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Artist: Bruce Adams
Medium: Linen
Nemesis
By Bruce Adams
Located in Buffalo, NY
Bruce Adams often references historical painting themes and styles in order to throw into relief western tropes in figurative art. Here as part of the artist's series Myths and Lies,...
Category
21st Century and Contemporary American Realist Linen Nude Paintings
Materials
Linen, Oil
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Mid-century American impressionist painting of a woman by American artist Frederick "Fred" Yost (American/Swiss, 1888-1968). He studied: at Mt. Union Col., Alliance, OH; American Students League, New York, and with Homer Boss, John Sloan, Robert Henri, R. Lahey. The painting gleans much form his studies with John Sloan and Robert Henri in the French post-impressionist style.
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Painter, lithographer, teacher, lecturer
About Fred's life: by Hal Fry of the Herald
“Fred Does Whatever He Likes” was a title given to a biography
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taken directly from this column: “Fred Yost’s living style is like his
painting style. He has fun with it. Fred John Yost was born in
Switzerland, he’ sure, on November 6, 1889, he thinks.
His father John brought the family to his country when Fred was
about a year old—first to New York and later to
Canton, Sebring and finally Alliance, where Yost Sr.
loaded freight for a railroad. Fred like drawing and painting
so far back he can’t remember how or when it started—it was
always that way. But through the public schools in Alliance
he didn’t think of this as a career possibility. He wanted to be a
newspaperman. He worked his way through Mt. Union College,
finishing, he thinks, about 1912. Then he beat it for New York and
after kicking around for a time got a job as a proofreader for the
Wall Street Journal. He combined this and art school until
World War I took him into the Army. In infantry, field artillery and
ordnance duties he served with the 27th New York Division
through St. Mihiel and the Argonne and the rest—in the process
getting his hearing clobbered by blasts from his outfit’s own guns.
Coming out a Sergeant in 1919, he went back to the
Wall Street Journal briefly—then caught on as a staff artist for the
(New York) Herald. For several years, when he felt like it,
Yost would take a bus to the Mexican border and switch to a
Mexican bus to carry him way down south, then make it any way
he could to the places he wanted to see. On these trips he
virtually becomes a peon, disappearing totally from those who
know him—living with, like and clearly thoroughly liked by the
people among whom he moves.” Yost was a graduate of the
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landscape,
Exhibited: S. Indp. A., 1928, 1930-33; MMA, 1945; AIC; Butler AI, 1947-1951; Ohio WC Soc.; PAFA, 1948-1950; Akron AI, 1947-1951, 1958; Fla. Southern Col., 1952; Ohio Univ., 1950; Columbus Gal. FA, 1947-50; AWCS, 1958; Salons of Am.; 3 solo: Canton AI; Akron AI, Springfield Mus. A. Contributor to Ford Times, 1958-59. Awards: prizes, Massilon Museum, 1944; Ohio Watercolor Society, 1944, 1948; Indianapolis, Ind., 1944; Tri-State Pr. M., 1945, 1946; Butler AI, 1946; Youngstown Pub. Schools, 1946 (prize); Ohio Univ., 1950; Ethel Printz award, 1950; Fla. Southern Col., 1952; Akron AI, 1952, 1956-1958; Canton AI, 1961, 1963; medal, Phila. Pa., 1950
Member: Ohio Watercolor Society (president)
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