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Art ShayGirls Girls Girls, State St. Strip Joint Near Death, Chicago, 19662017
2017
About the Item
This was seemingly always a seedy joint. Opened in 1906 for the Jones, Linick & Schaefer circuit as the U.S. Music Hall, it was shut down briefly in 1916 for indecency, as it was always primarily a burlesque house. In 1922 an abandoned baby was found there; in 1932 there was a rapist and killer caught there; over the years gambling was broken up, mob links were found, and it was shut down repeatedly.
By 1934 it had become the State-Harrison Theatre. By the mid-1940’s, it had gone burlesque before the city shut it down at the end of 1954 for lewd conduct. By 1967 it was called the Rialto Theatre, probably for the associations people had with the old Rialto Theatre a couple blocks north, when it was shut down again.
It reopened in 1971. In November 1974 it closed briefly after being victim of a series of coordinated bombings of Chicago porn houses - the Rialto Theatre, Follies Theatre, Newberry Theatre, and Bijou Theatre were victims. It soon reopened, but was shut down for good a few months later in 1975 as part of a code crackdown that shut a number of theatres.
Art Shay
State Street Strip Joint Near Death, 1966
archival pigment print, unnumbered edition
16h x 20w in
40.64h x 50.80w cm
ASY169
“Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.”
Roger Ebert
“[Shay’s work] ranks with some of the greats of the 20th century.”
Ellen & Richard Sandor, Renowned photo collectors
“I’ve admired Art Shay’s work for almost forty years, and he keeps getting better. He can do anything with a camera, but what he mostly does is capture real moments and transform them into visual poetry. His work continues to be an inspiration to me.”
William Friedkin, Director of French Connection
“Art Shay is one of our finest photographers. His work over the past fifty years has artfully captured the beauty, humor, and pathos of America.”
Studs Terkel
“Art Shay is one of the best photojournalists I know. I’ve been a fan of his work since the early 1950s - before the launch of playboy magazine.”
Hugh Hefner
“Algren, Terkel, Royko, they gave us a voice. Art Shay gave us a face.”
Tony Fitzpatrick, Chicago Artist
“Art Shay is America’s Cartier-Bresson.”
Thomas Dyja, author of The Third Coast
“Chicago’s Art Shay in many ways is to American photography what Nelson Algren was to American writing: that rare and absolutely necessary citizen who’s blessed with a cold eye, a clear head, and a warm heart. What is it about Chicago that keeps giving us men like this?”
Russell Banks, Novelist
“The best images of Simone de Beauvoir and her times have been passed down to us by Henri Cartier-Bresson, Gisele Freund, Robert Doisneau, Georges Brassai, and in America, the Chicago-based Art Shay, all world-class photographers.”
Christophe Loviny, Art Editor, Paris
“Art Shay is the best photo-journalist Chicago ever produced.”
Arthur Siegel, photographer; IIT Institute of Design President
“I have one of Art Shay’s pictures over my desk. It reminds me every morning of my Chicago roots. Arts photos, like me, have the Chicago accent, which may be to say he’s telling you the truth. I think it takes a realist to see the humor in things. I know it takes a realist to see the depths of tragedy. Art’s work is so real it feels like a Madison Street guy tapping me on the forearm.”
David Mamet
- Creator:Art Shay (1922 - 2018, American)
- Creation Year:2017
- Dimensions:Height: 16 in (40.64 cm)Width: 20 in (50.8 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Chicago, IL
- Reference Number:
Art Shay
Art Shay is a great photographer. His work over the past 50 years has artfully captured the beauty, humor and pathos of America. Studs Terkel says, “Art Shay is one of the best photojournalists I know. I’ve been a fan of his work since the early 1950s - before the launch of Playboy magazine.” Hugh Hefner says, “Algren, Terkel, Royko, they gave us a voice. Art Shay gave us a face.” Tony Fitzpatrick, Chicago artist says, “Art Shay is America’s Cartier-Bresson.” Tom Dyja, author of The Third Coast: When Chicago Built the American Dream says, “Art Shay in many ways is to American photography what Nelson Algren was to American writing: that rare and absolutely necessary citizen who’s blessed with a cold eye, a clear head and a warm heart. What is it about Chicago that keeps giving us men like this?” Russell Banks, novelist says, “The best images of Simone de Beauvoir and her times have been passed down to us by Henri Cartier-Bresson, Gisele Freund, Robert Doisneau, Georges Brassai and in America, the Chicago-based Art Shay, all world-class photographers.” Christophe Loviny, art editor, Paris says, “Art Shay is the best photo-journalist Chicago ever produced.” Arthur Siegel, photographer; IIT Institute of Design President says, “I have one of Art Shay’s pictures over my desk. It reminds me every morning of my Chicago roots. Arts photos, like me, have the Chicago accent, which may be to say he’s telling you the truth. I think it takes a realist to see the humor in things. I know it takes a realist to see the depths of tragedy. Shay’s work is so real it feels like a Madison Street guy tapping me on the forearm,” says David Mamet.
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