ABS Paintings

Cyanotype inspired diptych of lush blue and white botanicals interspersed with whispers of yellow. Electric Daydream, Diptych (2022) by Amanda Besl. Oil on board.

Antique impressionist nude interior portrait painting. Oil on canvas, circa 1950. Housed in a vintage frame. Image size, 14L x 20H.

A unsuspecting nude male reads the morning paper as we catch a glimpse of him thru the fire escape. The brick and metal act as a frame for the muscular figure. This intimate portrait is on a cradled panel therefore not requiring framing however, please contact the gallery for framing options. Bruno Surdo Morning News oil on panel 10h x 10w in 25.40h x 25.40w cm BRS127 Bruno A. Surdo b. Chicago, 1963 EXHIBITIONS 2023 New Work, Gallery VICTOR, Chicago, IL 2021 Ethos + Truth, Gallery Victor Armendariz, Chicago, IL 2020 Realities, Gallery Victor Armendariz, Chicago, IL 2018 Liberation, Gallery Victor Armendariz, Chicago, IL Blood Sport, Gallery Victor Armendariz, Chicago, IL Art on Paper 2018, Gallery Victor Armendariz, Pier 36, New York, NY SOFA Chicago 2018, Gallery Victor Armendariz, Navy Pier, Chicago, IL 2017 POP!ARAZZI, Gallery Victor Armendariz, Chicago, IL Coming Attractions, Gallery Victor Armendariz, Chicago, IL 2015 SOFA Chicago 2015, Ann Nathan Gallery, Navy Pier, Chicago, IL Bruno Surdo: Allegories, Ann Nathan Gallery, Chicago, IL 2014 Bruno Surdo: Respond, Ann Nathan Gallery, Chicago, IL Modern Metaphors, Rockford Art Museum, Rockford, IL 2013 Bruno Surdo: Revelations, Ann Nathan Gallery, Chicago, IL Vice + Virtue, Northern Illinois University Museum of Art 2012 Contemporary Realism Biennial, Fort Wayne Museum of Art, Fort Wayne, IN 2011 Bruno Surdo, University of St. Francis School of Creative Arts, Fort Wayne, IN Uncensored, Ann Nathan Gallery, Chicago, IL 2010 Art Chicago 2010, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2009 Art Chicago 2009, Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Bruno Surdo, Art Institute of Indianapolis, Indianapolis, IN 2006 Context/Content: Making Meaning with the Figure, University of Arkansas, Conway, AR Creative Imaginings, Mobile Museum of Art, Mobile, AL Bruno Surdo: Cycles, Ann Nathan Gallery, Chicago, IL 2005 Art Chicago 2005, Ann Nathan Gallery, Chicago, IL 2004 Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Group Show, Arcadia Gallery, New York, NY Drawings VII, Koplin Del Rio Gallery, West Hollywood, CA Armory Show, New York Armory, New York, NY 2003 Paintings & Drawings, College of Lake County, Grayslake, IL The Art Show, New York, NY Bruno Surdo: New Work, Ann Nathan Gallery, Chicago, IL Art Chicago 2003, Ann Nathan Gallery, Chicago, IL 2003-10 International Show of Contemporary Artists, Chicago Art Open, Chicago, IL 2002 Bruno Surdo: Perception of Appearance, Frye Museum, Seattle, WA Tragedy, Memory, & Honor, Richard M. Daley Center, Chicago, IL Bruno Surdo: Transcendence, Ann Nathan Gallery, Chicago, IL Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Tragedy, Memory, & Honor, Ann Nathan Gallery, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR 1998 Evanston and Vicinity Artists, Evanston Art Center, Evanston, IL 1996 Bruno Surdo: A Personal View, University of Wisconsin, Kenosha, WI 1995 Bruno Surdo: Recent Works, College of Lake County, IL AIDS in Our Society, Loyola University, Chicago, IL Bruno Surdo: Life, Struggle, and Hope, Chicago Cultural Center, Chicago, IL 2001 Magic Vision, Arkansas Art Center, Little Rock, AR Bruno Surdo: Dualities of Life, Ann Nathan Gallery, Chicago, IL 1999 Group Show, Ann Nathan Gallery, Chicago, IL 1998 Group Exhibition, Fine Arts Building Gallery, Chicago, IL 1995 Spiritual Inquiries, Struve Gallery, Chicago, IL 1994 Recent Works, The 14th Annual Juried Exhibition for Lake County Artists, Grayslake, IL Go Figure, Figurative Works on Paper, Chicago Printmakers Collaborative, Chicago, IL SELECTED COLLECTIONS The Re-Birth of Venus, Temporary Loan, Fort Wayne Museum of Art Arkansas Art Center, Little Rock, AR College of Lake County, Greyslake, IL Flashpoint Academy, Chicago IL John Robert Wiltgen Design Shoemaker Ruud Collection Julie & Thomas Danilek Michael Vozzella and Mike Silver Benjamin Fernandez Tom Braake Betsy Colburn Michael Diemand & Lor LaRose Michael Staab & Kathy Brock Bruce Leep Frank Tzurect Mary Foley Rosalyn Carlson Mimmy Turney Janet Long Halstead Billy Hunt Carol Galli Myles Kerrigan Honorable & Mrs. Edwin Berman Theodore Gage Northrop Art Museum Past Present & Future Company Dr. James & Peggy Kemmler Salvatore Monastero Nix & Virginia Lauridsen Joel Miller David & Marlene Zerkel Ann & Andy Abel Claudia Rush Marc Miller Leonard Goldberg Lawrence Pucci Howard Tullman Collection Susan & Manny Kramer James Rinnert Richar Interiors Michael & Nancy Colt Khalid Altijir Dr. Joe Grodman Beryl & Jack Gore Larry Wolf & Eric Naegle Chuck Wolandi Jack Schwab & David Sandelin Thomas Kaczmarek Marti Dinerstein Craig & Michael Golden Mike & Jill Rose SELECTED PUBLICATIONS Bruno Surdo: The Method Artist Responds, by Lucia Mauro, June 26, 2014, anitathemovie blog An Exhibition of Exhibitionism: Bruno Surdo’s ‘Respond’, by Carrie McGath, July 1, 2014, The Chicagoist Website, Arts and Entertainment “Inspired Environs: A renowned designer decks out his Loop abode in art and texture” Modern Luxury, Men’s Book, Spring 2014 “Master Class” What’z Up Magazine, Fort Wayne, 2011 ”9/11 Painting will be on Display” Fort Wayne Journal Gazette, 2011 “Illuminated Images” Fort Wayne Reader, 2011 “Two Faces of Beauty” American Art Collector Magazine, Issue #3 and #59, 2006/2010 “Art and Calamity” Art Papers, 2009 “Versions of the Present, Techniques of the Past” American Artist Magazine, 2004 “Living Artists” Crow Book Publishing, Chicago, IL 2004 “The New Master” by Craig Keller, Chicago Social Magazine, 2004. “Tragedy, Memory, and Honor,” by William Hageman, Chicago Tribune, March 28, 2002 “Mural Depicts Tragedy of 9/11” Art Section, Chicago Sun Times, 2002 Review by Dennis Raverty, Art Papers Magazine, July 2001 WTTW Channel 11...

