Henri Reboa

Still Life of Roses in a Vase, Mid-Century French Oil on Canvas.

Circa 1950's

Mid-century tablescape in orange, oil on canvas on board, presented in a custom built red wooden caisse, by Italian artist Matilde Sacchi. Sacchi is a 20th century artist known for ...

Mid Century Italian still life tablescape by Italian artist Fulvio Pendini. The painting is signed bottom right and is presented in a period gilt wood and cloth frame under glass. Th...

Mid Century Expressionist oil on canvas tablescape of flowers and Champagne. This wonderfully energetic painting straddles the line between impressionism and expressionism. The form...

A French Impressionist view of an interior, oil on canvas, by Theo Arpen. The painting is signed bottom right and dated. Presented in a carved and gilt wood frame. A very charming a...

Large scale French still life of a vase with flowers by André Vagh Weinmann. The painting is signed and dated bottom right. Presented in a very fine patinated wood frame. An imposin...

French mid century still life, oil on canvas, showing chanterelle mushrooms and the delights of an autumn harvest by Claude Le Baube. Signed to the fron...

Flowers in a Vase, oil on canvas on cardboard, 71.5x55.5 cm Fridrihs Milts (1906.21.XII – 1993.5.XI) Fridrihs Milts graduated studio of Figurative painting (under the guidance of G. Eliass) in Latvia Art academy (1932). He took part in exhibitions of association “Zala varna” (since 1929). Artist also took part in exhibitions of Culture Foundation. Self-exhibition was made in Riga (1943) and the rest ten exhibitions were made when artist lived in exile. In 1950 – 60th F. Milts took part in exhibitions of group “Cetru grupa”. In 1960 he got prize from Culture Foundation of North American Latvians. Artist was a leader of New York Latvian...

Hand signed lower right: Pisis 41 On left, centered, the initials “V.R.”, indicating the artist’s Studio in Milan, via Rugabella. Filippo De Pisis was an Italian painter-poet who wa...

Georgina Klitgaard Apples and Pears Still Life Signed lower right Oil on canvas 8 x 10 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign artists to membership in one school or another. Unfortunately for her posthumous reputation, Klitgaard defied easy characterization. She was a U.S. modernist, working in both oil and watercolors, but never abandoned figurative painting. She made her reputation in landscape but also excelled in portraits, flower studies, and even cityscapes. Yet despite Klitgaard’s ambiguous status in art history, her paintings continue to fascinate viewers attracted to the unsteady ground between twentieth-century realism and expressionism. Georgina Klitgaard (née Berrian) was born in Spuyten Duyvil, New York (now part of the Bronx); the Berrians had lived in the area since at least the U.S. Revolution. After graduating from Barnard College, she studied art at the National Academy of Design. In 1919 she married Kay Klitgaard, a Danish artist and writer. The next year, her life took a decisive turn when the couple visited friends in Woodstock, NY—about 120 miles north of New York City--and fell in love with the area. In 1906, L. Birge Harrison helped found the Art Students League Summer School in Woodstock and the area became a magnet for landscape painters. The Klitgaards bought a house in 1922 on a steep ledge at the end of Cricket Ridge, high above Bearsville, which provided panoramic vistas overlooking the Catskill Mountains and the Hudson Valley. Klitgaard joined the artists’ colony in the area, which at the time included artists Ernest Fiene and Katherine Schmidt. Klitgaard exhibited widely and her career slowly developed momentum. She was a regular contributor at Whitney Museum shows from 1927 to 1944. In 1929, she exhibited a painting entitled “Carousel” in the Whitney Studio Club’s famous exhibition “Circus in Paint.” Gertrude Vanderbilt Whitney acquired five paintings by Klitgaard in the early 1930s and served as a significant patron for the artist. Klitgaard s New York dealer, Frank Rehn...

Still Life on a Table is an original oil painting on canvas realized in the 20th Century. Good conditions (the painting has been restored in some parts). Frame included (83x108 cm).

John Atherton 1900-1952 American The Bass Season Saturday Evening Post cover, June 29, 1946 Signed "Atherton" (lower right) Inscribed "The Bass Season opens in the east July 1st /...

Bold outlines and strong weighty forms coalesce with a compositional delicacy that forms the hallmark of Hartley's work. The work has a long and distinguished provenance and exhibit...