Board Nude Paintings

Nudes Sunbathing On A Beach, 19th Century circle of PHILIP WILSON STEER (1860-1942) Large 19th Century English beach scene with nudes sunbathing, oil on canvas. Excellent quality a...

The painting was created in 1987, the year of the artist's death and thus a late work. The classically modern nude is depicted with a tendency towards cubism, the colours are luminous.

A gritty Burlesque Stripper with long purple gloves bumps and grinds with a hard-driving beat. American Social Realist artist Jack Levine paints this se...

Signed and titled oil on board nude circa 1905 by Belgian neo-impressionist painter Georges Lemmen. The work titled 'Reverie' depicts a red-haired lady who is kneeling down and resti...

Lillian Delevoryas Untitled (Nude & Interior), 1969 Oil on board 19 3/4 x 15 1/2 in. Framed: 24 1/2 x 20 1/2 x 1 1/4 in. Signed and dated lower righ...

Giampaolo Talani (1955-2018) The "mad scientist" of the art world, Talani created art out of virtually everything he touched. After completing his training at the Florence Academy of...

Giampaolo Talani (1955-2018) The "mad scientist" of the art world, Talani created art out of virtually everything he touched. After completing his training at the Florence Academy of...

Giampaolo Talani (1955-2018) The "mad scientist" of the art world, Talani created art out of virtually everything he touched. After completing his training at the Florence Academy of...

Giampaolo Talani (1955-2018) The "mad scientist" of the art world, Talani created art out of virtually everything he touched. After completing his training at the Florence Academy of...

Giampaolo Talani (1955-2018) The "mad scientist" of the art world, Talani created art out of virtually everything he touched. After completing his training at the Florence Academy of...

Bill Shields "Nude with Ball" 1990's Acrylic paint on board Site measures 10.5"x8.5 wood frame float mount on linen 15.5"x13" Unsigned came from artist's estate William Stephens Shi...

"Nude with Cat" by R. Walker is a charming portrait of a woman and cat posed by a window.

