Panel Paintings

This abstract painting from new Series “Organic Forms” is inspired by minimalism, modern art and hard edge. This work is signed, dated and tilted by Artist on the back. This work wil...

Enthralled with the lore and spirituality of American Indian cultures, his work often depicts these traditional subjects in nontraditional ways. Hawkins captures the raw sense of ele...

This abstract painting from new Series “Organic Forms” is inspired by minimalism, modern art and hard edge. The sides are painted, so additional framing is not necessary. This work i...

In all of James' work, he is intrigued by the ability of the individual to distinguish form when staring into the unrecognizable and, how, when confronted with mystery and uncertaint...

This 60" X 60" inch large-scale mixed media piece by Haleh Mashian is a dark colored abstract expressionist figurative painting. ABOUT THE WORK - When one stares at the night sky, o...

"Welcome To My World," by artist Haleh Mashian, serves as a mesmerizing amalgamation of mixed media and expressionistic techniques. Vibrant hues dance upon the canvas, redefining the...

ABOUT THE PAINTING: These extraterrestrial blooms, belonging to a distant and enigmatic planet, carry an aura of mystery and intrigue. Their unsettling beauty challenges traditional ...

Chris Trueman has exhibited his work in numerous exhibitions in Los Angeles, San Francisco, Washington DC, Portland and internationally in Milan, Paris, Berlin, Beijing and Brisbane ...

Chris Trueman has exhibited his work in numerous exhibitions in Los Angeles, San Francisco, Washington DC, Portland and internationally in Milan, Paris, Berlin, Beijing and Brisbane ...

Jody Rasch’s work is drawn from various science practices, including astronomy, biology, and sub-atomic physics. In his subject matter and technique, Rasch builds on historical concepts and movements from Pointillism and Constructivism to Dada and Surrealism, which were influenced by science. Abstract yet recognizable to scientists, Rasch brings images to a more human scale by enlarging the infinitesimally small or closing the distance to cosmic phenomena, making these hidden and remote elements of the universe relatable to our existence in it. His works are an expression of both the patterns of the natural world and the metaphors underlying modern science. They allow us to observe the unseen to more clearly see our world, reminding us that there is more to the universe than meets the eye. "Supernovae are the death of stars, but it also the beginning of life. With the death of a star, new elements are created and radiate forth to create new stars and planets...

Look At Me #8 Contemporary Original Abstract Acrylic Painting on Wood Panel The Look At Me series references society’s hunger for attention. Social media, news outlets, and the pres...

Acrylic and Spray paint on wood panel 12 x 12 x 1.25 inches Set of 4 canvases (To purchase individual canvases instead of all 4 message us to discuss)

Acrylic and Spray paint on wood panel 18 x 18 x 1.25 inches Signed by the artist on reverse

Look At Me #3 Contemporary Original Abstract Acrylic Painting on Wood Panel The Look At Me series references society’s hunger for attention. Social media, news outlets, and the pres...

"Mini Token" (2018) by Catherine Hart Acrylic, gouache, and graphite on wood panel; pink and purple palette with text Framing available COA included

​Represented by George Billis Gallery, NYC & LA -- With these new paintings, Charlotte Smith has gone from workmanlike, whimisical, crafty surfaces with encrustation of pleasing pile...

Large, brightly colored abstract geometric painting in various shades of red, pink, and peach with accents of mint green, teal, blue, yellow, white and black. "Memory Wall #6" made ...

AUDRA WEASER "Ocean Flight I" Acrylic, Metallic Pigments, Plaster Paint on Panel 30 x 30 in. ___________________ Utilizing a minimalist color palette, Weaser’s process-based painti...

"Door #22 (Paint)" (2018) by Francesca Reyes Original oil painting on wood panel; measures 8" H x 6" W x 1" D Rich blue palette with white doorway; accents of cranberry, pink, beige and green From the artist's door series...

AUDRA WEASER "Gilded Falls" Acrylic, Metallic Pigments, Plaster Paint on Panel 48 x 48 in. Utilizing a minimalist color palette, Weaser’s process-based paintings are excavations o...

"Physics is a philosophy. Its concepts run contrary to what we observe in the macro world. It tells us the more we know about one aspect of a particle, the less we know about another...

Contemporary abstract landscape oil painting titled "Water #424" by Louise LeBourgeois. Size: 12 x 12 inches. Oil on panel. Muted orange, earth tones. LeBourgeois’s paintings are in...

