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Jacques Martin-FerrièresFrench Landscape, Peupliers à St Cirq Lapopie1922
1922
About the Item
A fresh Spring landscape by a very well noted French Impressionist and son of famed Henri Martin. Would bring a lovely window type view to any room as the colors are fresh. Brushwork is beautiful in person as is the sense of light and time of year. Frame is quiet and a bit more on the contemporary side and not original to the painting and it could work well in a more relaxed environment.
- Creator:Jacques Martin-Ferrières (1893 - 1972, French)
- Creation Year:1922
- Dimensions:Height: 32 in (81.28 cm)Width: 38 in (96.52 cm)Depth: 3 in (7.62 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:An exceptional and great outdoor landscape that also has the feel of a Gustav Klimt landscape. Martin-Ferrieres is the son of Henri Martin and followed in his father's foot steps as a top notch French Impressionist.
- Gallery Location:Greenwich, CT
- Reference Number:1stDibs: LU1413211593592
Jacques Martin-Ferrières
A painter remarkable for his highly personal portraits, still-life and landscape views, Jacques Martin-Ferrières was the son of the great Post-Impressionist painter Henri Martin (1860-1943). He studied with his father and with Frederic Cormon (1845-1924). Like his father, Martin-Ferrières became a master at reproducing the scintillating effects of light on canvas. Despite his father’s strong influence, though, Jac developed a technique that was uniquely his own: paint is applied in swift and short brushstrokes of opaque color, at times overlapping and at times separated, revealing a pale ground layer and producing a mosaic-like surface. Martin-Ferrières was awarded many national prizes, including an honorable mention at the Salon of 1920, a silver medal in 1923, the National Prize in 1925, and a Gold Medal and Legay-Lebrun Prize in 1928. He was a regular and respected exhibitor at the annual Salon des Artistes Français. Martin-Ferrieres interrupted his painting career to serve in the French resistance movement during World War II. Although he lost an eye while a prisoner of war, he resumed his art efforts around 1950. His works were shown in Paris in 1965 at an exhibition of landscapes and snow paintings, displaying his use of the thick, impastic surface which gave his paintings depth and a shimmering quality. A retrospective of his work in Paris in 1965 confirmed his respected status. Selected Museum Collections: Boca Raton Museum of Art; Musée Malraux, Le Havre
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