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Molly Lamb Bobak
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  • Poppies
    Located in Westmount, QC
    Molly Lamb Bobak, Canadian, 1920 – 2014 Poppies Watercolour 17 x 24 in signed PROVENANCE: Galerie Walter Klinkhoff, Montreal framed Molly Bobak Biography...
    Category

    1980s Still-life Paintings

    Materials

    Watercolor

  • Flowers of the Field
    Located in Westmount, QC
    Molly Lamb Bobak, Canadian, 1920 – 2014 Flowers of the Field Watercolour 22 x 15 in signed framed Molly Bobak Biography (1922 - 2014) RCA It could be said that Molly Lamb Bobak was destined to be an artist. She was born on Lulu Island, near Vancouver, British Columbia, on February 25, 1920. She grew up in a bohemian enclave. Her father, Harold Mortimer Lamb, was a photographer and art critic. In 1926, her father opened a commercial art gallery in Vancouver, exhibiting painters, sculptors, and photographers. In 1938, Bobak attended art school at the Vancouver School of Art and studied under Jack Shadbolt, where she learned to improve her drawing and composition skills. While working at the Yellow Point Lodge during the summer of 1940, Lamb kept a diary filled with text and caricatures and drew everyone that she encountered. Bobak joined the Canadian Women’s Army Corps in 1942. While serving, she found endless material to paint and included these paintings in her personal journal, which was later published and titled “W110278: The Personal War Records of Private Lamb, M”, which included 147 folios and fifty single sheet sketches. After being stationed in Alberta and Quebec, the military recognized her artistic abilities and invited her to attend a drafting course in Toronto. After finishing the course, Lamb tried to become an official war artist. In 1942, Lamb was sent to Ottawa where she drew at the Trades Training offices where she designed posters and Christmas cards. Three of Bobak’s drawings were purchased by the Art Gallery of Ontario in the same year. In 1944, “Meal Parade, Hamilton Trades School” (n.d) tied for second prize at the National Gallery’s Canadian Army Art Show, which helped her receive the appointment as a war artist––the only woman who earned this designation. As women were not allowed on the active war front, Bobak was transferred to London, England, six weeks after Victory Day to document the aftermath of the war. After leaving the military, Bobak settled with her husband Bruno, in Vancouver. After the move, Bobak had little time to paint as she was teaching night courses at the Vancouver School of Art and tending to her children. After earning a French scholarship in 1950, Bobak, her husband, and their two children traveled to Paris where she experienced the works of modernist painters like Cézanne and Matisse. Cézanne’s work in particular influenced Bobak’s art, which can be seen in the geometric organization of “A Bakership, Saint-Léonard” (1951) and “The Saint Ives Train...
    Category

    1980s Still-life Paintings

    Materials

    Watercolor

  • Vernon, BC
    Located in Westmount, QC
    Robert Genn, 1936-2014, Canadian Vernon, BC, 1970 Oil on board 8 x 10 in 20 x 25 cm signed and titled verso;
    Category

    1980s Still-life Paintings

    Materials

    Oil

  • Nature morte
    By Stanley Cosgrove
    Located in Westmount, QC
    Stanley Cosgrove, 1911-2002, Canadian UNTITLED (Nature morte) Oil on canvas panel 10 x 16 in 25.4 x 40.6 cm Signed lower left framed
    Category

    1980s Still-life Paintings

    Materials

    Acrylic

  • Untitled
    Located in Westmount, QC
    Robert Genn, 1936-2014, Canadian oil on canvas 24 x 30 in 61 x 76.2 cm signed framed
    Category

    1980s Still-life Paintings

    Materials

    Oil

  • First Snow
    By Armand Tatossian
    Located in Westmount, QC
    Armand Tatossian, Canadian, 1948-2012 First snow Oil on canvas 20 x 24 in Signed on the lower right: A. Tatossian Signed and titled on the reverse PROVENAN...
    Category

    Early 2000s Still-life Paintings

    Materials

    Oil

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    A Gift from King Charles X to the Duchesse de Berry REDOUTE, Pierre Joseph. Rosa parvi-flora. Watercolour over traces of black chalk on vellum, within gold framing lines; signed in...
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  • Still Life with Fish and Bottle
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  • At the Ski Resort, Saturday Evening Post Cover
    By John Carlton Atherton
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    Date: 1945 Medium: Gouache Dimensions: 21.25" x 16.50" Signature: Signed Lower Left Cover of The Saturday Evening Post, February 3, 1945
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  • Surrealist Painting on Paper, 'Godot', Artefacts of Civilisations Lost
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