ANDREW RUCKLIDGE doors and drawers stick 2023 encaustic and oil on panel 52 x 60 inches (132 x 152.5 cm) Andrew Rucklidge lives and works in Toronto, where he also teaches in the Department of Painting and Drawing at OCADU. He received his MA in Fine Art at Chelsea College of Art in London 2003 and has since shown internationally at The New Contemporaries in London, John Connelly Presents in New York, Frieze Art Fair, The Armoury, Volta Basel, Art Chicago, Art Cologne, Art Toronto, among other international art fairs. In 2013, he received both the K.M. Hunter Visual Artist Award and the Laura Ciruls Painting Award. His work is in collections such as UBS London, Zabludowicz 176 Collection London, Kunstmuseum Gotland Sweden, Soho House London and Toronto, Google, Bank of Montreal...

William Shields Jr. 1925-2010 "Playgrounds" 1996 Oil on canvas 48"x48 artist framed Signed in pencil lower right "Playgrounds" by William Shields Jr. is a captivating oil painting that showcases the artist's unique style and vision. Created in 1996, this piece features a vibrant color palette and a dynamic composition, with bold shapes and lines creating a sense of movement and energy. Measuring 48"x48", this painting is artist framed and ready to display. It is signed in pencil by the artist in the lower right corner, adding to its authenticity and collectibility. "Playgrounds" is a testament to Shields' ability to create works that are both visually stunning and intellectually engaging, inviting the viewer to explore the interplay of shape and color within the piece. Whether displayed in a private collection or a public setting, "Playgrounds" is sure to captivate and inspire all who view it. William Stephens Shields, Jr., 1925 - 2010 He was born in san Francisco, in 1931, Bill moved to Texas, where he grew up. Moved to New York in 1940 and later joined the Naval Air Corps at the age of 18. He served as an Aviation Cadet in the U.S. Navy from 1943 to 1945. At the end of WWII, Bill returned to Texas. At 21, Bill re-focused his energy and enrolled in the Chicago Academy of Fine Art as an Illustration major. What followed was a whirlwind of success, great friendships and a sense of belonging he had never before experienced. Art was his calling and the art-world could not have been less prepared for the likes of Bill Shields...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Jody Rasch’s work is drawn from various science practices, including astronomy, biology, and sub-atomic physics. In his subject matter and technique, Rasch builds on historical conce...

acrylic on canvas, over concave wood panel Andy Moses is interested in pushing the physical properties of paint. Through chemical reactions, viscosity interference, and gravity dispersion, Moses creates elaborate compositions that mimic nature and its forces. DESERT LIGHT is a body of work that responds to the sense of infinite space that drifts in on California's ocean breezes and across the Southwest's vast, desert expanses. Light and space naturally elongate in these geographies and Moses channels this time warp through both material and process. Born in Los Angeles in 1962, Moses attended California Institute of the Arts...

Using his characteristic rich earthy palette, Otto Rogers has captured the subtle variations in light as it changes along a seashore. This piece has soft grays, rich brown, and black colours highlighted by a flash of royal blue and burnt orange. As one of Canada’s preeminent modernist artists, Rogers found inspiration in both his deep faith as a Baha’i and the beauty of nature so often reflected in his stunning work. This is acrylic and graphite on paper. “The purpose of art is to lift the human spirit.” Otto Rogers He acquired his MA in Fine Art from the University of Wisconsin and later taught at the University of Saskatchewan for almost 30 years. He also participated in the Emma Lake Workshops in BC which attracted some of North America’s finest artists. Rogers’ work is held in more than 30 public collections including: the Art Gallery of Ontario, the National Gallery of Canada, and the Museum of Fine Arts in Boston...

"Tiny II" by Danielle Marie Masters Acrylic and cut paper on panel, 8" H x 8" W x .75" D, square shape panel with rounded corners Bright color palette: red, neon red, neon pink, whi...