Oil on cardboard by Nandor VAGH WEINMANN (1897-1978), France, 1930s. Naked back. With frame: 64x56 cm - 25.2x22 inches ; without frame: 46x38cm - 18.1x15 inches. 8F format. Signed "Nandor V. Weinmann" lower left. In its Montparnasse frame. Very good condition. Born October 3, 1897 in Budapest, Nándor is the older brother of Elemer and Maurice Vagh-Weinmann. He came to Paris to present his work in 1931. He died on December 12, 1978 near Montereau (Seine-et-Marne) following an automobile accident. He is the most colorful of the three “expressionist” brothers. Painter of figures, landscapes, especially open mountains, and bouquets in bright colors. He is also a religious painter and then finds the tragic condition. Born in BUDAPEST on October 3, 1897, Nandor Vagh Weinmann belongs to a profoundly artistic people. Living in the heart of Central Europe where they came from Asia a millennium ago, the Hungarians have preserved a strong ethnic individuality whose mark is their very synthetic, non-Indo-European language. Resistant to secular invasions, they have kept the virtues of a very ancient humanity that have become rare in our modern world, especially since their way of life has remained essentially rural until today. In the arts they know how to express a generous, extreme sensibility and by the poetic verb, by the musical rhythms and also by a popular art of a richness, an exceptional harmony. Until the age of thirty-four, during the decisive years of childhood and youth, Nandor Vagh Weinmann was intimately imbued with popular life and the soul of Hungary. From the capital where his father was a jeweler and had a family of ten children, Nandor was the fifth, he knew first of all the suburbs, the populated districts, the rigors in winter of the cold and the snow. A very mobile existence made him acquainted with all of Hungary, from the Danube to Transylvania, its infinite plains and its wild mountains, its immense villages with ample low houses, and its towns which are still immense villages. The painter is passionate about rustic works, harvest scenes, beautiful folk costumes. Coming into direct contact with the peasants, he learned to know their soul. These contacts gave the artist a direct feeling for popular life and soul, as Millet once understood the peasants of Barbizon and Normandy whose existence he shared. What fascinated Nandor Vagh Weinmann above all were the festivals which enlivened the dreary life of the countryside, the circuses, the merry-go-rounds, the gypsies unleashing orgies of music, light and color. In the party, and especially the Hungarian party, the whole soul of a people, all its energy, its need for movement, for intensity, is expressed in its pure state and realizes the primary and essential form of what is called beauty. And as if melted at the party, there is the infinite steppe where herds of horses and oxen circulate where terrible storms sometimes roar where the seasons unfold their grandiose splendours. The young Nandor Vagh Weinmann nourishes his sensitivity to his inexhaustible shows, both eternal and always new, a sensitivity which very early declared itself that of a painter. Since the age of fourteen he painted, and since then he never stopped doing it. Two of his brothers Maurice, two years his junior, who had a remarkable career similar to that of Nandor and later Elemer who became Maurice's pupil, also devoted themselves to painting, despite family obstacles. And the three brothers united by a common passion worked together in Hungary and later in France. Painting was so much in the blood of the family, as in the past among the Veroneses, the Breughels, the Lenains, the Van Loos and so many other artistic dynasties, that three sons of the Vagh Weinmanns became painters in their turn. One of these, Emeric, son of Nandor, today occupies an important place in the contemporary school. Nandor, at fifteen, was a pupil of the Academy of Fine Arts in Budapest where he worked diligently, then at that of Vienna. He painted many portraits, but also landscapes, compositions and, by his relentless work, managed to live from his brush, although married very young and having to overcome many hardships. He therefore knew the hardships and miseries of life. These strongly impregnated his vision as an artist and explain the thrill of humanity that runs through all his work. A particularly moving experience was reserved for him at the age of twenty. In the hospitals of Budapest he had to paint extraordinary cases, operations, frightful wounds, the deformations to which our poor body is subjected by traumas and physiological decompositions. In these circumstances, it is not a question of gratuitous art, of formal research but of immediate, authentic expressions of our flesh and our being. We know that Breughel Velázquez and Goya had been haunted by the sight of cripples and of madmen Géricault by that of corpses. But life is ultimately stronger than anything, and it is life that Nandor Vagh Weinmann has passionately observed and translated through all the places where he has always painted on nature. Nothing stopped him. It happened to him to paint, for example in front of the mill of Linselles by a weather so cold, that nobody could stay outside, and that he did not leave the place before having finished his work. Because he works constantly on the ground, under the sky, in the silence he loves. His reputation is established. He exhibited at the national fair in Budapest, in the big cities of Hungary Szeged, Szombathely, Veszprém, Kaposvar. In 1931, like all artists in the world, he came to France. But unlike the others, he did not settle in Paris. Because Nandor Vagh Weinmann does not belong to this group of cosmopolitans that we call the School of Paris. He settled in Toulouse, where he remained for a long time with his brothers, and traveled throughout France, eager for new ties, exhibiting in the most diverse cities, in Bordeaux, Marseille, Lyon, Agen, Bayonne, Dax, Tarbes, Grenoble, Nice, Cannes, Strasbourg, Mulhouse, Colmar, Lille. He even crossed borders. He was in Saint Sebastian, in Geneva, and once in Egypt in 1927 where he painted King Fouad...

Alkyd-oil on Masonite, signed and dated (middle left), 61cm (diam.), (83cm diam. framed). (This work was kept by the artist for his personal collection. It remained in his collection...

Words fall short when art speaks for itself. A language all its own. "Inspiration was never something to seek out but to be awake for." Based in Southern California, Miriam contin...

Dave Seeley's "Audrey #1" is an original, handmade oil painting that depicts a nude female model reclining on blue velvet fabric as she turns her face away from the viewer.

Merija Bernere (1903-1984) Redhead. 1967., cardboard, oil, 78x48.5 cm

Suchitra Bhosle's "Somewhere in Paris" is an original, hand made oil painting that depicts a feminine model in a translucent white shift reclining on a background of white. About th...

ANGELA Size: 69 x 58 cm (including frame) Oil on Board A brilliantly executed mid-century modernist style figurative nude composition, painted in oil onto board. The focal point of...

The rough brush strokes give this painting a strong and at the same time mysterious look & feel. The woman's face is hardly visible, which draws the eye automatically to her nude bod...

In this Monumental painting, Natasha Lelenco explores the mythological characters of the Bacchantes through a contemporary and uninhibited interpretation of Tiziano's Bacchanal of th...

Yves Bady AL-Dahdah (Lebanese, 1942) Lady of the Vines • Oil or Acrylic on heavy fibre board ca. 46 x 38 cm x 0.5 cm • Signed and dated lower left (19)81 •...

