Pigment Abstract Photography
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Medium: Pigment
Arcana 16. Abstract color photograph
By Monika Bravo
Located in Miami Beach, FL
Arcana 16, 2023 by Monika Bravo
From The Series Arcana
Archival digital print
Size: 24 in. H x 16 in. W
"Arcana" stems as a series of unique studies for an upcoming commissioned glass...
Category
2010s Abstract Geometric Pigment Abstract Photography
Materials
Photographic Paper, Digital, Archival Pigment
Leaf No. 26C1, limited edition, archival pigment ink print, signed and numbered
Located in Sante Fe, NM
Leaf No. 26C1, limited edition, archival pigment ink print, signed and numbered
Our world is immersed in light, but its physical essence is chemical. Digital photographic processes...
Category
2010s Contemporary Pigment Abstract Photography
Materials
Archival Pigment
Arcana 17. Abstract color photograph
By Monika Bravo
Located in Miami Beach, FL
Arcana 17, 2023 by Monika Bravo
From The Series Arcana
Archival digital print
Size: 36 in. H x 24 in. W
"Arcana" stems as a series of unique studies for an upcoming commissioned glass...
Category
2010s Abstract Geometric Pigment Abstract Photography
Materials
Photographic Paper, Digital, Archival Pigment
Alice - photograph of an underwater reflection - archival print 16 x 23"
By Alex Sher
Located in Beverly Hills, CA
“Alice” is a part of Alex Sher’s popular series Reflections - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of masterpiec...
Category
2010s Abstract Pigment Abstract Photography
Materials
Archival Paper, Archival Pigment
Bush Encased by Sand Dunes in Namibia, Africa, Minimalist, Vertical
By Drew Doggett
Located in US
"Haven"
In this award-winning image, a lone bush is encased by a delicate sand dune, as if nature has protected it in a loving embrace.
The print series Dunes: Landscapes Evolving...
Category
2010s Contemporary Pigment Abstract Photography
Materials
Archival Pigment
Blueprint - Contemporary, Abstract, Polaroid, 21st Century, Color
By Lisa Toboz
Located in Morongo Valley, CA
Blueprint - 2019
30x48cm,
Edition of 10 plus 2 Artist Proofs.
Archival Print based on the original Polaroid on Hahnemühle photo rag paper.
Signature label and certificate.
Not mounted.
Exhibition: Reclaim Photography Festival: Reclaiming Our Cultural Landscape, Black Country...
Category
2010s Contemporary Pigment Abstract Photography
Materials
Archival Ink, Archival Paper, Color, Archival Pigment, Polaroid
Ali Alışır - Hybrid Souls 09, Photography 2021, Printed After
By Ali Alışır
Located in Greenwich, CT
Available sizes and editions:
51.18 in (130 cm), 51.18 in (130 cm), Edition of 3 with 2 Artist Proofs
47.24 in (120 cm), 47.24 in (120 cm), Edition of 3 with 2 Artist Proofs
39.37 i...
Category
2010s Contemporary Pigment Abstract Photography
Materials
Luster, Paper, Ink, Archival Paper, Photographic Paper, Pigment, Digital...
Street Fashionista in Pink Ensemble on New York City Rainy Day
Located in Miami, FL
Street Photography meets Fashion Photography in this boldly graphic image of a stylish woman with an umbrella crossing the street. The composition is minimal as its color scheme is b...
Category
2010s Abstract Geometric Pigment Abstract Photography
Materials
Archival Pigment, Archival Paper, Archival Ink
Thomas Demand, Five Drafts (Simulator): Suite of 5 Photographs, Signed Prints
Located in Hamburg, DE
Thomas Demand (German, born 1964)
Five Drafts (Simulator), 2004
Medium: Suite of 5 digital pigment prints on photo rag paper (each framed)
Dimensions: each 28 x 28 cm
Framed dimensio...
Category
21st Century and Contemporary Contemporary Pigment Abstract Photography
Materials
Digital Pigment
Macro Leaf
Located in Norwalk, CT
This image is part of my Floraphilia portfolio that has been an ongoing visual exploration for over two decades. A B&W portfolio was first published in Lenswork Magazine in 2010, a s...
Category
21st Century and Contemporary Abstract Pigment Abstract Photography
Materials
Archival Pigment
New York City Snow Abstract Architecture, Monochromatic
Located in Miami, FL
A New York City snowstorm allows Street Photographer Mitchell Funk to transform facades of Upper Eastside walkups into a stunning impressionist cityscape. Monochromatic grays are pun...
Category
2010s Impressionist Pigment Abstract Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
Impressionist Snow Storm - Bethesda Fountain Central Park
Located in Miami, FL
Heavy snow blankets Bethesda Fountain and simplifies the landscape so that only a few sick-figure people dot the blue on the blue-white ground. The one figure with a red coat acts ...