Swiss-born artist Marco Schmidli creates large-scale minimalist paintings reminiscent of color field studies with a contemporary edge. Placing emphasis on process, he lets the mediums naturally manifest within his artwork. “An important aspect of my artwork is the removal of my own artistic hand. Instead of controlling and demanding the paint move and act a certain way, I let the paint naturally manifest and express its pure form/ true colors/ most natural movement.” Schmidli's work is known for its sensitive surfaces and subtle textures. He has developed specialized techniques for applying and layering color, giving depth to his large-scale paintings. This 11-inch high by 9-inch wide and 1.75-inch deep original artwork is an abstract composition in acrylic on wood. It is framed in a natural wood frame. Size and price include frame. It is signed and dated on the back. Convenient local Los Angeles area shipping. Affordable Continental U.S. and worldwide shipping also available. A certificate of authenticity issued by the art gallery is included. Schmidli studied photography and fine art in Switzerland and Rome. He worked as a photographer and painter in Zurich and then in 1989 he moved to California. Schmidli has been creating large-scale artworks since. He has developed specialized techniques for applying and layering color. His artworks have been featured in the film and entertainment industry, such as fashion photography, celebrity portraits, music videos, films, editorials, and at red carpet events. Schmidli has set a new standard for large-scale contemporary abstract works in Los Angeles. His original paintings have appeared in highly respected magazine publications, such as Vogue, Flaunt, and Harper’s Bazaar. His work has also been featured in fashion spreads of iconic international brands such as Nike and Balenciaga. REPRESENTATION Artplex Gallery, Los Angeles, USA CLIENT LIST ADVERTISING Acura, Aveda, Bath & Body Works, Bloomingdales, Cost Plus, Covergirl, Heather Levine, JC Penny, Loehmann's, Lord and Taylor, Macy's, Mazda, MGM Resorts International, Neiman Marcus, Noah's Bagels, Nordstrom, O.P.I., Oakley, Porsche, QVC, Saks Fifth Avenue, Silverman Group, Sketchers, Smashbox Beauty, Sprint, Stila. EDITORIAL Architectural Digest, Cosmo Girl, Cosmopolitan, Details, Elle Décor, Elle, Empire Magazine, Entertainment Weekly, ESPN, Esquire, Essence, Forbes Life, Giant, Glamour, Golf Digest, Good Housekeeping, GQ, Hearst Magazine, House Beautiful, Instyle, Ladies Home Journal, Latina Magazine, Los Angeles Magazine, Los Angeles Times, Lucky, Martha Stewart Living, Maxim, Men’s Vogue, New York Magazine, New York Times Magazine, Oprah Magazine, Parade, Parents, People, Playboy, Rolling Stone, Seventeen, Shape, Spin, Sports Illustrated, Teen People, The Hollywood Reporter, The Wall Street Journal, Town & Country, US Magazine, Vanity Fair, Vogue, Wonderland, Women’s Wear Daily FASHION Ann Taylor, Anthropologie, Banana Republic, BCBG, BEBE, Bluefly, Brooks Brothers, Calvin Klein, Chanel, Chrome Hearts, David Yurman, Delia’s, Eileen Fisher, INC, FIDM, Fredricks of Hollywood...

Confluence 22 C (2022) Acrylic, aluminum leaf, and wax on aluminum panel 50 x 42 inches Hester’s practice is a meditation on both her personal and our collective pasts. Throughout h...

Loch Caroy by Elaine Fox [2020] original Acrylic on Cradled Panel Image size: H:35 cm x W:35 cm Complete Size of Unframed Work: H:35 cm x W:35 cm x D:2cm Sold Unframed Please note t...

Portal 23 #4 (2023) Acrylic, wax, and aluminum leaf on paper. 8" x 8" unframed 15" x 15" framed Hester’s practice is a meditation on both her personal and our collective pasts. Throughout her works, Hester consistently acknowledges the seemingly opposing forces that build our daily lives—creating an atmosphere abounding with both elegy and rejuvenation. The artist’s technique of painting on each substrate—paper, plexiglass and aluminum—goes far beyond conventional brushwork. Through a painstaking and physical process, she applies and removes acrylic paint with the use of sanders, hammers, routers and drills, in a continual process of building, breaking and rebuilding. Surprisingly, even the works on paper are sanded. Surfaces are mottled and textured, scraped and punctured. Layer upon layer of striated, thick colors dance astride more delicate patterned areas, created with collaged bits of metal leaf and complex cross-hatching marks. Yet, strikingly, the eye finds places of rest as colors and patterns conjoin harmoniously, and chaos and control share spaces. Painting / Silver/ Texture / Work on paper / Abstract / About the Artist: Francie Hester works principally on sculpted aluminum, steel and plexiglass, in a process-based practice that builds pixelated and vibrant pigments in deep layers with patterns of drips, grids and fragmented shapes that are then deconstructed through sanding, scraping, drilling and cutting to reveal the finished, textured surfaces. Her work has been exhibited internationally in Jordan, Ulaanbaatar, Ireland, and Costa Rica, and in solo exhibitions with Susan Eley...