Oil on board, signed (lower left), 44cm x 59cm, (70cm x 56cm framed). The picture is good condition and the work comes directly from the artist. Painter, draughtsman and teacher, b...

This incredibly striking portrait, painted in a fiery palette captures an intimate moment between the artist and sitter who were lovers. Philip Core (1951-1989) Portrait of Adrian Ffooks, 4th/7th regiment Signed and dated 1987 to the reverse Oil on board 30 x 17¾ inches without the frame 35 x 23 inches with the frame Provenance: Gifted as a wedding present to Kit Hesketh-Harvey by his future wife. The artist was a friend of the couple and they had introduced Core to FFooks. Kit Hesketh Harvey co-wrote the screenplay (with James Ivory) for E.M.Forster’s Maurice and he had called upon Ffooks, who was renowned for his horsemanship, to be a stunt double for the equestrian scenes in this iconic film. Philp Core grew up in New Orleans, the son of a well-to-do family. At just seven he won the Vieux Carré Open Artists Competition. He was sent to a military academy, and from 1963 to the Middlesex School in Concord, Massachusetts. He attended Harvard University, where he won a number of art and literature prizes. As a schoolboy he self-published a booklet of drawings Palm Fronde Alphabet. An interest in Aubrey Beardsley and fin de siècle artists and writers, led to him spending time in Paris working with Philippe Jullian on his book The Symbolists, before returning to Harvard to complete an honours thesis on Belgian symbolist Fernand Khnopff. He graduated in 1973. Under the pseudonym Féllippé Fecit, he produced a series of erotic drawings for the poet John Glassco for his book Squire Hardman, and in 1968 in the Japanese style for The Temple of Pederasty, a free adaption by Glassco of a work by Japanese expatriate writer Ken Sato. Of this time, George Melly...

This painting depicts a whimsical scene of a nude boy wearing an open shirt and sandals. The bright colors and quick brush strokes are what makes this painting so attractive and desi...

Giampaolo Talani (1955-2018) The "mad scientist" of the art world, Talani created art out of virtually everything he touched. After completing his training at the Florence Academy of...

Shyness Cardboard, author`s technique, 31x28 cm

Rasik Dugashanker Rabal (Indian, 1928 – 1980) Six standing women Acrylic on board Signed ‘RAVAL’ (upper right) 32 x 36 in. (81.5 x 91.5 cm.) This is a modernistic view of six nude I...

Arnold Blanch Nude Signed lower right Oil on board 20 x 16 inches Provenance: G. David Thompson Collection, Pittsburgh Private Collection, New York Bo...

An incredibly striking and sensuous image of the flame like figure of Phoenix, painted on a large scale. A painting with enormous impact and style. William Crosbie (1915-1999) Phoe...

"Spanish Gown" is possibly signed lower right. A painterly American Impressionist work beautifully captures a nude woman stepping from a golden gown. The painting is reminiscent of t...

Giampaolo Talani (1955-2018) The "mad scientist" of the art world, Talani created art out of virtually everything he touched. After completing his training at the Florence Academy of...

This magnificent oil painting by Modern British artist Roy Spencer draws inspiration from avant-garde French artists such as Matisse and Raoul Dufy. This artwork strikingly exemplifies the strong connection between their styles. The details of the work are: Roy Spencer (British, 1918 -2006) A day on...

Giampaolo Talani (1955-2018) The "mad scientist" of the art world, Talani created art out of virtually everything he touched. After completing his training at the Florence Academy of...

Giampaolo Talani (1955-2018) The "mad scientist" of the art world, Talani created art out of virtually everything he touched. After completing his training at the Florence Academy of...

Signed lower right, 'Sue Gertz' for Suzanne Gertz (American, 1938-2003) and painted circa 1985. Suzanne Gertz first studied at the Art Institute of Chicago and, subsequently, at Bar...

Act. Double sided. cardboard, oil, 71x45 cm

Geisha. 2003. cardboard, author's technique, 60x23 cm Ivars Zaikins (1942-2017) Zaikins Ivars - an artist. He was born in 1942. During of the Soviet Union period, he worked as an a...

The morning hour. Act. 1959. Oil on cardboard, 95x71 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at studies to R.Suta, J....

