Hubert Thornley19th Century seascape oil painting of shipping by moonlight on Dutch riverC1880
C1880
About the Item
- Creator:Hubert Thornley (1818, British)
- Creation Year:C1880
- Dimensions:Height: 17.75 in (45.09 cm)Width: 15.75 in (40.01 cm)Depth: 2.25 in (5.72 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Moreton-In-Marsh, GB
- Reference Number:1stDibs: LU156213325802
Hubert Thornley
Hubert Thornley was one of the pseudonyms of William Thornley, a painter of coastal scenes and marines who lived in Greenwich and for many years had a studio overlooking the Medway near Rochester in Kent. According to art historian Denys Brook-Hart, he was actually born Charles Thornley and exhibited under this name from an address in Paddington, London. Although called Charles, his best-known name was William Thornley. He would also exhibit and sell paintings under other variations of his name such as Hubert Thornley, William Anson Thornberry and William Anson. He was a prolific exhibitor with 53 works shown at the Royal Academy of Arts, and 82 at other venues. He also exhibited at the British Institute until its closure in 1867, and at The Royal Watercolour Society. Thornley's works are highly distinctive and finely detailed, often painted on a small scale. No matter what name he used, his works bear all the hallmarks of his artistry and masterful understanding of the moods of both weather and sea.
- ShippingRetrieving quote...Ships From: Moreton-In-Marsh, United Kingdom
- Return PolicyA return for this item may be initiated within 3 days of delivery.
- 19th Century seascape oil painting of Penzance harbour, CornwallBy William Edward WebbLocated in Moreton-In-Marsh, GloucestershireWilliam Edward Webb British, (1862-1903) Penzance Harbour Oil on canvas, signed Image size: 29 inches x 45.5 inches Size including frame: 38 inches x 54.5 inches A pleasing coastal painting of Penzance Harbour at low tide by William Edward Webb. In the foreground, a fisherman sells his catch to a woman and her daughter, whilst figures in horses and carts wait for others to unload their boats. William Edward Webb was born in Cheltenham, Gloucestershire in 1862 to William Benjamin Webb and Ellen Butler. His father was a printer and an artist and it is highly likely he received tuition from him. Following the death of his mother, his father remarried and moved the family to Manchester sometime after 1871. By the 1880’s, Webb had started working as an artist and later set up a studio at 30 Exchange Buildings in Manchester. He began exhibiting at the Manchester City Art Gallery from 1890, where he showed more than 60 paintings during his lifetime. He also exhibited at the Royal Academy and Walker Art Gallery Liverpool from 1892. He married Clara Foster in 1899 and the couple lived at 1 Sylvan Grove, Chorlton Upon Medlock in South Manchester with their daughter Florrie. He became friends with the artist Walter Emsley (1860-1938) who also lived in Manchester. Although he spent the rest of his life in Manchester, Webb travelled throughout the UK painting coastal and marine scenes around the main ports and harbours. He spent a great deal of time in the Isle of Mann painting numerous scenes along the coast including views of Peel and Douglas Harbour, subjects he frequently returned to. Webb painted in a highly distinctive style; loose and informal but which manages to retain the sense of perspective. He struggled with ill health and depression throughout his life which sadly led to his suicide 9 November, 1903. In 1974, a retrospective exhibition was held at The Old Customs House and Old Solent House in Lymington, which brought a new found interest in his work. His paintings are now highly sought after and are represented in many collections and Museums including the Astley Hall...Category
19th Century Victorian Landscape Paintings
MaterialsOil, Canvas