Category
2010s Impressionist Pigment Abstract Photography
Materials
Archival Pigment, Archival Paper, Archival Ink
Abstract in Nature, Australia, 2018
Located in Toronto, ON
Abstract in Nature, Australia, 2018
Photograph by Cosmo Condina. Lichen growing on a rock, Maclean, Australia, 2018
Archival pigment print 19 X 12.6 in. Edition of 10. This is # 3/10...
Category
2010s Pigment Abstract Photography
Materials
Archival Pigment
Tiger III : nature photography
Located in New York, NY
Roslyn Meyer’s lens plays on the surface of soft undulating ripples; reflecting sky, flora and fauna, as well as the man-made world. These abstract images...
Category
2010s Abstract Pigment Abstract Photography
Materials
Archival Pigment
Tiger IV : nature photography
Located in New York, NY
Roslyn Meyer’s lens plays on the surface of soft undulating ripples; reflecting sky, flora and fauna, as well as the man-made world. These abstract images...
Category
2010s Abstract Pigment Abstract Photography
Materials
Archival Pigment
Stones and Swirls : nature photography
Located in New York, NY
Roslyn Meyer’s lens plays on the surface of soft undulating ripples; reflecting sky, flora and fauna, as well as the man-made world. These abstract images...
Category
2010s Abstract Pigment Abstract Photography
Materials
Archival Pigment
Act of Occult at 02:00 am (Mystic Rose)
Located in New York, NY
Act of Occult at 02:00 am (Mystic Rose)
2023
Archival pigment print
32 × 24 in | 81.3 × 61 cm
Edition of 1
“To see ourselves we need a mirror and when we look at the mirror what do ...
Category
2010s Pigment Abstract Photography
Materials
Archival Pigment
Murmures 12
Located in New York, NY
Murmures 12
2020
Archival pigment print
32 × 24 in 81.3 × 61 cm
Edition of 1
“To see ourselves we need a mirror and when we look at the mirror what do we see?
Eleni Paridi's photo...
Category
2010s Contemporary Pigment Abstract Photography
Materials
Archival Pigment
Magnetic Alchemy 3.023 AD
Located in New York, NY
Magnetic Alchemy 3.023 AD
2019
Archival pigment print
32 × 24 in 81.3 × 61 cm
Edition of 1
“To see ourselves we need a mirror and when we look at the mirror what do we see?
Eleni ...
Category
2010s Contemporary Pigment Abstract Photography
Materials
Archival Pigment
arancia from Seta Series
Located in New York, NY
20 x 15 inches image size
30 x 25 inches paper size
Please Note: This work is framed; the framed photograph shows the print with the 5 inch paper border
Pigment print on Kodak met...
Category
2010s Contemporary Pigment Abstract Photography
Materials
Digital Pigment
Space Field, Digital Iris Print Muse X Large Photograph on Heavy Paper
Located in Surfside, FL
These are from the 1990s printed at Muse X and never framed. they are unsigned and unnumbered but from a very small edition. they are quite beautiful.
Victor Raphael was born in Los Angeles, California, in 1950. He studied art and theater at California State University Northridge and graduated from UCLA. He has exhibited throughout the nation and abroad. In 1996, his work was among the 50 best examples of Polaroid photography included in Polaroid 50: Art and Technology, an international touring exhibition commemorating the company’s 50th anniversary. He works in a wide range of media spanning painting, photography, filmmaking, printmaking, and digital technology. He creates complex and beautiful images that expand conventional views of time and space. For the past three decades, Raphael has produced a unique body of work by merging traditional media such as painting, photography and printmaking with modern electronic media, including video, digital printing and interactive technologies. In addition to his central themes of the exploration of the cosmos and aspects of travel–through space or time–and their visual records, the artist has developed an important body of paintings, in which water, for instance, and its protean and timeless qualities, form an important part. His photography process of digitally manipulating NASA photographs of planets and other natural celestial phenomena into Polaroid prints, and next altering them by hand with metallic paints and gold and metal leaf.
Education: University of California, Los Angeles, B.A., 1973, Magna Cum Laude
California State University, Northridge, 1968-1970
SELECTED ONE AND TWO-PERSON EXHIBITIONS
Griffin Museum of Photography, Winchester, MA, From Lead Into Gold
Oregon Jewish Museum, The Heavens Spread Out Like A Prayer Shawl
Skirball Cultural Center, Illuminated Reflections: A Bill Aron and Victor Raphael Collaboration.
