Items Similar to Portrait of a Young Lady w Red Coral necklace 19th century Italian oil painting
Video Loading
Want more images or videos?
Request additional images or videos from the seller
Guerrino GuardabassiPortrait of a Young Lady w Red Coral necklace 19th century Italian oil painting19th century
19th century
About the Item
Guerrino Guardabassi (Rome 1841 - 1893)
Portrait of a Young Lady
Oil on canvas
24 x 20 1/4 inches (61 x 51.5 cm)x`
32.5 x 28.5 inches framed (82.5 x 72.5 cm framed)
Signed lower left: G. Guardabassi
Gerrino Guardabassi was born in Rome in 1841 and was actively painting in Rome and Paris throughout most his life. A student of the Academy of St. Luke’s, Guardabassi is known as an artist of historic images, portraits and landscapes in the more traditional style of 19th Century Italian School. He exhibited in both Rome and Turin.
- Creator:Guerrino Guardabassi (1841 - 1893, Italian)
- Creation Year:19th century
- Dimensions:Height: 24 in (60.96 cm)Width: 20.25 in (51.44 cm)
- Medium:
- Period:
- Condition:In fine, age appropriate condtion.
- Gallery Location:Rancho Santa Fe, CA
- Reference Number:1stDibs: LU516314242582
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1984
1stDibs seller since 2016
79 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyThis item cannot be returned.
More From This SellerView All
- Portrait of Marian Virginia Schuster - Surrealist ArtistBy Salvador De RegilLocated in Rancho Santa Fe, CAMarian Schuster was 19 years old in 1954 and attended City College San Francisco where she studied Art. In the old school, Victorian, San Francisco, moneyed household that she was r...Category
1950s American Modern Portrait Paintings
MaterialsOil, Canvas
- #16 Remote ForegroundLocated in Rancho Santa Fe, CAOil on canvas 13 x 20 inches Signed and dated center right: "Matthew Spender / 1981" Titled on canvas overlap verso: "#16 Remote Foreground" Retail: $2...Category
1980s Post-War Figurative Paintings
MaterialsCanvas, Oil
- People Lawn Bowling in Central Park New York City 1950 oil/canvas NYC blue greenBy Aaron BerkmanLocated in Rancho Santa Fe, CAAaron Berkman (1900 - 1991) “Bowling in Central Park” New York Oil on canvas 10 x 14 inches Signed and titled verso: Aaron Berkman 1950 Provenance: Private collection, USA Aaron Ber...Category
1950s American Modern Figurative Paintings
MaterialsCanvas, Oil
- "RBY" 1980 oil/canvas - Large Very colorful abstract yellow red blue green whiteBy Nancy GravesLocated in Rancho Santa Fe, CASigned, titled and dated verso 1980 (11–’80) "RBY" oil on canvas Provenance: Irving Galleries, Palm Beach, Florida 1985; Private Collection, Palm Springs, CA ...Category
1980s Abstract Abstract Paintings
MaterialsCanvas, Oil
- MARINE COSMOS Large Blue Violet Red colorful abstract surrealist Armenian ArtistBy Vatche GeuvdjelianLocated in Rancho Santa Fe, CAAccording to the artist, this can be displayed either horizontally or vertically. Artist’s Statement “𝘛𝘩𝘦𝘳𝘦 𝘢𝘳𝘦 𝘵𝘩𝘳𝘦𝘦 𝘪𝘮𝘱𝘰𝘳𝘵𝘢𝘯𝘵 𝘧𝘢𝘤𝘵𝘰𝘳𝘴 𝘵𝘰 𝘮𝘺 𝘢𝘱�...Category
2010s Surrealist Abstract Paintings
MaterialsCotton Canvas, Oil
- Untitled - Diamond Shaped Abstract Painting - Blue Green Black Orange Red WhiteBy Darryl HughtoLocated in Rancho Santa Fe, CAA diamond shaped canvas by abstract expressionist artist, Darryl Leo Hughto. Framed. In very fine, age appropriate condition. PROVENANCE: Private Collection, Miami, FL since 1980Category
1970s Abstract Expressionist Abstract Paintings
MaterialsCotton Canvas, Oil
You May Also Like
- Island of Broken Toys (diptych)Located in Burlingame, CA'Island of Broken Toys' 2019, a diptych contemporary oil on canvas painting by Tamera Avery, whose paintings are created with wit and wisdom. Avery's work...Category
21st Century and Contemporary Contemporary Portrait Paintings
MaterialsCotton Canvas, Oil
- Oil Painting / Photorealism / Figurative Art / Human Figure /MuseumBy Bruce AdamsLocated in Buffalo, NYBruce Adams was a painter, art educator, and writer. Born in Buffalo, N.Y., in 1952, he received a B.S. in 1976 and an M.A. in 1983 from Buffalo State College. Adams’s work is includ...Category
1980s Contemporary Figurative Paintings
MaterialsCanvas, Oil
