Isca Greenfield-Sanders

Redwood

2022

Isca Greenfield-Sanders Hillside, 2019 Mixed media oil on canvas 14 x 14 inches 35.6 x 35.6 cm Signed, titled and dated (verso) -- Greenfield-Sanders’ landscape paintings invite th...

Isca Greenfield-Sanders Pink Valley, 2022 Mixed media oil on canvas 17 x 17 inches 43.2 x 43.2 cm Signed, dated, titled (verso) -- Greenfield-Sanders’ landscape paintings invite the viewer into nostalgia, to forge a connection to their own experience. Using found vintage photography as a starting point, she creates several iterations of each image, which she alters with pencil and watercolor, and finally paints over with oil. They emerge simultaneously familiar yet enigmatic. She elaborates, stating, “All of my paintings are based on amateur slides from seventy years ago. I am interested in the ‘comfortably familiar’ nature of the images and how the elapsed time allows them to ‘prickle with new meaning’ to connect that which was worth capturing with that which is worth painting, at present.” The paintings require a great deal of forethought and groundwork, but still appear unlabored and fresh. Her style of painting, which prizes color, representation and evocation, is activated by both individual experience and collective memory. Isca Greenfield-Sanders (b. in 1978 in New York City) received her dual BFA and BA degree from Brown University. The artist lives and works in New York, NY. Recent solo exhibitions include “The Things I Can’t Forget,” Miles McEnery Gallery, New York, NY; “Ocean Eyes of Blue,” Michael Reid...

Isca Greenfield-Sanders No Name (Landscape), 2019 Mixed media oil on canvas 14 x 14 inches 35.6 x 35.6 cm Signed, titled and dated (verso) -- Greenfield-Sanders’ landscape paintings invite the viewer into nostalgia, to forge a connection to their own experience. Using found vintage photography as a starting point, she creates several iterations of each image, which she alters with pencil and watercolor, and finally paints over with oil. They emerge simultaneously familiar yet enigmatic. She elaborates, stating, “All of my paintings are based on amateur slides from seventy years ago. I am interested in the ‘comfortably familiar’ nature of the images and how the elapsed time allows them to ‘prickle with new meaning’ to connect that which was worth capturing with that which is worth painting, at present.” The paintings require a great deal of forethought and groundwork, but still appear unlabored and fresh. Her style of painting, which prizes color, representation and evocation, is activated by both individual experience and collective memory. Isca Greenfield-Sanders (b. in 1978 in New York City) received her dual BFA and BA degree from Brown University. The artist lives and works in New York, NY. Recent solo exhibitions include “The Things I Can’t Forget,” Miles McEnery Gallery, New York, NY; “Ocean Eyes of Blue,” Michael Reid...

Isca Greenfield-Sanders Blue Wave (Detail), 2022 Mixed media oil on canvas 17 x 17 inches 43.2 x 43.2 cm Signed, dated, titled (verso) -- Greenfield-Sanders’ landscape paintings in...

Isca Greenfield-Sanders Moon, 2022 Mixed media oil on canvas 17 x 17 inches 43.2 x 43.2 cm Signed, dated, titled (verso) -- Greenfield-Sanders’ landscape paintings invite the viewer into nostalgia, to forge a connection to their own experience. Using found vintage photography as a starting point, she creates several iterations of each image, which she alters with pencil and watercolor, and finally paints over with oil. They emerge simultaneously familiar yet enigmatic. She elaborates, stating, “All of my paintings are based on amateur slides from seventy years ago. I am interested in the ‘comfortably familiar’ nature of the images and how the elapsed time allows them to ‘prickle with new meaning’ to connect that which was worth capturing with that which is worth painting, at present.” The paintings require a great deal of forethought and groundwork, but still appear unlabored and fresh. Her style of painting, which prizes color, representation and evocation, is activated by both individual experience and collective memory. Isca Greenfield-Sanders (b. in 1978 in New York City) received her dual BFA and BA degree from Brown University. The artist lives and works in New York, NY. Recent solo exhibitions include “The Things I Can’t Forget,” Miles McEnery Gallery, New York, NY; “Ocean Eyes of Blue,” Michael Reid...

Isca Greenfield-Sanders Lake Cove, 2022 Mixed media oil on canvas 17 x 17 inches 43.2 x 43.2 cm Signed, dated, titled (verso) -- Greenfield-Sanders’ landscape paintings invite the viewer into nostalgia, to forge a connection to their own experience. Using found vintage photography as a starting point, she creates several iterations of each image, which she alters with pencil and watercolor, and finally paints over with oil. They emerge simultaneously familiar yet enigmatic. She elaborates, stating, “All of my paintings are based on amateur slides from seventy years ago. I am interested in the ‘comfortably familiar’ nature of the images and how the elapsed time allows them to ‘prickle with new meaning’ to connect that which was worth capturing with that which is worth painting, at present.” The paintings require a great deal of forethought and groundwork, but still appear unlabored and fresh. Her style of painting, which prizes color, representation and evocation, is activated by both individual experience and collective memory. Isca Greenfield-Sanders (b. in 1978 in New York City) received her dual BFA and BA degree from Brown University. The artist lives and works in New York, NY. Recent solo exhibitions include “The Things I Can’t Forget,” Miles McEnery Gallery, New York, NY; “Ocean Eyes of Blue,” Michael Reid Gallery, Sydney, Australia; “Let’s Be Still,” Berggruen Gallery, San Francisco, CA; “If I Could Go Back,” Baldwin Gallery, Aspen, CO; “You’re My Favorite Thing by Far,” Wetterling Gallery, Stockholm, Sweden; “Today and Everyday,” Galerie Klüser, Munich, Germany; “Inherited Landscape,” Berggruen Gallery, San Francisco, CA, among others. Recent group exhibitions include “Unnatural Nature: Post-Pop Landscapes,” Acquavella Galleries, New York, NY; “COMPETERE: An Exhibition of Artist Couples,” Bo Bartlett Center, Columbus, GA; “Landscape & Memory,” Pamela Salisbury Gallery, Hudson, NY; “Deep Blue” (curated by Katherine Bradford...

Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all ...

By April Street 80" x 72" Mixed Media on Board This diptych depicts an Asian street scene with a woman in the foreground in April Street's distinctive style.

Winter Landscape is an original contemporary artwork realized by the Artist Dumbra in the late 20th Century. Relief material work (cementite and airbrush with glue). Hand signed by...

The sacrificial ceremony, Freemans The Collection of Philip Desind Signed Three times Riggs l.r. A powerful account of moments a tribe member is cut open and the heart is handed over to a young brave, There is a reason why there are few contemporary painters who can paint a portrait this good. It's hard to do. It's easy to throw some paint or spray a mess of graffiti on canvas. That's easy. To execute a portrait with a great depth of anatomy and structure takes years of academic training. In Riggs's time there were teachers who knew how to pass on this knowledge. He studied at the Art Students League and the Académie Julian . Today, they are very few and far between. - Robert Riggs was a Gay Artist...

“American Icon” examines the world’s perception of America. It combines quintessential American imagery to create a depiction of this nation as seen through the eyes of the world. From the Founding Fathers to Facebook; Cowboys and the Wild West; The Wright Brothers to PanAm; Mickey Mouse to Marilyn Monroe, John Wayne, Frank Sinatra, Elvis; Babe Ruth to Hank Aaron...

City Drive Abstract Expressionist Painting - a rare early work from Leading British Urban Artist, Angela Wakefield. Entitled 'City Drive', this moody and atmospheric artwork is from ...