Foam Board Nude Paintings

A Mid-20th Century charming oil painting depicting a seated nude woman in a whimsical interior scene, Ducaire was known for her charming intimate figurative scenes portraying female ...

Suchitra Bhosle's "Somewhere in Paris" is an original, hand made oil painting that depicts a feminine model in a translucent white shift reclining on a background of white. About th...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. This is a watercolor and gouache beach scene three young men bathing...

Figurative fauvist watercolor with three nude figures by Doris Ann Warner (American, 1925-2010). From the estate of Doris Warner. Signed "Warner" lower right. Unframed. Image, 15"H x...

A wonderful oil on canvas circa 1930 by Tunisian post impressionist painter Albert Braitou-Sala. The work depicts a beautiful, blonde nude laid back on a white sheet surrounded by clouds in a blue-grey sky. A stunning piece. Signature: Signed lower left Dimensions: Framed: 16"x24" Unframed: 10.5"x18.5" Provenance: Private French collection Albert Braïtou-Sala studied under Adolphe Déchenaud, Henri Royer...

Oil on canvas painting by Heinrich Richter (German/Polish, 1920-2007). Painting is titled #50, signed and dated 1969. Heinrich Richter has had numerous solo and group exhibitions in ...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

Pointillist Reclining Male Nude by Louis Bellon (French 1908-1998) initialled lower right gouache painting on paper, unframed measurements: 5.5 x 10 inches (overall the sheet measures 8.25 x 11.9 inches) provenance: private collection of the artists work, Provence, France Condition report: very good, colour strong, thin paper, margins of sheet show light marks but image is clean Beautiful Neo-Impressionist 1940's French pointillist...

JORGE TAMAYO "DESNUDOS" ARCYLIC ON CANVAS, SIGNED, TITLED COSTA RICA, DATED 2012 43 X 51 INCHES Jorge Tamayo Cabrera Tamayo was born in Ecuador in 1...

Drawn from life this model is obviously at ease which has allowed Angela to present a relaxed and subtle figurative work. Her colors are warm and this is a beautiful, graceful piece....

A wonderful oil on canvas circa 1930 by Tunisian post impressionist painter Albert Braitou-Sala. The work depicts a beautiful, blonde nude laid back on a white sheet surrounded by cl...

"Venus Retrieved from the Hands of Death" by Philadelphia born modernist painter Leon Kelly, is a fantasy nude group scene of one female and two male figures. The 49" x 36" oil on ca...