Cypress College, Victor Raphael & Clayton Spada Collaboration: From Zero to Infinity
Karpeles Manuscript Library and Museum, Santa Barbara, CA, Jean-Pierre Hebert & Victor Raphael: Illuminated Collaboration
Cypress College, Paris Polaroids: Art In The City Of Lights
Frederick R. Weisman Museum of Art, Pepperdine University, Victor Raphael: Envisioning Space
(20-year survey with catalogue)
Santa Monica College, Space Fields, Abstractions and Jackson Pollock 1980-1991 (catalogue)
Richard Green Gallery...
Category
1990s Abstract Expressionist Pigment Abstract Photography
Materials
Archival Pigment, Digital Pigment
Space Field, Digital Iris Print Muse X Large Photograph on Heavy Paper
Located in Surfside, FL
These are from the 1990s printed at Muse X and never framed. they are unsigned and unnumbered but from a very small edition. they are quite beautiful.
Victor Raphael was born in Los Angeles, California, in 1950. He studied art and theater at California State University Northridge and graduated from UCLA. He has exhibited throughout the nation and abroad. In 1996, his work was among the 50 best examples of Polaroid photography included in Polaroid 50: Art and Technology, an international touring exhibition commemorating the company’s 50th anniversary. He works in a wide range of media spanning painting, photography, filmmaking, printmaking, and digital technology. He creates complex and beautiful images that expand conventional views of time and space. For the past three decades, Raphael has produced a unique body of work by merging traditional media such as painting, photography and printmaking with modern electronic media, including video, digital printing and interactive technologies. In addition to his central themes of the exploration of the cosmos and aspects of travel–through space or time–and their visual records, the artist has developed an important body of paintings, in which water, for instance, and its protean and timeless qualities, form an important part. His photography process of digitally manipulating NASA photographs of planets and other natural celestial phenomena into Polaroid prints, and next altering them by hand with metallic paints and gold and metal leaf.
Education: University of California, Los Angeles, B.A., 1973, Magna Cum Laude
California State University, Northridge, 1968-1970
SELECTED ONE AND TWO-PERSON EXHIBITIONS
Griffin Museum of Photography, Winchester, MA, From Lead Into Gold
Oregon Jewish Museum, The Heavens Spread Out Like A Prayer Shawl
Skirball Cultural Center, Illuminated Reflections: A Bill Aron and Victor Raphael Collaboration.
Cypress College, Victor Raphael & Clayton Spada Collaboration: From Zero to Infinity
Karpeles Manuscript Library and Museum, Santa Barbara, CA, Jean-Pierre Hebert & Victor Raphael: Illuminated Collaboration
Cypress College, Paris Polaroids: Art In The City Of Lights
Frederick R. Weisman Museum of Art, Pepperdine University, Victor Raphael: Envisioning Space
(20-year survey with catalogue)
Santa Monica College, Space Fields, Abstractions and Jackson Pollock 1980-1991 (catalogue)
Richard Green Gallery...
Category
1990s Abstract Expressionist Pigment Abstract Photography
Materials
Archival Pigment, Digital Pigment
Space Field, Digital Iris Print Muse X Large Photograph on Heavy Paper
Located in Surfside, FL
These are from the 1990s printed at Muse X and never framed. they are unsigned and unnumbered but from a very small edition. they are quite beautiful.
Victor Raphael was born in Los Angeles, California, in 1950. He studied art and theater at California State University Northridge and graduated from UCLA. He has exhibited throughout the nation and abroad. In 1996, his work was among the 50 best examples of Polaroid photography included in Polaroid 50: Art and Technology, an international touring exhibition commemorating the company’s 50th anniversary. He works in a wide range of media spanning painting, photography, filmmaking, printmaking, and digital technology. He creates complex and beautiful images that expand conventional views of time and space. For the past three decades, Raphael has produced a unique body of work by merging traditional media such as painting, photography and printmaking with modern electronic media, including video, digital printing and interactive technologies. In addition to his central themes of the exploration of the cosmos and aspects of travel–through space or time–and their visual records, the artist has developed an important body of paintings, in which water, for instance, and its protean and timeless qualities, form an important part. His photography process of digitally manipulating NASA photographs of planets and other natural celestial phenomena into Polaroid prints, and next altering them by hand with metallic paints and gold and metal leaf.
Education: University of California, Los Angeles, B.A., 1973, Magna Cum Laude
California State University, Northridge, 1968-1970
SELECTED ONE AND TWO-PERSON EXHIBITIONS
Griffin Museum of Photography, Winchester, MA, From Lead Into Gold
Oregon Jewish Museum, The Heavens Spread Out Like A Prayer Shawl
Skirball Cultural Center, Illuminated Reflections: A Bill Aron and Victor Raphael Collaboration.