Portal 23 #3 (2023) Acrylic, wax, and aluminum leaf on paper 8" x 8" unframed 15" x 15" framed Hester’s practice is a meditation on both her personal and our collective pasts. Throughout her works, Hester consistently acknowledges the seemingly opposing forces that build our daily lives—creating an atmosphere abounding with both elegy and rejuvenation. The artist’s technique of painting on each substrate—paper, plexiglass and aluminum—goes far beyond conventional brushwork. Through a painstaking and physical process, she applies and removes acrylic paint with the use of sanders, hammers, routers and drills, in a continual process of building, breaking and rebuilding. Surprisingly, even the works on paper are sanded. Surfaces are mottled and textured, scraped and punctured. Layer upon layer of striated, thick colors dance astride more delicate patterned areas, created with collaged bits of metal leaf and complex cross-hatching marks. Yet, strikingly, the eye finds places of rest as colors and patterns conjoin harmoniously, and chaos and control share spaces. Painting / Work on paper / Texture / Silver / Blue / About the Artist: Francie Hester works principally on sculpted aluminum, steel and plexiglass, in a process-based practice that builds pixelated and vibrant pigments in deep layers with patterns of drips, grids and fragmented shapes that are then deconstructed through sanding, scraping, drilling and cutting to reveal the finished, textured surfaces. Her work has been exhibited internationally in Jordan, Ulaanbaatar, Ireland, and Costa Rica, and in solo exhibitions with Susan Eley...

Confluence 22 D (2022) Acrylic, aluminum leaf, and wax on aluminum panel 50 x 42 inches Hester’s practice is a meditation on both her personal and our collective pasts. Throughout h...

Confluence 23 B (2023) Acrylic, aluminum leaf, and wax on aluminum panel 50 x 42 inches Hester’s practice is a meditation on both her personal and our collective pasts. Throughout h...

Confluence 23 B (2023) Acrylic, aluminum leaf, and wax on aluminum panel 50 x 42 inches Hester’s practice is a meditation on both her personal and our collective pasts. Throughout h...

Patricia Fabricant’s radials take an organic, sometimes animalistic form, populating her canvases with seed, scale, and wave-like shapes. Interested in the tension between decoration...

This work of a young musician by Frederick E. Wright is set in an exceptional original Doll & Richards, Boston, frame. The framed dimensions are 16' x 13 1/3" x 1". A hand-written la...

In Melisa’s optical and pulsating compositions, the natural world acts as blue-print while she explores the notion of the sublime through blur and precision. The artist develops an a...

Patricia Fabricant’s radials take an organic, sometimes animalistic form, populating her canvases with seed, scale, and wave-like shapes. Interested in the tension between decoration...

English artist, contemporary acrylic painting on canvas, unframed With two lacquered antique panels stuck on canvas Each canvas: 47 x 22 inches Each panel: 20 x 8 inches provenance:...

Patricia Fabricant’s radials take an organic, sometimes animalistic form, populating her canvases with seed, scale, and wave-like shapes. Interested in the tension between decoration...

acrylic on canvas, over circular wood panel Andy Moses is interested in pushing the physical properties of paint. Through chemical reactions, viscosity interference, and gravity dispersion, Moses creates elaborate compositions that mimic nature and its forces. DESERT LIGHT is a body of work that responds to the sense of infinite space that drifts in on California's ocean breezes and across the Southwest's vast, desert expanses. Light and space naturally elongate in these geographies and Moses channels this time warp through both material and process. Born in Los Angeles in 1962, Moses attended California Institute of the Arts...

acrylic on canvas, over concave wood panel Andy Moses is interested in pushing the physical properties of paint. Through chemical reactions, viscosity interference, and gravity dispersion, Moses creates elaborate compositions that mimic nature and its forces. DESERT LIGHT is a body of work that responds to the sense of infinite space that drifts in on California's ocean breezes and across the Southwest's vast, desert expanses. Light and space naturally elongate in these geographies and Moses channels this time warp through both material and process. Born in Los Angeles in 1962, Moses attended California Institute of the Arts...

