Photographic Paper Abstract Photography

This photograph is printed on archival pigment paper and encased in resin. It is placed in a white float frame. It is part of a limited edition of 8 and 2 artist proofs, all sizes i...

This photograph is printed on archival pigment paper and encased in resin. It is placed in a white float frame. It is part of a limited edition of 8 and 2 artist proofs, all sizes included. It is available in three sizes, 80 x 120 cm (31.5 x 47 inches unframed), 100 x 150 cm (39.5 x 59 inches unframed), 120 x 180 cm (47 x 71 inches unframed). After a career of more than 30 years in the research of textures (20 years as a textile stylist and 10 years as interior design architect), Didier Engels...

This photograph is printed on archival pigment paper and encased in resin. It is placed in a white float frame. It is part of a limited edition of 8 and 2 artist proofs, all sizes included. It is available in three sizes, 80 x 120 cm (31.5 x 47 inches unframed), 100 x 150 cm (39.5 x 59 inches unframed), 120 x 180 cm (47 x 71 inches unframed). After a career of more than 30 years in the research of textures (20 years as a textile stylist and 10 years as interior design architect), Didier Engels...

This photograph is printed on archival pigment paper and encased in resin. It is placed in a white float frame. It is part of a limited edition of 8 and 2 artist proofs, all sizes included. It is available in two sizes, 120 x 120 cm (47 x 47 inches unframed), and 140 x 140 cm(55 x55 inches unframed). After a career of more than 30 years in the research of textures (20 years as a textile stylist and 10 years as interior design architect), Didier Engels...

These photographs are printed on archival pigment paper and encased in resin. They are part of a diptych, and are placed in a white float frame, placed two inches apart. They are a ...

This photograph is printed on archival pigment paper and encased in resin. It is placed in a black float frame. It is part of a limited edition of 8 and 2 artist proofs, all sizes included. It is available in three sizes, 120 x 80 cm (47 x 31.5 inches unframed), 150 x 100 cm (59 x 39.5 inches unframed), 180 x 120 cm (71 x 47 inches unframed). After a career of more than 30 years in the research of textures (20 years as a textile stylist and 10 years as interior design architect), Didier Engels...

This photograph is printed on archival pigment paper and encased in resin. It is placed in a black float frame. It is part of a limited edition of 8 and 2 artist proofs, all sizes included. It is available in two sizes, 120 x 140 cm (47 x 55 inches unframed), and 135 x 155 cm (53 x 63 inches unframed). After a career of more than 30 years in the research of textures (20 years as a textile stylist and 10 years as interior design architect), Didier Engels...

This photograph is printed on archival pigment paper and encased in resin. It is placed in a white float frame. It is part of a limited edition of 8 and 2 artist proofs, all sizes included. It is available in two sizes, 120 x 120 cm (47 x 47 inches unframed), and 140 x 140 cm(55 x55 inches unframed). After a career of more than 30 years in the research of textures (20 years as a textile stylist and 10 years as interior design architect), Didier Engels...

This photograph is printed on archival pigment paper and encased in resin. It is placed in a black float frame. It is part of a limited edition of 8 and 2 artist proofs, all sizes included. It is available in two sizes, 120 x 120 cm (47 x 47 inches unframed), and 140 x 140 cm(55 x55 inches unframed). After a career of more than 30 years in the research of textures (20 years as a textile stylist and 10 years as interior design architect), Didier Engels...

This photograph is printed on archival pigment paper and encased in resin. It is placed in a black float frame. It is part of a limited edition of 8 and 2 artist proofs, all sizes included. It is available in three sizes, 80 x 120 cm (31.5 x 47 inches unframed), 100 x 150 cm (39.5 x 59 inches unframed), 120 x 180 cm (47 x 71 inches unframed). After a career of more than 30 years in the research of textures (20 years as a textile stylist and 10 years as interior design architect), Didier Engels...

This photograph is printed on archival pigment paper and encased in resin. It is placed in a black float frame. It is part of a limited edition of 8 and 2 artist proofs, all sizes included. It is available in three sizes, 80 x 120 cm (31.5 x 47 inches unframed), 100 x 150 cm (39.5 x 59 inches unframed), 120 x 180 cm (47 x 71 inches unframed). After a career of more than 30 years in the research of textures (20 years as a textile stylist and 10 years as interior design architect), Didier Engels...

Photograph face mounted to Acrylic, This work contains various photographs of the external view of hundreds of residential buildings in New York.

Signed and numbered limited edition 1 of 6 + 3 AP. Sides are a dark wood espresso color for an elegant finish on the edges. About Anne Valverde: Parisian photographer fascinated by urban spaces and graphism of landscapes. She notably tries to make dream about people by photographs of idyllic decors. In her job, she links calligraphy and light, her two main passions. After digital processing, high-resolution prints are exclusively developed on silver paper. The purpose of her photos: be imaginative springboards, "windows with views". Since 2016, she has been working on the DREAM ART project: a neon set-up she photographs through many countries, a writing made of light on desert landscapes. Through the medium of neon, she revives the essence of the word "photograph", which means "writing with light" in Greek. In 2017, the DREAM ART project grew with new destinations such as Le Cap...