- 19th Century genre landscape oil painting of three boys fishing on a riverBy William BromleyLocated in Moreton-In-Marsh, GloucestershireWilliam Bromley British, (1816-1890) Gone Fishing Oil on canvas, signed Image size: 13.5 inches x 17.5 inches Size including frame: 18.75 inches x 22.75 inches A picturesque genr...Category
19th Century Victorian Figurative Paintings
MaterialsOil, Canvas
- 19th Century Highland landscape oil painting of cattle by a loch near KillinLocated in Moreton-In-Marsh, GloucestershireHenry Deacon Hillier British, (1858-1930) Near Killin, Perthshire Oil on canvas, signed, inscribed verso Image size: 27.25 inches x 21.25 inches Size including frame: 35 inches x 29...Category
19th Century Victorian Landscape Paintings
MaterialsOil, Canvas
- 19th Century landscape oil painting of a woman with cattle near a riverLocated in Moreton-In-Marsh, GloucestershireArthur Walker Redgate British, (1860-1906) On the Tow Path by the Trent Oil on canvas, signed Image size: 19.25 inches x 29.25 inches Size including frame: 25 inches x 35 inches Pro...Category
19th Century Victorian Landscape Paintings
MaterialsOil, Canvas
- Pair of 19th Century seascape oil paintings of ships at anchorBy Adolphus KnellLocated in Moreton-In-Marsh, Gloucestershire**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 9.75 INCHES X 12.75 INCHES** Adolphus Knell British, (b.1849, fl.1870-1890) Shipping in the Morning & Shipping in the Eveni...Category
19th Century Victorian Landscape Paintings
MaterialsCanvas, Oil
- 19th Century pair of river landscape oil paintings with cattleBy Henry H. ParkerLocated in Moreton-In-Marsh, Gloucestershire**PLEASE NOTE: EACH PAINTING INCLUDING THE FRAME MEASURES 17.5 INCHES X 23.5 INCHES** Henry H Parker British, (1858-1930) The River Wey near Ripley, Surrey & At Culham on Thames O...Category
19th Century Victorian Landscape Paintings
MaterialsOil, Canvas
- Ezekiel in the Valley of Dry BonesBy Philip Burne-JonesLocated in New York, NYProvenance: Christie’s, London, 3 March 1922, lot 46 (with The Tower of Babel); James Nicoll Private Collection Sotheby’s, London, 29 March 1983, lot 157 Private Collection, New Yo...Category
Late 19th Century Victorian Figurative Paintings
MaterialsOil, Canvas
- 1830's English Oil Storm Clouds Norfolk Landscape Norwich Cathedral River YareBy (Circle of) John ConstableLocated in Cirencester, GloucestershireStorm Clouds over the River Yare *see notes below English School, circa 1830's circle of John Constable (English 1776-187) oil painting on canvas, framed canvas: 18 x 25 inches condi...Category
Early 19th Century Victorian Landscape Paintings
MaterialsCanvas, Oil
- Large Victorian painting of children resting outdoors by J.O. BanksLocated in London, GBLarge Victorian painting of children resting outdoors by J.O. Banks English, late 19th Century Frame: Height 91cm, width 111cm, depth 10cm Can...Category
19th Century Victorian Landscape Paintings
MaterialsCanvas, Oil
- Large Victorian Scottish Oil Painting Glencoe Mountains with Shepherd & SheepLocated in Cirencester, GloucestershireGlencoe Scottish School, late 19th century indistinctly signed lower corner signed oil painting on canvas, framed framed: 30.5 x 42 inches canvas: 24 x 36 inches provenance: private...Category
Late 19th Century Victorian Landscape Paintings
MaterialsOil, Canvas
- A wooded landscape with a traveller on a pathBy Charles TowneLocated in Stoke, HampshireCharles Towne (1763-1840) A wooded landscape with a traveller on a path Signed "By CT" lower left Oil on canvas 23 1/8 x 19 1/2 in Provenance Private Collection, West Sussex Charle...Category
Early 19th Century Victorian Landscape Paintings
MaterialsCanvas, Oil
- Huge Victorian Oil Painting Bonne Nuit Bay Jersey Coastal Scene Signed 1872By James Vivien de FleuryLocated in Cirencester, Gloucestershire"Bonne Nuit Bay, Jersey" by James Vivien de Fleury (British 1847-1902) *see below signed and dated 1872 lower right corner oil painting on canvas: 20 x 36 inch...Category
1870s Victorian Landscape Paintings
MaterialsCanvas, Oil