Cypress College, Victor Raphael & Clayton Spada Collaboration: From Zero to Infinity
Karpeles Manuscript Library and Museum, Santa Barbara, CA, Jean-Pierre Hebert & Victor Raphael: Illuminated Collaboration
Cypress College, Paris Polaroids: Art In The City Of Lights
Frederick R. Weisman Museum of Art, Pepperdine University, Victor Raphael: Envisioning Space
(20-year survey with catalogue)
Santa Monica College, Space Fields, Abstractions and Jackson Pollock 1980-1991 (catalogue)
Richard Green Gallery...
Category
1990s Abstract Expressionist Pigment Abstract Photography
Materials
Archival Pigment, Digital Pigment
Urban Melancholy Blue. Motionless Young Man, Graffiti Wall in Soho
Located in Miami, FL
An urban youth shrouds his head in a blue sweater as he coils up against a blue Soho wall marked with Graffiti. Reminiscent of Picasso's Blue Period, the photograph is characteriz...
Category
2010s Street Art Pigment Abstract Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
Spring will come - Contemporary, Polaroid, Photograph, Childhood, abstract
Located in Morongo Valley, CA
Spring will come (Journey to the Center of the Earth) - 2020
Edition of 5 plus 2 Artist Proofs.
Photograph printed in Canson Barita Fiber Rag 340gr,
based on a reclaimed Fuji Insta...
Category
2010s Contemporary Pigment Abstract Photography
Materials
Archival Paper, C Print, Color, Archival Pigment, Polaroid
Trees in Fog
Located in New York, NY
32 x 40 inch archival pigment print. Edition #2/5.
Samoylova's "Landscape Sublime" series explores how landscape imagery in contemporary culture is used to create constructed realit...
Category
2010s Contemporary Pigment Abstract Photography
Materials
Archival Pigment
Aspens
Located in New York, NY
Samoylova's "Landscape Sublime" series explores how landscape imagery in contemporary culture is used to create constructed realities, wholly apart from our lived experiences. Samoyl...
Category
2010s Contemporary Pigment Abstract Photography
Materials
Archival Pigment
Abstract Study of Shapes and Patterns on Sand Dunes, Namibia, Africa, Horizontal
By Drew Doggett
Located in US
"Layers of Light"
In this award-winning image, Drew was interested in the way the light hit the sand dunes of Sossusvlei, Namibia creating this breathtaking, ethereal scene.
The p...
Category
2010s Contemporary Pigment Abstract Photography
Materials
Archival Pigment
Space Field, Digital Iris Print Muse X Large Photograph on Heavy Paper
Located in Surfside, FL
These are from the 1990s printed at Muse X and never framed. they are unsigned and unnumbered but from a very small edition. they are quite beautiful.
Victor Raphael was born in Los Angeles, California, in 1950. He studied art and theater at California State University Northridge and graduated from UCLA. He has exhibited throughout the nation and abroad. In 1996, his work was among the 50 best examples of Polaroid photography included in Polaroid 50: Art and Technology, an international touring exhibition commemorating the company’s 50th anniversary. He works in a wide range of media spanning painting, photography, filmmaking, printmaking, and digital technology. He creates complex and beautiful images that expand conventional views of time and space. For the past three decades, Raphael has produced a unique body of work by merging traditional media such as painting, photography and printmaking with modern electronic media, including video, digital printing and interactive technologies. In addition to his central themes of the exploration of the cosmos and aspects of travel–through space or time–and their visual records, the artist has developed an important body of paintings, in which water, for instance, and its protean and timeless qualities, form an important part. His photography process of digitally manipulating NASA photographs of planets and other natural celestial phenomena into Polaroid prints, and next altering them by hand with metallic paints and gold and metal leaf.
Education: University of California, Los Angeles, B.A., 1973, Magna Cum Laude
California State University, Northridge, 1968-1970
SELECTED ONE AND TWO-PERSON EXHIBITIONS
Griffin Museum of Photography, Winchester, MA, From Lead Into Gold
Oregon Jewish Museum, The Heavens Spread Out Like A Prayer Shawl
Skirball Cultural Center, Illuminated Reflections: A Bill Aron and Victor Raphael Collaboration.
Cypress College, Victor Raphael & Clayton Spada Collaboration: From Zero to Infinity
Karpeles Manuscript Library and Museum, Santa Barbara, CA, Jean-Pierre Hebert & Victor Raphael: Illuminated Collaboration
Cypress College, Paris Polaroids: Art In The City Of Lights
Frederick R. Weisman Museum of Art, Pepperdine University, Victor Raphael: Envisioning Space
(20-year survey with catalogue)
Santa Monica College, Space Fields, Abstractions and Jackson Pollock 1980-1991 (catalogue)
Richard Green Gallery...