For this image, Eric Ceccarini invited Nutsy, a graphic artist and calligrapher, to create this artwork. This artwork is offered in 3 sizes, price depends on edition number and size....

This is an exclusive handprinted unique cyanotype that takes its inspiration from the mid-century modern shapes. It's made by layering paper cutouts and different exposures using uv-...

A delightful new work by the artist

This is a unique original collage, decoupage style of Jiri Kolar, This is an exceptional artwork which was part of a collaboration between Hyman Bloom and fellow artist and his very good friend Martin Sumers. This is pencil signed by Martin Sumers. Provenance: Acquired from the Sumers estate collection. Hyman Bloom (March 29, 1913 – August 26, 2009) was a Latvian-born American painter. His work was influenced by his Jewish heritage and Eastern religions as well as by artists including Altdorfer, Grünewald, Caravaggio, Rembrandt, Blake, Bresdin, James Ensor and Chaim Soutine. He first came to prominence when his work was included in the 1942 Museum of Modern Art exhibition "Americans 1942 -- 18 Artists from 9 States". MoMA purchased 2 paintings from the exhibition and Time magazine singled him out as a "striking discovery" in their exhibition review. His work was selected for both the 1948 and 1950 Venice Biennale exhibitions and his 1954 retrospective traveled from Boston's Institute of Contemporary Art to the Albright Gallery and the de Young Museum before closing out at The Whitney Museum of American Art in 1955. In a 1954 interview with Yale art professor Bernard Chaet, Willem de Kooning indicated that he and Jackson Pollock both considered Bloom to be “America’s first abstract expressionist”, a label that Bloom would disavow. Starting in the mid 1950s his work began to shift more towards works on paper and he exclusively focused on drawing throughout the 1960s, returning to painting in 1971. He continued both drawing and painting until his death in 2009 at the age of 9 Hyman Bloom (né Melamed) was born into an orthodox Jewish family in the tiny Jewish village of Brunavišķi in what is now Latvia, then part of the Russian Empire At a young age Bloom planned to become a rabbi, but his family could not find a suitable teacher. In the eighth grade he received a scholarship to a program for gifted high school students at the Museum of Fine Arts. He attended the Boston High School of Commerce, which was near the museum. He also took art classes at the West End Community Center, a settlement house. The classes were taught by Harold Zimmerman, a student at the School of the Museum of Fine Arts, who also taught the young Jack Levine at another settlement house in Roxbury. When Bloom was fifteen, he and Levine began studying with a well-known Harvard art professor, Denman Ross, who rented a studio for the purpose and paid the boys a weekly stipend to enable them to continue their studies rather than take jobs to support their families. He took Bloom and Levine on a field trip to the Museum of Modern Art in New York, where Bloom was impressed by the work of Rouault and Soutine and began experimenting with their expressive painting styles. In the 1930s Bloom worked sporadically for the Public Works of Art Project and the Federal Art Project (WPA), He shared a studio in the South End with Levine and another artist, Betty Chase. It was during this period that he developed a lifelong interest in Eastern philosophy and music, and in Theosophy. He first received national attention in 1942 when thirteen of his paintings were included in the Museum of Modern Art (MoMA) exhibition Americans 1942: 18 Artists from 9 States, curated by Dorothy Miller. MoMA purchased two of his paintings from that exhibition, and he was featured in Time magazine. The titles of his paintings in the exhibition reflect some of his recurring themes. Two were titled The Synagogue, another, Jew with the Torah; Bloom was actually criticized by one reviewer for including "stereotypical" Jewish images. He also had two paintings titled The Christmas Tree, and another titled The Chandelier, both subjects he returned to repeatedly. Another, Skeleton (c. 1936), was followed by a series of cadaver paintings in the forties, and The Fish (c. 1936) was one of many paintings and drawings of fish he created over the course of his career. Bloom was associated at first with the growing Abstract Expressionist movement. Willem de Kooning and Jackson Pollock, who first saw Bloom's work at the MoMA exhibition, considered Bloom "the first Abstract Expressionist artist in America." In 1950 he was chosen, along with the likes of de Kooning, Pollock, and Arshile Gorky, to represent the United States at the Venice Biennale. That same year Elaine de Kooning wrote about Bloom in ARTnews, noting that in paintings such as The Harpies, his work approached total abstraction: "the whole impact is carried in the boiling action of the pigment". In 1951 Thomas B. Hess reproduced Bloom's Archaeological Treasure in his first book, Abstract Painting: Background and American Phase, along with works by Picasso, Pollock, and others. Both de Kooning and Hess remarked on Bloom's expressive paint handling, a key characteristic of Abstract Expressionist painting. As abstract expressionism dominated the American art world, Bloom became disenchanted with it, calling it "emotional catharsis, with no intellectual basis." In addition, instead of moving to New York to pursue his career, he opted to stay in Boston. As a result he fell out of favor with critics and never achieved the kind of fame that Pollock and others did. He disliked self-promotion and never placed much value on critical acclaim. Many of Bloom's paintings feature rabbis, usually holding the Torah. According to Bloom, his intentions were more artistic than religious. He began questioning his Jewish faith early in life, and painted rabbis, he claimed, because that was what he knew. Over the course of his career he produced dozens of paintings of rabbis...

