Hughes Claude Pissarro

Hughes Claude PISSARRO -- Bouquet aux fleurs rouges

Damien Hirst Heart, 2009 Spin Painting, acrylic on paper "Hirst" signature on the back. Embossed "HIRST" stamp Dimensions: 52 x 52 cm This work was produced for the inauguration...

KAWS 400% Mad Hectic Kubrick, 2003 Painted cast vinyl 10 h × 6¾ w × 3½ d in (25 × 17 × 9 cm) Stamped signature and date to reverse '© KAWS..03'. Impressed title and manufacturer's ...

Futura Nosferatu (Black/White), 2005 Painted cast vinyl 38.1 x 22.9 cm) Produced by 360 Toy Group Comes in original packaging.

Jordy Kerwick Oil pastel on paper Sheet Size 42 × 29 cm Hand-signed at the lower right of the paper. Frame Included

Robert Dickerson -- Girl With Flower Pastel on paper Signed lower right Image Size: 37.7 x 28.2 Frame Size: 61 x 47.5 x 2.5 cm

Yayoi Kusama When Life Boundlessly Flares Up to the Universe, 2014 Print on the cotton towel Size 92 x 34 x 2.5 cm Framed with the black aluminium frame and the UV-protected acrylic ...

Pair of very decorative Italian Still-life paintings of flowers with vases and classical figures . 18th century, oil on canvas, with original gilt-wood frames. This pair is an exce...

Provenance: Selma Herringman, New York, ca. 1955-2013; thence by descent to: Private Collection, New York, 2013-2020 This seventeenth century Spanish still-life of a laden table, known as a bodegón, stands out for its dramatic lighting and for the detailed description of each object. The artist’s confident use of chiaroscuro enables the sliced-open squash in the left foreground to appear as if emerging out of the darkness and projecting towards the viewer. The light source emanates from the upper left, illuminating the array, and its strength is made apparent by the reflections on the pitcher, pot, and the fruit in the basket. Visible brush strokes accentuate the vegetables’ rough surfaces and delicate interiors. Although the painter of this striking work remains unknown, it is a characteristic example of the pioneering Spanish still-lifes of the baroque period, which brought inanimate objects alive on canvas. In our painting, the knife and the large yellow squash boldly protrude off the table. Balancing objects on the edge of a table was a clever way for still-life painters to emphasize the three-dimensionality of the objects depicted, as well a way to lend a sense of drama to an otherwise static image. The knife here teeters on the edge, appearing as if it might fall off the table and out of the painting at any moment. The shape and consistency of the squash at left is brilliantly conveyed through the light brush strokes that define the vegetable’s fleshy and feathery interior. The smaller gourds—gathered together in a pile—are shrouded partly in darkness and stand out for their rugged, bumpy exterior. The stoneware has a brassy glaze, and the earthy tones of the vessels are carefully modulated by their interaction with the light and shadow that falls across them. The artist has cleverly arranged the still-life in a V-shaped composition, with a triangular slice of cheese standing upright, serving as its pinnacle. Independent still-lifes only became an important pictorial genre in the first years of the seventeenth century. In Italy, and particularly through the revolutionary works of Caravaggio, painted objects became carriers of meaning, and their depiction and arrangement the province of serious artistic scrutiny. Caravaggio famously asserted that it was equally difficult to paint a still-life as it was to paint figures, and the elevation of this new art form would have profound consequences to the present day. In Spain Juan Sanchez Cotan...

- ANNA CATERINA GILLI or GILLI Anna Caterina Turin 1729- 1751 Her paintings recorded in Turin as a decorative artist for the Royal Palace and the Stupinigi, working in a simil...

This pair of excellent Italian still life oil on canvas with flowers and fruit with classical ruins on the background and colored drapes create harmony of the composition. Notable ...

Pair of very decorative Italian Still-life paintings of flowers with vases and classical figures . 18th century, oil on canvas, with original gilt-wood frames. This pair is an exce...

This pair of excellent Italian still life oil on canvas with flowers and fruit with classical ruins on the background and colored drapes create harmony of the composition. Notable ...