Category
1990s Abstract Expressionist Pigment Abstract Photography
Materials
Archival Pigment, Digital Pigment
Beaches
Located in New York, NY
Samoylova's "Landscape Sublime" series explores how landscape imagery in contemporary culture is used to create constructed realities, wholly apart from our lived experiences. Samoyl...
Category
2010s Contemporary Pigment Abstract Photography
Materials
Archival Pigment
Space Field, Digital Iris Print Muse X Large Photograph on Heavy Paper
Located in Surfside, FL
These are from the 1990s printed at Muse X and never framed. they are unsigned and unnumbered but from a very small edition. they are quite beautiful.
Victor Raphael was born in Los Angeles, California, in 1950. He studied art and theater at California State University Northridge and graduated from UCLA. He has exhibited throughout the nation and abroad. In 1996, his work was among the 50 best examples of Polaroid photography included in Polaroid 50: Art and Technology, an international touring exhibition commemorating the company’s 50th anniversary. He works in a wide range of media spanning painting, photography, filmmaking, printmaking, and digital technology. He creates complex and beautiful images that expand conventional views of time and space. For the past three decades, Raphael has produced a unique body of work by merging traditional media such as painting, photography and printmaking with modern electronic media, including video, digital printing and interactive technologies. In addition to his central themes of the exploration of the cosmos and aspects of travel–through space or time–and their visual records, the artist has developed an important body of paintings, in which water, for instance, and its protean and timeless qualities, form an important part. His photography process of digitally manipulating NASA photographs of planets and other natural celestial phenomena into Polaroid prints, and next altering them by hand with metallic paints and gold and metal leaf.
Education: University of California, Los Angeles, B.A., 1973, Magna Cum Laude
California State University, Northridge, 1968-1970
SELECTED ONE AND TWO-PERSON EXHIBITIONS
Griffin Museum of Photography, Winchester, MA, From Lead Into Gold
Oregon Jewish Museum, The Heavens Spread Out Like A Prayer Shawl
Skirball Cultural Center, Illuminated Reflections: A Bill Aron and Victor Raphael Collaboration.
Cypress College, Victor Raphael & Clayton Spada Collaboration: From Zero to Infinity
Karpeles Manuscript Library and Museum, Santa Barbara, CA, Jean-Pierre Hebert & Victor Raphael: Illuminated Collaboration
Cypress College, Paris Polaroids: Art In The City Of Lights
Frederick R. Weisman Museum of Art, Pepperdine University, Victor Raphael: Envisioning Space
(20-year survey with catalogue)
Santa Monica College, Space Fields, Abstractions and Jackson Pollock 1980-1991 (catalogue)
Richard Green Gallery...
Category
1990s Abstract Expressionist Pigment Abstract Photography
Materials
Archival Pigment, Digital Pigment
Portal - Contemporary, Polaroid, 21st Century, abstract
Located in Morongo Valley, CA
Portal (2020)
Edition of 10 plus 2 Artist Proofs.
Photograph printed in Canson Barita Fiber Rag 340gr,
based on the reclaimed Fuji Instant Film Negative (not mounted).
Signed on ba...
Category
2010s Contemporary Pigment Abstract Photography
Materials
Archival Paper, C Print, Color, Archival Pigment, Polaroid
Gerbera - Contemporary, Polaroid, Photograph, Childhood. 21st Century, abstract
Located in Morongo Valley, CA
Gerbera (2019)
100x82cm,
Edition of 5 plus 2 Artist Proofs.
Photograph printed in Canson Barita Fiber Rag 340gr,
based on a reclaimed Fuji Instant Film Negative (not mounted).
Sig...
Category
2010s Contemporary Pigment Abstract Photography
Materials
Archival Paper, Polaroid, Archival Pigment, Color, C Print
David Burdeny - Kadō 1, Photography 2019, Printed After
Located in Greenwich, CT
David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...
Category
2010s Contemporary Pigment Abstract Photography
Materials
Photographic Paper, Digital, Pigment, Digital Pigment
W.T.C: Concrete Abstract#10 (panorama)
By Shai Kremer
Located in New York, NY
Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing.
Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole.
W.T.C: Concrete Abstract series was shown in the following venues:
9.11 Memorial Museum New York
Museum of the City of New York
The Bronx Museum of the Arts
The Brooklyn Academy of Music
Photolux Festival. Lucca, Italy
FMoPa. Tampa, USA
Julie M. Gallery, Tel Aviv
Julie Saul Gallery, New York
Robert Koch Gallery...