- Madonna and Child with Angels in the CloudsLocated in New York, NYProvenance: Charles H. and Virginia Baldwin, Claremont, Colorado Springs, Colorado ca. 1907-1934; thence by descent until sold in 1949 to: Charles Blevins Davis, Claremont (renamed Trianon), Colorado Springs 1949 -until gifted in 1952 to: The Poor Sisters of Saint Francis, Trianon, Colorado Springs, 1952 until acquired, 1960, by: John W. Metzger, Trianon, renamed as the Trianon School of Fine Arts, Colorado Springs, 1960-1967; when transferred to: The Metzger Family Foundation, Trianon Art Museum, Denver, 1967 - 2004; thence by descent in the Metzger Family until 2015 Exhibited: Trianon Art Museum, Denver (until 2004) The present work is a spectacular jewel-like canvas by Amigoni, rich in delicate pastel colors, most likely a modello for an altarpiece either lost or never painted. In it the Madonna stands firmly upon a cloud in the heavens, her Child resting on a delicate veil further supported by a cloud, as he gently wraps his arm around his mother’s neck. From above angels prepare to lower flowers and a wreath, while other angels and seraphim surrounding the two joyfully cavort. Dr. Annalisa Scarpa, author of the forthcoming monograph on Jacopo Amigoni...Category
18th Century and Earlier Figurative Paintings
MaterialsCanvas, Oil
- Portrait of Laura Keppel, later Lady SouthamptonBy Sir John HoppnerLocated in New York, NYInscribed, upper left: “Miss Laura Keppel” Provenance: Commissioned from the artist and by descent in the Keppel family estate, Lexham Hall, Norfolk, to: Major Bertram William Arnol...Category
18th Century Paintings
MaterialsCanvas, Oil
- Portrait of a Lady with a ChiqueadorLocated in New York, NYProvenance: Torres Family Collection, Asunción, Paraguay, ca. 1967-2017 While the genre of portraiture flourished in the New World, very few examples of early Spanish colonial portraits have survived to the present day. This remarkable painting is a rare example of female portraiture, depicting a member of the highest echelons of society in Cuzco during the last quarter of the 17th century. Its most distinctive feature is the false beauty mark (called a chiqueador) that the sitter wears on her left temple. Chiqueadores served both a cosmetic and medicinal function. In addition to beautifying their wearers, these silk or velvet pouches often contained medicinal herbs thought to cure headaches. This painting depicts an unidentified lady from the Creole elite in Cuzco. Her formal posture and black costume are both typical of the established conventions of period portraiture and in line with the severe fashion of the Spanish court under the reign of Charles II, which remained current until the 18th century. She is shown in three-quarter profile, her long braids tied with soft pink bows and decorated with quatrefoil flowers, likely made of silver. Her facial features are idealized and rendered with great subtly, particularly in the rosy cheeks. While this portrait lacks the conventional coat of arms or cartouche that identifies the sitter, her high status is made clear by the wealth of jewels and luxury materials present in the painting. She is placed in an interior, set off against the red velvet curtain tied in the middle with a knot on her right, and the table covered with gold-trimmed red velvet cloth at the left. The sitter wears a four-tier pearl necklace with a knot in the center with matching three-tiered pearl bracelets and a cross-shaped earing with three increasingly large pearls. She also has several gold and silver rings on both hands—one holds a pair of silver gloves with red lining and the other is posed on a golden metal box, possibly a jewelry box. The materials of her costume are also of the highest quality, particularly the white lace trim of her wide neckline and circular cuffs. The historical moment in which this painting was produced was particularly rich in commissions of this kind. Following his arrival in Cuzco from Spain in the early 1670’s, bishop Manuel de Mollinedo y Angulo actively promoted the emergence of a distinctive regional school of painting in the city. Additionally, with the increase of wealth and economic prosperity in the New World, portraits quickly became a way for the growing elite class to celebrate their place in society and to preserve their memory. Portraits like this one would have been prominently displayed in a family’s home, perhaps in a dynastic portrait gallery. We are grateful to Professor Luis Eduardo Wuffarden for his assistance cataloguing this painting on the basis of high-resolution images. He has written that “the sober palette of the canvas, the quality of the pigments, the degree of aging, and the craquelure pattern on the painting layer confirm it to be an authentic and representative work of the Cuzco school of painting...Category
17th Century Old Masters Paintings
MaterialsCanvas, Oil
- Men portraitBy Giovanni Maria delle Piane dit Mulinaretto (Genoa 1670 - Monticelli d´Ongina 1745)Located in BELEYMAS, FRGiovanni Maria DELLE PIANE, known as IL MULINARETTO (Genoa, 1660 – Monticelli d'Ongina, 1745) Portrait of a man Oil on oval canvas H. 108 cm; L. 83 cm Provenance: Nino Ferrari Colle...Category
1730s Italian School Figurative Paintings
MaterialsCanvas, Oil