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David Yarrow
After Man

2020

About the Item

Amboseli, Kenya 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: Standard: 48 x 70 inches Large: 67 x 101 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is now an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "Much of my work in America has been played out on the canvas offered by ghost towns or communities that have been largely abandoned. I have long felt some sort of visceral pull toward this kind of narrative - it speaks to the fragility of mankind and the constancy of evolution. In 2020, these thoughts are central to us all. In Amboseli, Kenya, a large tourist accommodation complex closed due to financial issues many years back. As is common here, it was never demolished and simply fenced off and left to ruin. There was no access for man nor animal and we used to just drive past and look at what we could see of the decaying village. But recently the weather and Covid 19 have taken hold and the deterioration appears to have markedly accelerated. Most significantly, the fencing has fallen apart and animals have taken over the facility. Buffalos are inside bedrooms and zebra graze on the football pitch. I immediately saw a huge opportunity to make a picture, but for the ultimate visual disconnect, we needed to wait for an elephant family to pass through main street. For three days, nothing and then at 7.30am one bright morning, with Kilimanjaro towering above the ruins, it happened. I could barely contain my excitement at the narrative that was being created. The end result is an authentic and symbolic image. The lead female cuts a powerful and dominant figure. I wonder whether this scene portends to what one day may come to pass. Elephants would consider that to be the ultimate justice." -David Yarrow
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