Category
2010s Abstract Pigment Abstract Photography
Materials
Archival Pigment, Archival Ink, Archival Paper
In the witch's cave - Contemporary, Polaroid, Photograph, Childhood, abstract
Located in Morongo Valley, CA
In the witch's cave (Journey to the Center of the Earth) - 2020
60x50cm,
Edition of 10 plus 2 artist Proofs.
Photograph printed in Canson Barita Fiber Rag 340gr,
based on the orig...
Category
2010s Contemporary Pigment Abstract Photography
Materials
Archival Paper, Color, Archival Pigment, Polaroid, Archival Ink
LA Parking - large scale photograph of midcentury urban architectural element
By Frank Schott
Located in San Francisco, CA
LA Parking by Frank Schott
a burst of red in an urban landscape of striking minimalism
from a series of photographs capturing the mid century modern architecture and architectural el...
Category
21st Century and Contemporary Contemporary Pigment Abstract Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Archival Pigment
David Burdeny - In Bloom 02, Shanghai, China, Photography 2019, Printed After
Located in Greenwich, CT
David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...
Category
2010s Contemporary Pigment Abstract Photography
Materials
Photographic Paper, Digital, Pigment, Digital Pigment
GENTRIFICATION: Door #1
By Shai Kremer
Located in New York, NY
Ancient Parlor floor door converted into a contemporary light box. The door opens to the viewer a unique point of view.
Images from the series Gentrification were shown at:
Brooklyn Historical Society Museum, Brooklyn NY, U.S.A
during 2017 AT the show: "Shifting Perspectives".
A sculpture from the project GENTRIFICATION (Part II) reflects my personal story. I lived in Bushwick through the course of a decade, from poor immigrant art...
Category
2010s Abstract Pigment Abstract Photography
Materials
Archival Ink, Archival Pigment
David Burdeny - In Bloom 02, Kunming, China, Photography 2019, Printed After
Located in Greenwich, CT
David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...
Category
2010s Contemporary Pigment Abstract Photography
Materials
Photographic Paper, Digital, Pigment, Digital Pigment
David Burdeny - In Bloom 01, Kunming, China, Photography 2019, Printed After
Located in Greenwich, CT
David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...
Category
2010s Contemporary Pigment Abstract Photography
Materials
Photographic Paper, Digital, Pigment, Digital Pigment
David Burdeny - Kadō 2, Photography 2019, Printed After
Located in Greenwich, CT
David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...
Category
2010s Contemporary Pigment Abstract Photography
Materials
Photographic Paper, Digital, Pigment, Digital Pigment
W.T.C: Concrete Abstract#11
By Shai Kremer
Located in New York, NY
Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing.
Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole.
W.T.C: Concrete Abstract series was shown in the following venues:
9.11 Memorial Museum New York
Museum of the City of New York
The Bronx Museum of the Arts
The Brooklyn Academy of Music
Photolux Festival. Lucca, Italy
FMoPa. Tampa, USA
Julie M. Gallery, Tel Aviv
Julie Saul Gallery, New York
Robert Koch Gallery...
Category
2010s Abstract Pigment Abstract Photography
Materials
Archival Paper, Archival Pigment, Archival Ink
W.T.C: Concrete Abstract#14
By Shai Kremer
Located in New York, NY
Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing.
Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole.
9/11 Memorial & Museum W.T.C: Concrete Abstract series was shown in the following venues:
9.11 Memorial Museum New York
Museum of the City of New York
The Bronx Museum of the Arts
The Brooklyn Academy of Music
Photolux Festival. Lucca, Italy
FMoPa. Tampa, USA
Julie M. Gallery, Tel Aviv
Julie Saul Gallery, New York
Robert Koch Gallery...
Category
2010s Abstract Pigment Abstract Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
W.T.C: Concrete Abstract#12
By Shai Kremer
Located in New York, NY
Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing.
Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole.
W.T.C: Concrete Abstract series was shown in the following venues:
9.11 Memorial Museum New York
Museum of the City of New York
The Bronx Museum of the Arts
The Brooklyn Academy of Music
Photolux Festival. Lucca, Italy
FMoPa. Tampa, USA
Julie M. Gallery, Tel Aviv
Julie Saul Gallery, New York
Robert Koch Gallery...
Category
2010s Abstract Pigment Abstract Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
W.T.C: Concrete Abstract#13
By Shai Kremer
Located in New York, NY
Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing.
Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole.
W.T.C: Concrete Abstract series was shown in the following venues:
9.11 Memorial Museum New York
Museum of the City of New York
The Bronx Museum of the Arts
The Brooklyn Academy of Music
Photolux Festival. Lucca, Italy
FMoPa. Tampa, USA
Julie M. Gallery, Tel Aviv
Julie Saul Gallery, New York
Robert Koch Gallery...