Antique American interior nude portrait oil painting. Oil on canvas. Framed. Signed on verso.

Very nicely painted American school modernist painting. Oil on canvas. Signed. Nicely framed. Image size, 16L x 20H.

Signed oil on canvas nude in interior circa 1910 by French post impressionist painter Henri Lebasque. The work depicts the woman posing in the artist's studio. There are clothes drap...

A woman is disrobing while entering what appears to be a library. She gazes directly at the viewer suggesting we have interrupted this private moment. This intimate portrait is pain...

"Look at your feet. You are standing in the sky. When we think of the sky, we tend to look up, but the sky actually begins at the earth" Diane Ackerman In his Landscape painting’s James finds a constantly engaging conversation, a dialogue between light, air, and the earth. The subject has been a fascination which has established his reputation and crucial in developing his painting philosophy. These works are not of specific topography or familiar sites, it is James’ intention that they are a culmination of his experiences, memories and imagination. “I think it’s the role of an artist to make something which goes beyond a technical representation of what they see. In the same way that fiction can brings the writer and subject together, I trust the physical process of painting to reveal something which is both unique to me and communicates something others can feel is true” James Naughton 2016 ADDITIONAL INFORMATION: Oil paint on board Total size of framed painting : 31.2 H x 31 W x 3 D cm  Sold framed SIZE OF IMAGE: Height: 14.5 cm  Width:14.2 cm  Depth: 1 cm ARTIST BIOGRAPHY: James has been a professional Artist since 1998. Producing oil paintings from Bolton studio(UK) he has created a unique vision of Landscape painting. He has established his reputation through a consistent determination to make art. Trusting instincts which result in emotive experiences for him and the viewer. His work emerges from three preoccupations, light, landscape and the nature of paint, these combine to result in paintings that link tradition and a modern visual experience. James values direct observation, as a traditional way to record the Landscape but is also drawn to communicating the interplay between what we see and our imagination, forging bonds between experience and mythology. His process does not normally involve preparation, sketching or photography, he finds that inviting the natural movement of oil paint to suggest the direction of a work, in an intuitive way, provides the most exciting challenge. James has exhibited widely in the UK and at numerous acclaimed international Art Fairs. Recently his personal interest in the art of Thomas Moran led to an ambitious Arts Council funded project and included a two week road trip in Yellowstone, National Park, The Teton Range and Green River(Wyoming USA) . The project culminated in an extensive exhibition in the public art gallery of his home town Bolton. This year James’ passion for the American Landscape will develop further as he has been awarded a four week residency at Teton Art...

ABOUT THE ARTWORK "Naked Sincerity" reflects the concept of a deep emotional connection free from prejudices and social constraints. The figures in the painting, interacting with ea...

ABOUT THE ARTWORK Daria Pogodina's 'Inner World' explores the theme of inner self-contemplation and solitude in the context of contemporary life dynamics. The painting forces the vie...

"Look at your feet. You are standing in the sky. When we think of the sky, we tend to look up, but the sky actually begins at the earth" Diane Ackerman In his Landscape paintings, James Naughton...

Jordi Curós Ventura (1930-2007) - the painter and the Model - Oil on canvas. Work measurements 61x46 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish pa...