Melissa Furness

corpo estraneo 2

2023

Long fascinated with nature’s way of reclaiming what humans build, artist Melissa Furness visually depicts how organic and self-imposed deterioration confuses our sense of reality an...

"Putto Grotto 2" is a miniature painting by Denver-based artist Melissa Furness. Inspired partly by the small figures that adorn the Roman Emperor Nero's pleasure palace, this strang...

Long fascinated with nature’s way of reclaiming what humans build, artist Melissa Furness visually depicts how organic and self-imposed deterioration confuses our sense of reality an...

Long fascinated with nature’s way of reclaiming what humans build, artist Melissa Furness visually depicts how organic and self-imposed deterioration confuses our sense of reality an...

Long fascinated with nature’s way of reclaiming what humans build, artist Melissa Furness visually depicts how organic and self-imposed deterioration confuses our sense of reality an...

From his recent exhibition entitled, Dioramas from Eden, Andrew Jensdotter continues his practice of painting hundreds of layers of iconic pictures of a single subject from a Google image search and then carving through the final amalgamation to create an "original" of his own. What was once representational with a clear focal point becomes a decidedly all-over abstract composition almost archaeological in nature. This laborious and emotional process of erasure synchronizes with the show’s theme – an elaboration on the Garden of Eden and the concept of expulsion from paradise...

«A WORK WILL ONLY HAVE DEEP RESONANCE, IF THE KIND OF LIGHT I’M TRYING TO GENERATE IS SOMETHING THAT IS ALREADY IN ME» - Hyun Ae Kang Hyun Ae Kang is an internationally renowned Ko...

Darius Yektai's "White Tulips" is a large-scale, layered, oil on resin, on canvas painting. White Tulips is archetypal in all but scale. Yektai’s stateme...

A wonderful composition of one of Slonem's most iconic subjects, Bunnies. This piece depicts gestural figures of white bunnies on an Ultramarine blue background with thick use of pai...

Inspired by nature and his 60 pet birds, Hunt Slonem is renowned for his distinct neo-expressionist style. He is best known for his series of bunnies, butterflies and tropical birds, as well as his large-scale sculptures and restorations of forgotten historic homes. Slonem’s works can be found in the permanent collections of 250 museums around the world, including the Solomon R. Guggenheim Museum, the Metropolitan Museum of Art in New York City, the Whitney, the Miro Foundation and the New Orleans Museum of Art. Since his first solo show at the Fischbach Gallery in 1977, Slonem’s work has been showcased internationally hundreds of times, most recently at the Moscow Museum of Modern Art and the State Russian Museum in St. Petersburg. In 2017 and 2018, he was featured by the National Museum of the Republic of Kazakhstan, the National Gallery in Bulgaria, and in countless galleries across the United States and around the world. His flair and admiration for far-flung destinations has been a staple of his life since childhood. Slonem was born in 1951 in Kittery, Maine, and his father’s position as a Navy officer meant the family moved often during Hunt’s formative years, including extended stays in Hawaii, California and Connecticut. He would continue to seek out travel opportunities throughout his young-adult years, studying abroad in Nicaragua and Mexico; these eye-opening experiences imbued him with an appreciation for tropical landscapes that would influence his unique style. After graduating with a degree in painting and art history from Tulane University in New Orleans, Slonem spent several years in the early 1970s living in Manhattan. It wasn’t until Janet Fish offered him her studio for the summer of 1975 that Slonem was able to fully immerse himself in his work. His pieces began getting exhibited around New York, propelling his reputation and thrusting him into the city’s explosive contemporary arts scene. He received several prestigious grants, including from Montreal’s Elizabeth Greenshields Foundation, the National Endowment for the Arts, and the Cultural Counsel Foundation’s Artist Project, for which he painted an 80-foot mural of the World Trade Center in the late 1970s. He also received an introduction to the Marlborough Gallery, which would represent him for 18 years. Hunt Slonem tends to embrace the ephemeral beauty of nature, a characteristic that brings a nurturing, spiritual effect to his creations. Throughout his extensive career as a New York artist, Slonem has favored the subject of exotic birds, rabbits, and butterflies. Lately, his compositions have consisted of flat spaces with simple forms pushed to the front of the picture plane. The artist creates exotic forms with expressive and highly textural brushstrokes that are full of intense color, loosely inspired by artists of the German Expressionism movement such as Ernst Ludwig and Emil Nolde. Henry Geldzahler, a scholar of Hunt Slonem, notes that of contemporary artists, “he particularly admires the work of Malcolm Morely...

Michel Tabori Sequoia, 2017 Oil, acrylic, resin, canvas on two-sided maple panels mounted on steel bases 84” x 10” each $6,500 each

Michel Tabori Red Wood Night, 2018 Oil, acrylic, resin, canvas on panel 57” x 75” $18,500