Shana Wilson's "Young Woman on Blue Chair" is a 16" x 20" (26.5x30.5 Framed) masterpiece that captures the essence of contentment and relaxation. The young nude woman, with brown hair and a tranquil expression, sits on a light blue chair against a backdrop of a warm, ochre-toned wall. Her posture, leaning to one side with one arm on the armrest and the other resting on her lap, exudes comfort. This framed artwork masterfully portrays a sense of calm and ease, inviting viewers to appreciate the serene moment it portrays. Wilson's attention to detail and use of color create a captivating and emotionally resonant composition. About the Artist: Over seven billion souls exist on this planet, each with a unique face and story. Shana transfers her visceral love for the human landscape to canvas, tenderly cradling its peaks and valleys, darkness and light, colors and neutrals, empty and full, hard edges and soft curves. Each brush stroke creates a controlled cacophony as it assembles the intricate jigsaw of the human face. An entire life’s journey is written on this human landscape; a journey that begs to be documented and treasured. Shana’s legacy project is to paint inspirational women from all walks of life, inclusive of all cultures and orientations. The subjects all have one thing in common; the ability to inspire and create social change. She pays tribute to them on canvas, painting a long overdue celebration of trail-blazing women. Visit any major gallery or museum in the world and it is teeming with paintings of nude women...

Tomanek was born in Czechoslovakia in 1889 and studied at the School of Design in Prague. He immigrated to America around the turn of the century and settled in Chicago where he studied at the Art Institute of Chicago. Tomanek was a member of the Bohemian Artist Club, Association of Chicago Painters, and Sculptors, and the Chicago Gallery Association. His works were exhibited at the Art Institute of Chicago, the Bohemian Artist Club, the Chicago Gallery Association and the Palette and Chisel...

Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet...

Norman Mills Price depicts a handsome, nude blond boy with classical good looks. He is lying on his stomach in straw in the loft of a barn with his buttocks exposed. The artist captu...

Nude Figure Study, Standing Female Figure with Sage Green Figure study of a nude model in studio by Los Gatos, California artist M.Z. Murphy (American, 20th century), c.1990. The f...

Dave Seeley's (US based) "Gabrellia #3 S~Curve" is an original, handmade oil painting that depicts a nude female model standing in a contrapposto stance. About the artist: My sub...

Dave Seeley's (US based) "Erica #1" is an original, handmade oil painting that depicts a reclining nude model on a black couch with a white sheet.

Dave Seeley's "Elemental Fire Starter" is an exquisite example of nude figure oil painting artistry, masterfully rendered on canvas mounted on...

Dave Seeley's (US based) "Gabrellia #2 Wrapt" is an original, handmade oil painting that depicts a female model, in a white dress, reclining.

Sterling Strauser "Nude" 1962 Oil on board Framed 13.25 x 7.25 x 1 in Signed and dated in pencil lower right Sterling Strauser was born in Bloomsburg, PA on August 15, 1907. He rece...

Dave Seeley's (US based) "Sarah #2 Hear Me Roar" is an original, handmade oil painting that depicts a nude female model, with a full body tattoo, reclining on dark fabric

"Sarah #3 The Matador" is an oil painting on canvas on board, created in 2022 by Dave Seeley, a distinguished artist based in the United States. The artwork, with dimensions of 36 by...

John Garth (1889-1971). female, nude, painting by prolific California artist widely recognized for his astonishing murals. Oil on canvas board. 14 x 24.5 unframed, 16.5 x 27 framed.

Impressionist oil painting of female nudes cavorting in a river landscape. The painting is signed with initials 'EH' bottom left and dated '66'. It is also initialled and dated to th...

A wonderful oil on canvas circa 1930 by Tunisian post impressionist painter Albert Braitou-Sala. The work depicts a beautiful, blonde nude laid back on a white sheet surrounded by cl...

AGNIESZKA STAAK-JANCZARSKA (born in 1994) A graduate of the State Secondary School of Art of Józef Kluza in Krakow. In 2020, she graduated from the Academy of Fine Arts in Krakow in ...

Ewart Johns (British, 1923 – 2013) Figures In Touch, 1992 Oil on board Signed with initials and dated ‘EJ 92’ (lower left) and further signed, titled and dated (on the reverse) 4.3/4...

Bay Area Expressionist Standing Nude from Behind in Oil on Cardboard Standing nude woman from behind by Honora Berg (American, 1897-1985). Bold...

Woman Lying Down on White Cloth is an artwork realized by an Italian Artist in mid-20th Century. Oil on cardboard 24x34 cm. Good conditions.