Willy Pogany

The Merry Wives of Windsor, Cover for The American Weekly

1950

Medium: Mixed Media on Board Sight Size 18.50" x 18.00", Framed 21.50" x 21.00" Signature: Signed Lower Left One of America's greatest illustrators, Jessie Willcox Smith attended the Pennsylvania Academy of the Fine Arts, and studied under Thomas Eakins in Philadelphia, graduating in 1888. A year later, she found work in the production department of the Ladies' Home Journal, for five years. After that, she continued her art education with classes under Howard Pyle, first at Drexel and then at the Brandywine School. Smith then established her reputation, illustrating stories and articles for Century, Collier's Weekly, Leslie's Weekly, Harper's, McClure's,Scribner's, and the Ladies' Home Journal. Smith was closely associated with the artists Elizabeth Shippen Green and Violet Oakley, who also studied with Pyle, and the group became known as "the Red Rose Girls...

Date: 1904 Medium: Mixed Media on Board Sight Size 14.75" x 14.75", Framed 23.00" x 23.00" Signature: Signed Lower Right Cover of Colliers magazine,...

Medium: Mixed Media on Board Signature: Unsigned Sight Size 28.00" x 19.75", Framed 39.00" x 30.75" Little kid looking out the window. Exhibitions: Allentown Art Museum, At the Edge: Art of the Fantastic (June 3- September 9, 2013) Literature: Aileen C. Higgins, Dream Blocks, New York, 1908, illustrated in color as frontispieceMichael S. Schnessel, Jessie Willcox Smith, Toronto, Canada, 1977, pp. 45, 94Edward D. Nudelman, Jessie Willcox Smith: A Bibliography, Gretna, Louisiana, 1989, A. 26, illustrated in color p. 50 Edward D. Nudelman, Jessie Willcox Smith: American Illustrator, Gretna, Louisiana, 1990, pp. 34, 48Alice A. Carter, The Red Rose Girls...

Medium: Mixed Media on Board Signature: Signed Lower Right Annie W. Franchot, Bobs, King of the Fortunate Isle, New York, 1928, frontispiece illustration LITERATURE: Edward D. Nu...

Medium: Gouache and Mixed Media on Board Signature: Signed Lower Left Illustration from Robert Louis Stevenson's classic poetry volume, 'A Chil...

Signature: Signed Lower Left ‘Stevan Dohanos’ Medium: Mixed Media on Paperboard Laid Down on Masonite The present work was published as the cover illustration of the June 26th, 1954...

David Hockney Rake's Progress Bedlam Cufflinks, 2020 Hand painted using special enamel paints and finished with 18ct gold plate for a luxury finish in bespoke box 1 in diameter Original David Hockney designs from the 1975 production of opera The Rake's Progress. Makes a superb gift! Inspired by an original recording conducted by Igor Stravinsky and William Hogarth's series of eight paintings and engravings of the same name, Hockney began designing the set and costumes production of The Rake's Progress. Through his designs and the use of his now iconic cross-hatched etchings, he wanted to create a 20th century response to the opera and to Hogarth's 18th century idea. These cufflinks are based upon those Hockney etchings...

By April Street 80" x 72" Mixed Media on Board This diptych depicts an Asian street scene with a woman in the foreground in April Street's distinctive style.

Rolph Scarlett (Canadian/American, 1889 - 1984) “Geometric Composition” Signed lower right, circa late 1930’s early 1940’s 19 ½ x 26 inches Mixed media, Price on request About Rolph...

'The Pulse Of Spring' Original Artwork _________________ Capturing the pulse and flush of fleeting youth, in the throb of spring the maples are dressed in their iridescent finery. '...

'The Sap is Rising!' Original Artwork, Unframed _________________ Capturing the pulse and flush of fleeting youth, the maples are dressed in their iridescent finery. 'The Sap Is Ris...

'Silk and Blood' Original Artwork. Framed, ready to hang __________________________ “We can complain because rose bushes have thorns, or rejoice because thorn bushes have roses.” – ...