Category
2010s Abstract Pigment Abstract Photography
Materials
Archival Ink, Archival Paper, Archival Pigment
W.T.C: Concrete Abstract#9
By Shai Kremer
Located in New York, NY
Israel-born photographer Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing.
Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole.
W.T.C: Concrete Abstract series was shown in the following venues:
9.11 Memorial Museum New York
Museum of the City of New York
The Bronx Museum of the Arts
The Brooklyn Academy of Music
Photolux Festival. Lucca, Italy
FMoPa. Tampa, USA
Julie M. Gallery, Tel Aviv
Julie Saul Gallery, New York
Robert Koch Gallery...
Category
2010s Abstract Pigment Abstract Photography
Materials
Archival Pigment
W.T.C: Concrete Abstract #7
By Shai Kremer
Located in New York, NY
Israel-born photographer Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing.
Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole.
W.T.C: Concrete Abstract series was shown in the following venues:
9.11 Memorial Museum New York
Museum of the City of New York
The Bronx Museum of the Arts
The Brooklyn Academy of Music
Photolux Festival. Lucca, Italy
FMoPa. Tampa, USA
Julie M. Gallery, Tel Aviv
Julie Saul Gallery, New York
Robert Koch Gallery...
Category
2010s Abstract Pigment Abstract Photography
Materials
Archival Pigment
W.T.C: Concrete Abstract #6
By Shai Kremer
Located in New York, NY
W.T.C: Concrete Abstract #6 is at the collection of Israel Museum Jerusalem.
Israel-born photographer Shai Kremer lives and works in New York. He completed his MFA studies at the Sc...
Category
2010s Abstract Pigment Abstract Photography
Materials
Archival Pigment
W.T.C: Concrete Abstract #5
By Shai Kremer
Located in New York, NY
Israel-born photographer Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing.
Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole.
W.T.C: Concrete Abstract series was shown in the following venues:
9.11 Memorial Museum New York
Museum of the City of New York
The Bronx Museum of the Arts
The Brooklyn Academy of Music
Photolux Festival. Lucca, Italy
FMoPa. Tampa, USA
Julie M. Gallery, Tel Aviv
Julie Saul Gallery, New York
Robert Koch Gallery...
Category
2010s Abstract Pigment Abstract Photography
Materials
Archival Pigment
W.T.C: Concrete Abstract #8 (Triptych)
By Shai Kremer
Located in New York, NY
Israel-born photographer Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has been drawn to themes of urban destruction and reconstruction and to landscapes evidencing trauma. These concerns merged in his ambitious series W.T.C: Concrete Abstract, which explores the impact of the 2001 attacks on the World Trade Center. For more than a decade, Kremer made periodic visits to Ground Zero, focusing his camera on the efforts towards recovery, repair, and renewal. As a collection, Concrete Abstract conveys the gradual progression from tragedy towards healing.
Each large-scale archival pigment print in the series is composed from as many as sixty to 100 overlapping images, resulting in a subtle collage that invites closer inspection while also reading as a unified whole.
W.T.C: Concrete Abstract series was shown in the following venues:
9.11 Memorial Museum New York
Museum of the City of New York
The Bronx Museum of the Arts
The Brooklyn Academy of Music
Photolux Festival. Lucca, Italy
FMoPa. Tampa, USA
Julie M. Gallery, Tel Aviv
Julie Saul Gallery, New York
Robert Koch Gallery...
Category
2010s Abstract Pigment Abstract Photography
Materials
Archival Pigment
ATO>MIC #3, Unique Silver Luminogram Print, Warm toned black and white abstract
Located in London, GB
ATO>MIC #3, 2020
Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Custom Framed: museum mount-board with antireflective UV protective art glass in dark brown lacquered hardwood frame, /hand made in UK/
23 x 18 cm (image print)
40.5 x 36 cm (Framed)
Unique
Series: ATO>MIC
Signed and dated in pencil on verso
Provided with the Certificate of Authenticity
“The ATO>MIC work started as an attempt to replicate the idea behind still life painting - where you are trying to reproduce the image of solid looking things, things that could be on a shelf. So, I wanted to try doing that with just using light instead of paints - however I soon started to see the similarities with Harold Edgerton’s famous atomic explosion photos and how the scale of my work could be switched between small items on a shelf to enormous atomic explosions.
That is the reason behind the strange title ATO>MIC - where the “>” is a kind of link between larger and smaller scales, between the two influencing ideas.” – Mike G Jackson
The images (from the ATO>MIC series) may be reminiscent of the first milliseconds of atomic bomb explosions captured by Harold Edgerton's Rapatronic camera in the early 1950s but also visualise the thought of Maholy-Nagy’s bold visions in the Bauhaus’s movement toward the idea of the Gesamtkunstwerk, or “total work of art.”
