18th Century Oil Painting, Le Christ au Roseau, Ecce Hommo

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18th Century Oil Painting, Le Christ au Roseau, Ecce Hommo
18th Century

About the Item

An 18th century, or possibly earlier, Bologna school oil on canvas after Guido Reni of Le Christ au Roseau or Christ with the Crown of Thorns. The work is on a fine canvas on its original stretcher with 'keys'. There is a collection number on the top rear stretcher. Le Christ au Roseau or Ecce Hommo was painted by Guido Reni in 1639/40 and is now in the collection of the Louvre in Paris. The original work is 60cm x 45cm, slightly larger than our painting. There are also other versions of the painting in other collections as it was an inspiration to many of his contemporary and subsequent artists. Guido Reni (4 November 1575 – 18 August 1642) was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects. Active in Rome, Naples, and his native Bologna, he became the dominant figure in the Bolognese School that emerged under the influence of the Carracci. Reni was the most famous Italian artist of his generation. Through his many pupils, he had wide-ranging influence on later Baroque. In the centre of Bologna he established two studios, teeming with nearly 200 pupils. His most distinguished pupil was Simone Cantarini, named Il Pesarese, who painted the portrait of his master now in the Bolognese Gallery. Reni's other Bolognese pupils included Antonio Randa (early on in his career considered the best pupil of Reni, until he tried to kill his master), Vincenzo Gotti, Emilio Savonanzi,Sebastiano Brunetti, Tommaso Campana, Domenico Maria Canuti, Bartolomeo Marescotti, Giovanni Maria Tamburino, and Pietro Gallinari (Pierino del Signor Guido). Other artists who trained under Reni include Antonio Giarola (Cavalier Coppa), Giovanni Battista Michelini, Guido Cagnacci, Giovanni Boulanger of Troyes, Paolo Biancucci of Lucca, Pietro Ricci or Righi of Lucca, Pietro Lauri Monsu, Giacomo Semenza, Gioseffo and Giovanni Stefano Danedi, Giovanni Giacomo Manno, Carlo Cittadini of Milan, Luigi Scaramuccia, Bernardo Cerva, Francesco Costanzo Cattaneo of Ferrara, Francesco Gessi, and Marco Bandinelli. Beyond Italy, Reni's influence was important in the style of many Spanish Baroque artists, such as Jusepe de Ribera and Murillo. But his work was particularly appreciated in France—Stendhal believed Reni must have had "a French soul"—and influenced generations of French artists such as Le Sueur, Le Brun, Vien, and Greuze; as well as later French Neoclassic painters. In the 19th century, Reni's reputation declined as a result of changing taste—epitomized by John Ruskin's censorious judgment that the artist's work was sentimental and false. A revival of interest in Reni has occurred since 1954, when an important retrospective exhibition of his work was mounted in Bologna.

Creation Year:
18th Century
Dimensions:
Height: 21.25 in (53.98 cm)Width: 16.5 in (41.91 cm)Depth: 0.75 in (1.91 cm)
Medium:
Canvas,Oil
Movement & Style:
Baroque
After:
(After) Guido Reni
Period:
Mid-18th Century
Condition:
Condition commensurate with age. There has been some restoration to the 'crown of thorns' and there is a small patch to the rear of the canvas visible in the photos.
Gallery Location:
Cotignac, FR
Reference Number:
Seller: LG1stDibs: LU143029413802

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