Artist : David K. Pugh Title : Pattern Series No.10 Materials : Archival Pigment Print Date : 2019 David has been a photographer for 10 years. After having photographed a magnolia ...

Artist : Gary Hodson Title : Fish Scale - Roof Tile Materials : Archival Pigment Print Date : 2018 Dimensions : 13 x 19 in. Gary Hodson’s subject matter ...

Photograph of a closeup view of an Iron Lung. The Iron Lung is a machine used in the early to the late 20th century to assist people who suffered from diseas...

Artist: Rachel Lauren Title: Impeded Reflection Date: 2019 Medium: Inkjet print Dimensions: 11 x 14 in. Photographer Rachel Lauren invites viewers to become more aware of the way natural beauty has been contorted, packed and sold as a cold, manufactured, cloned and empty product. Are women inherently beautiful, or do they require modifications? Are you seeing your uniquely created reflection through a distorted lens? By imposing a juxtaposition between real and fake through abstract portraiture, Lauren calls attention to these complex ideals in "Distorted Beauty". Lauren is currently an MFA candidate at UMKC and based in Colorado. Since the age of two, she has fostered a love for photography and traveling which have both shaped her understanding of the issues she addresses in her work. Contemporary photography, portrait photography, experimental portraiture, conceptual photography, Steve McCurry, Lisa Kristine...

Artist: Rachel Lauren Title: All Natural Date: 2019 Medium: Inkjet print Dimensions: 14 x 11 in. Photographer Rachel Lauren invites viewers to become more aware of the way natural beauty has been contorted, packed and sold as a cold, manufactured, cloned and empty product. Are women inherently beautiful, or do they require modifications? Are you seeing your uniquely created reflection through a distorted lens? By imposing a juxtaposition between real and fake through abstract portraiture, Lauren calls attention to these complex ideals in "Distorted Beauty". Lauren is currently an MFA candidate at UMKC and based in Colorado. Since the age of two, she has fostered a love for photography and traveling which have both shaped her understanding of the issues she addresses in her work. Contemporary photography, portrait photography, experimental portraiture, conceptual photography, Steve McCurry, Lisa Kristine...

Christopher Colville is an American artist working to push the boundaries of the photographic medium in both experimental and traditional forms. His images are created outdoors by ig...

Abstract digital print on black/white photo paper 25.5 x 21.5 inches in custom black stained wood frame with black 8 ply mat and AR non glare glass These energetic prints are digital copies of original handmade monoprints by Danish photographer Birgit Blyth. Without the use of a camera, the artist produced the original chromoskedasic image by painting with photographic chemicals directly onto black and white photo pager and exposing it to light. The rich black, faded gold, and crisp white tones are determined by the different chemicals used and the amount of time they are exposed to light. In this piece, Blyth painted gestural, intersecting lines to create a grid-like pattern that falls back in space. About the artist and work: Birgit Blyth is one of our most innovative and prolific photographers who works in a darkroom yet uses no camera! Blyth has been experimenting with a technique known as Chromoskedasic painting since the early ‘90s and variations on this concept have been shown at the gallery for the last 20 years. The unusual process involves the use of silver particles in black and white photographic paper to scatter light at different wavelengths when exposed. A chemist of sorts, Blyth demonstrates a thorough knowledge of how the various photographic chemicals will react when applied to paper and exposed. Each work is unique with palettes that resonate brilliant tonalities of brown, green, black, and purple. Using this technique, Blyth creates abstract crosshatching grids and most recently has developed a more gestural series of 20 x 16 inch chromoskedasic paintings that explores the ethereal qualities made possible by the unconventional material. Birgit Blyth succeeds at keeping her work fresh and cutting-edge using analog methods that are being quickly replaced elsewhere with digital technology. Artist Resume: Born: Kousted, Denmark Resident in U.S.A. since 1963 Education: Denmark and U.S.A. Project, Inc., Cambridge MA (Photography) DeCordova Museum School, Lincoln MA (Printmaking) Maine...

Ecotone #18 (Bainbridge Island, WA 08.17.16, Draped with Pooling Precipitation), 2016 Dynamic Cyanotype Approximately 36" x 24" x 1" Signed Verso in ...