Jennifer Bricker-Pugh Signal 5 Acrylic on Panel Year: 2022 Size: 10x10x1.5in Signed, dated and inscribed by hand COA provided Ready to hang Ref.: 924802-1093 Jennifer is an Abstract...

Susan Kiefer Confronting the Void Oil on Wood Panel Year: 2023 Size: 12x12x1.35in Signed by hand COA provided Ref.: 924802-1488 Tags: texture, hard-edged abstract, angular shapes, t...

Abstract painting in shades of light aqua evoking the swirling sea at tide’s turn. With a surface full of interesting texture and contrast. Seaweed and detritus on the beach is being...

Layers of stripes inspired by bookshelves. The colours and patterns repeat throughout the composition. Rosie Shorrock, painter, is available for sale online and in our art gallery at...

Sky Water shows the beauty of nature with Koi and Waterlilies .There is the use of the palette knife which builds up a texture of the oil paints used in this landscape painting. Petals on the Water display the interaction between the koi and the waterlilies in the oil painting. One can almost hear the movement of the water in Petals on the Water. Sky Water is framed and there is no charge for the frame. Jeff Slemons...

Swiss-born artist Marco Schmidli creates large-scale minimalist paintings reminiscent of color field studies with a contemporary edge. Placing emphasis on process, he lets the mediums naturally manifest within his artwork. “An important aspect of my artwork is the removal of my own artistic hand. Instead of controlling and demanding the paint move and act a certain way, I let the paint naturally manifest and express its pure form/ true colors/ most natural movement.” Schmidli's work is known for its sensitive surfaces and subtle textures. He has developed specialized techniques for applying and layering color, giving depth to his large-scale paintings. This 11-inch high by 9-inch wide and 1-inch deep original artwork is an abstract composition in acrylic on wood. It is framed in a natural wood frame. Size and price include frame. It is signed on the back. Convenient local Los Angeles area shipping. Affordable Continental U.S. and worldwide shipping also available. A certificate of authenticity issued by the art gallery is included. Schmidli studied photography and fine art in Switzerland and Rome. He worked as a photographer and painter in Zurich and then in 1989 he moved to California. Schmidli has been creating large-scale artworks since. He has developed specialized techniques for applying and layering color. His artworks have been featured in the film and entertainment industry, such as fashion photography, celebrity portraits, music videos, films, editorials, and at red carpet events. Schmidli has set a new standard for large-scale contemporary abstract works in Los Angeles. His original paintings have appeared in highly respected magazine publications, such as Vogue, Flaunt, and Harper’s Bazaar. His work has also been featured in fashion spreads of iconic international brands such as Nike and Balenciaga. REPRESENTATION Artplex Gallery, Los Angeles, USA CLIENT LIST ADVERTISING Acura, Aveda, Bath & Body Works, Bloomingdales, Cost Plus, Covergirl, Heather Levine, JC Penny, Loehmann's, Lord and Taylor, Macy's, Mazda, MGM Resorts International, Neiman Marcus, Noah's Bagels, Nordstrom, O.P.I., Oakley, Porsche, QVC, Saks Fifth Avenue, Silverman Group, Sketchers, Smashbox Beauty, Sprint, Stila. EDITORIAL Architectural Digest, Cosmo Girl, Cosmopolitan, Details, Elle Décor, Elle, Empire Magazine, Entertainment Weekly, ESPN, Esquire, Essence, Forbes Life, Giant, Glamour, Golf Digest, Good Housekeeping, GQ, Hearst Magazine, House Beautiful, Instyle, Ladies Home Journal, Latina Magazine, Los Angeles Magazine, Los Angeles Times, Lucky, Martha Stewart Living, Maxim, Men’s Vogue, New York Magazine, New York Times Magazine, Oprah Magazine, Parade, Parents, People, Playboy, Rolling Stone, Seventeen, Shape, Spin, Sports Illustrated, Teen People, The Hollywood Reporter, The Wall Street Journal, Town & Country, US Magazine, Vanity Fair, Vogue, Wonderland, Women’s Wear Daily FASHION Ann Taylor, Anthropologie, Banana Republic, BCBG, BEBE, Bluefly, Brooks Brothers, Calvin Klein, Chanel, Chrome Hearts, David Yurman, Delia’s, Eileen Fisher, INC, FIDM, Fredricks of Hollywood...

The Sailor and the Albatross and The Colours in the Shadows are an original diptych of paintings by artist Louisa Longstaff Scales. The soft pa...