The 3D concepts that were first expanded in the same art movement by El Lissitzky a hundred years ago, are also explored here by Jackson’s drowned thin line within the third of the image. In his vision, the line reflects a shelf with the object on top, by adding the weight to it, the gravity pushing them down.
Or maybe the thin line is just the horizon, where the enormous atomic blast took place…?
Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works.
It’s up to the viewer to decide what they prefer to see and take with them.
As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.”
About the Artist:
Michael G Jackson...
Category
2010s Abstract Pigment Abstract Photography
Materials
Glass, Wood, Archival Paper, Black and White, Bromoil, Silver Gelatin, T...
W.T.C: Concrete Abstract #4
By Shai Kremer
Located in New York, NY
Israel-born photographer Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has bee...
Category
2010s Abstract Pigment Abstract Photography
Materials
Archival Pigment
Chris Pine - Seen leaving his gym after a workout in Los Angeles, 10/8/20
Located in Atlanta, GA
This largescale work features hues of blue, green, purple and yellow.
This photograph is an archival inkjet print, mounted to Sintra and face mounted to polished acrylic, edition 1 ...
Category
2010s Abstract Pigment Abstract Photography
Materials
Archival Pigment
W.T.C: Concrete Abstract #2
By Shai Kremer
Located in New York, NY
Israel-born photographer Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has bee...
Category
2010s Abstract Pigment Abstract Photography
Materials
Archival Pigment
W.T.C: Concrete Abstract #3
By Shai Kremer
Located in New York, NY
Israel-born photographer Shai Kremer lives and works in New York. He completed his MFA studies at the School of Visual Arts (S.V.A) in Manhattan.
For many years, Kremer's eye has bee...
Category
2010s Abstract Pigment Abstract Photography
Materials
Archival Pigment
Emily Ratajkowski & Sebastian Bear-McClard - walking Colombo in NYC 3/7/21
Located in Atlanta, GA
This work features hues of blue, green, purple and yellow.
This photograph is an archival inkjet print, mounted to Sintra and face mounted to polished acrylic, edition 1 of 1. Frame...
Category
2010s Abstract Pigment Abstract Photography
Materials
Archival Pigment
ATO>MIC #8, unique warmed toned, Silver Gelatin Abstract Luminogram Print
Located in London, GB
ATO>MIC #8, 2020
Unique Gelatin Silver Print/ Luminogram and Photogram technique, Printed on tea infused fibre based paper, Framed: Custom made frame with antireflective UV protective art glass
23 x 18 cm approx. image size
38 x 35.5 cm (Framed)
Unique
Series: ATO>MIC
Signed on verso
Provided with the Certificate of Authenticity
“The ATO>MIC work started as an attempt to replicate the idea behind still life painting - where you are trying to reproduce the image of solid looking things, things that could be on a shelf. So, I wanted to try doing that with just using light instead of paints - however I soon started to see the similarities with Harold Edgerton’s famous atomic explosion photos and how the scale of my work could be switched between small items on a shelf to enormous atomic explosions.
That is the reason behind the strange title ATO>MIC - where the “>” is a kind of link between larger and smaller scales, between the two influencing ideas.” – Mike Jackson
The images may be reminiscent of the first milliseconds of atomic bomb explosions captured by Harold Edgerton's Rapatronic camera in the early 1950s but also visualise the thought of Maholy-Nagy’s bold visions in the Bauhaus’s movement toward the idea of the Gesamtkunstwerk, or “total work of art.”
The 3D concepts that were first expanded in the same art movement by El Lissitzky a hundred years ago, are also explored here by Jackson’s drowned thin line within the third of the image. In his vision, the line reflects a shelf with the object on top, by adding the weight to it, the gravity pushing them down.
Or maybe the thin line is just the horizon, where the enormous atomic blast took place…?
Beyond these flat forms of two dimensional ‘lumino-graphic’ works on paper, the purest form of photography (‘light drawing’) lays a visible path to three-dimensional imaginary world, realised in precise composition, rhythm and warm earthy tones of these works.
It’s up to the viewer to decide what they prefer to see and take with them.
As Wassily Kandinsky once said; “Imagination is what allows your mind to discover.”
About the Artist:
Michael G Jackson...
Category
2010s Abstract Pigment Abstract Photography
Materials
Glass, Wood, Archival Paper, Black and White, Bromoil, Silver Gelatin, T...
Pigment abstract photography for sale on 1stDibs.
Find a wide variety of authentic Pigment abstract photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add Abstract photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, red, orange, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Mitchell Funk, Alessandro Puccinelli, Michael Banks, and Peter Essick. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Pigment abstract photography, so small editions measuring 2 inches across are also available
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