pumphrey, 1916-2000. It is signed at the lower left corner by the artist. The canvas ...

Artist: Carl Thorp – American (1912-1989 ) Title: Untitled, California landscape Year: circa 1950 Medium: Oil on canvas Image size: 24.5 x 29.5 inches Framed size: 27.5 x 32.5 inches Signature: Signed lower right Condition: Very good This artwork is untitled. It looks like a scene in California. There is a sun-dappled, partially shaded foreground, a dark shaded row of trees mid-ground and a sunny hillside or mountainside as background, showing in the upper right of the composition. The painting is composed of oil on canvas. It is signed in the lower right corner by the artist. It is framed in a wooden gold frame. The painting is in very good condition. The frame is in good condition with a small 1/8" dent. Please see pictures. About the artist: Carl Thorp (1912–1989) was an American artist who became known for Impressionist landscapes of California, sometimes referred to as California Scene Painting, as well as New York City, Boston and New Orleans Cityscapes. He was born in Lubbock, Texas on November 14, 1912. Active in California between 1928 and 1957, Carl Thorp studied at the Academy of Fine Art in San Diego with Maurice Braun and Alfred Mitchell...

This artwork "Le Port" c.1970 is an oil painting on canvas by noted French impressionist artist Charles Levier, 1920-2003. It is signed at the lower left corner by the artist. The ca...

This artwork Titled "Near Modesto" c.1940 is an oil painting on canvas board by noted California artist Carl M. Thorp, 1912-1989. It is signed at the lower right corner by the artist. The canvas board size is 11.85 x 14.85, framed size is 17.5 x 21.25 inches. Framed in a wooden antique style frame, with beige color liner. It is in excellent condition. About the artist: Carl Thorp (1912–1989) was an American artist who became known for Impressionist landscapes of California, sometimes referred to as California Scene Painting...

Signed lower right: G.W. Sotter; on verso: MINER HILLARD / MILLING Co.

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

A still standing stream with shading trees and a sunlit opening over the water painted by Peter Mørch Christian Zacho (1843 - 1913). Oil on canvas laid on board. Signed C.Z. Probably...

Ivan Sorokin. Honoured Artist of the RSFSR, People’s Artist of the USSR, Member of the USSR Academy of Arts, Winner of the I. E. Repin State prize.

Mediterranean Cottages with Red Roof Tiles in Rural European Countryside by Irish Artist Art measures 7 x 4 inches Frame measures 13.5 x 10.5 inches Impressionistic painting usi...

This thoroughly modern Parisian scene was composed by the celebrated French painter Jean François Raffaëlli. The delicate oil captures a familiar subject from late 19th-century life in the city: a busy avenue at the edge of a park on a cool autumn day. Exploring the climate of the city, Raffaëlli's mature works capture the energy of the grand parks and boulevards of the new Paris that emerged at the turn of the century. His legacy documents the realities of urban life during his age, all chronicled in his distinctive brushwork and sophisticated palette. While Raffaëlli was never fully accepted as a member of the Impressionist group, his works display a similar affinity for capturing the transient moments of modern life. His figures exude a sense of being suspended in time, as though they are part of some subtle narrative that is both restless and harmonious. Perhaps more aligned with Naturalism than Impressionism, the visual effect of Raffaëlli's composition is one of carefully composed spontaneity that makes manifest the joie de vivre of the age. Raffaëlli was not the only artist of his era to devote his canvases to the urban landscape. Camille Pissarro, Claude Monet, Gustave Caillebotte and others composed significant works on the subject of the urban milieu. On the whole, it was an entirely new kind of painting, and it was largely influenced by the work of social engineer Baron Haussmann beginning in the 1850s. At the request of Emperor Napoleon III, Haussmann designed and carried out a large-scale urban renewal program, erecting landmarks and tree-lined thoroughfares throughout the city to create a unified and socially-centered urban aesthetic. The city became a glittering stage for modern advancements and bourgeois pleasure, which paved the way for a new kind of subject that was eagerly adopted by the Impressionists and artistic avant-garde. Born in Paris in 1850, Raffaëlli first studied theater and music before turning to painting in 1870. That same year, he submitted a landscape painting to the Salon and was accepted. Aside from just three months studying with the Academic great Jean-Léon Gérôme, Raffaëlli was self-trained, developing his own unique style that brought together Realism, Naturalism and Impressionism. While he managed to exhibit works at both the Salon and the Impressionist exhibitions...