This work is from the Wonderment of Otherness series of paintings by New York City-based artist Christopher Stout, whose pronouns are he/him or inclusive they/them. Each work within the Wonderment of Otherness series is a sculptural monochrome painting and is part of the contemporary genre of art referred to as queer abstraction. A statement of practice regarding all of Christopher Stout’s work is that it intends to surround us with the notion of radical joy and a vision of queerness as found in our imaginations. But what do the term queer abstraction mean and represent? In the artist’s own words: “I would suggest that queer abstraction might be most easily defined as activist art about the queer experience that does not employ representation of the human figure. Queer abstraction, along with Black abstraction, feminist abstraction, and even Arte povera are examples of 4 distinct types of sociopolitical protest work birthed in the late 1960s and early 1970s, which primarily eschew the use of figuration. In providing additional context, art critic and curator Eric Sutphin theorizes that contemporary artists practicing queer abstraction, 'are in close dialogue with their forbears, and bring to the milieu of queer abstraction a new set of social, economic, and political concerns…including a series of questions: What is the relationship between queerness and formalism? Without explicit political references, how can abstract work transmit the urgency of its content?'” In returning the conversation to the Wonderment of Otherness paintings, each painting in this body of work has been designated as a 'quilt painting' because the central visual element and topography of the works are textile pieces of Belgian linen and cotton sewn together with wire in a manner akin to quilting. It should be noted that quilting here is not a reference to the AIDS quilt, but rather an extension of the tradition of quilting as a form of political art by marginalized people. These quilts are stretched on stacks of wooden panels, so that the works retain elements to suggest being textile pieces, and also elements of being sculptures, and also elements of being paintings. This is a reference to the nonbinary. An equally important concentration within these works is to express a linear relationship between queer abstraction and queer theory. Alongside each painting has been designated a notable academic text, biography, or resource book documenting a spectrum of queer ideas and experiences. Stout noted that, “Some of these books are longtime friends, and some of the more contemporary works were read as part of my research for these paintings.” Whilst these paintings are not designed to illustrate the work of these queer academics, they do hope to activate a through line, manifesting the shared goals within queer abstraction. This painting is titled, Wonderment of Otherness Quilt Painting 001, A Monument to the Work and Queer Personhood of José Esteban Muñoz (which is slightly longer than the 80 characters permitted in the online catalog) and is a monument to the work and Queer personhood of José Esteban Muñoz. Stout painted this piece after re-reading Muñoz’s text, “Cruising Utopia, The Then and There of Queer Futility.” A much-loved quote from this book: “Queerness is not yet here. Queerness is an ideality. Put another way, we are not yet queer. We may never touch queerness, but we can feel it as the warm illumination of a horizon imbued with potentiality. We have never been queer, yet queerness exists for us as an ideality that can be distilled from the past and used to imagine a future. The future is queerness’s domain. Queerness is a structuring and educated mode of desiring that allows us to see and feel beyond the quagmire of the present. The here and now is a prison house. We must strive, in the face of the here and now’s totalizing rendering of reality, to think and feel a then and there. Some will say that all we have are the pleasures of this moment, but we must never settle for that minimal transport; we must dream and enact new and better pleasures, other ways of being in the world, and ultimately new worlds, queerness is a longing that propels us onward, beyond romances for the negative and toiling in the present, queerness is that thing that lets us feel that this world is not enough, that indeed something is missing. Often we can glimpse the worlds proposed and promised by queerness in the realm of the aesthetic. The aesthetic, especially the queer aesthetic, frequently contains blueprints and schemata of a forward-dawning futurity. Both the ornamental and the quotidian can contain a map of the utopia that is Queerness.” ― José Esteban Muñoz ... Process: Stacked wooden panels, on which is stretched a quilt that I fashioned from Belgian linen and cotton fabric sewn together with wire. The finished work is a monochrome painted...

Swiss-born artist Marco Schmidli creates large-scale minimalist paintings reminiscent of color field studies with a contemporary edge. Placing emphasis on process, he lets the mediums naturally manifest within his artwork. “An important aspect of my artwork is the removal of my own artistic hand. Instead of controlling and demanding the paint move and act a certain way, I let the paint naturally manifest and express its pure form/ true colors/ most natural movement.” Schmidli's work is known for its sensitive surfaces and subtle textures. He has developed specialized techniques for applying and layering color, giving depth to his large-scale paintings. This 11-inch high by 9-inch wide and 1-inch deep original artwork is an abstract composition in acrylic on wood. It is framed in a natural wood frame. Size and price include frame. It is signed on the back. Convenient local Los Angeles area shipping. Affordable Continental U.S. and worldwide shipping also available. A certificate of authenticity issued by the art gallery is included. Schmidli studied photography and fine art in Switzerland and Rome. He worked as a photographer and painter in Zurich and then in 1989 he moved to California. Schmidli has been creating large-scale artworks since. He has developed specialized techniques for applying and layering color. His artworks have been featured in the film and entertainment industry, such as fashion photography, celebrity portraits, music videos, films, editorials, and at red carpet events. Schmidli has set a new standard for large-scale contemporary abstract works in Los Angeles. His original paintings have appeared in highly respected magazine publications, such as Vogue, Flaunt, and Harper’s Bazaar. His work has also been featured in fashion spreads of iconic international brands such as Nike and Balenciaga. REPRESENTATION Artplex Gallery, Los Angeles, USA CLIENT LIST ADVERTISING Acura, Aveda, Bath & Body Works, Bloomingdales, Cost Plus, Covergirl, Heather Levine, JC Penny, Loehmann's, Lord and Taylor, Macy's, Mazda, MGM Resorts International, Neiman Marcus, Noah's Bagels, Nordstrom, O.P.I., Oakley, Porsche, QVC, Saks Fifth Avenue, Silverman Group, Sketchers, Smashbox Beauty, Sprint, Stila. EDITORIAL Architectural Digest, Cosmo Girl, Cosmopolitan, Details, Elle Décor, Elle, Empire Magazine, Entertainment Weekly, ESPN, Esquire, Essence, Forbes Life, Giant, Glamour, Golf Digest, Good Housekeeping, GQ, Hearst Magazine, House Beautiful, Instyle, Ladies Home Journal, Latina Magazine, Los Angeles Magazine, Los Angeles Times, Lucky, Martha Stewart Living, Maxim, Men’s Vogue, New York Magazine, New York Times Magazine, Oprah Magazine, Parade, Parents, People, Playboy, Rolling Stone, Seventeen, Shape, Spin, Sports Illustrated, Teen People, The Hollywood Reporter, The Wall Street Journal, Town & Country, US Magazine, Vanity Fair, Vogue, Wonderland, Women’s Wear Daily FASHION Ann Taylor, Anthropologie, Banana Republic, BCBG, BEBE, Bluefly, Brooks Brothers, Calvin Klein, Chanel, Chrome Hearts, David Yurman, Delia’s, Eileen Fisher, INC, FIDM, Fredricks of Hollywood...

My painting practice began with subverting the idea of a still life to create an absurd experience where the presence of carefully observed and exaggerated absurd forms painted from ...

Andrzej Michael Karwacki’s acrylic paint and resin on birch panel work called: ‘EQ redefined series 1700-EU101-3’ is wonderfully colourful and a creative abstract piece of artwork. D...

This is a favourite piece from a series exploring ideas around layers, history and portals to the past. The series was painted in multiple layers with each layer revealing something of the layer below. The past still affecting the present and the future. Discover more original artwork by Alison Gilbert with Wychwood Art online and in Oxfordshire gallery. Alison is a British contemporary abstract artist...

Abstract minimalist color block painting on panel "Untitled 3", painted by Ralph Stout in 2019 16 x 16 x 2 inches, acrylic on panel Sides are painted black, additional framing is optional Ready to hang as is This abstract minimalist, mid-century modern style painting on canvas was made by East Hampton based artist, Ralph Stout, in 2019. The composition features an interlocking pattern of dark teal, blue and black. The painting is on panel with black painted sides. The artist's signature is located on the back. Ralph Stout refers to his approach to abstract painting as “incremental adventurism”. This sums up Stout’s calculated combos of vivid pigments and defined forms layered on top of fluid underdrawings. The artist first creates space using simple linework with graphite pencil; intertwining curvy lines or straight intersecting angles are drawn in varying densities. He then fills the spaces with blocks of pure, vivid color without any real detail other than the outlines of each form that begins to appear. Each mass is connected in stark juxtaposition using intense contrast of color and line. It is the delicate tension between the background and foreground that reveals a solid graphic that is full of vibration. About the artist: Since devoting himself full time to visual art after a long career in computer...