Keith Carter b.1948Vermeer's Dream2004
2004
About the Item
- Creator:Keith Carter b.1948 (1948, American)
- Creation Year:2004
- Dimensions:Height: 15 in (38.1 cm)Width: 15 in (38.1 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Dallas, TX
- Reference Number:1stDibs: G140214215367
Keith Carter b.1948
In Keith Carter's work, there is always more than meets the eye. The contemporary American photographer's pictures have a Surrealist quality, and Carter has a way of transforming the ordinary into the otherworldly. He strives to bring out the significance of the moment with black and white, figurative and abstract photography that has a deep sense of time and place.
Carter was born in Madison, Wisconsin, in 1948. He grew up in Beaumont, Texas, where he also studied business management at Lamar University, graduating in 1970. After finding himself drawn to taking pictures, Carter started working as a commercial photographer.
Photography proved a successful and fruitful calling, and Carter earned recognition for his work over the years. In 1997, his photography was nationally televised on CBS Sunday Morning. Celebrities also started collecting Carter's photographs, including Julia Roberts, Steven Spielberg, Diane Keaton, Elton John, Vanessa Redgrave and Barack Obama.
Carter was awarded the Texas Medal of Arts in 2009. Unfortunately, that same year, he was diagnosed with melanoma in his left eye, leaving him with limited vision. His photographic work helped him get through the experience: he even decided to make photographs focused on sight itself. Carter began experimenting with materials like silver gelatin and archival pigment to mimic the cloudiness of his vision.
Carter is represented by PDNB Gallery in Dallas, Texas, as well as by other galleries across the United States. In speaking to Introspective, the owners of PDNB Gallery describe Carter as a "Texas legend" and explain that they were following his work before they even opened their gallery. Their first 1997 show with the artist was described as a "blockbuster."
Carter's work is held in the collections at the Art Institute of Chicago, the San Francisco Museum of Modern Art, the Smithsonian American Art Museum and many more prestigious institutions. He holds the Endowed Walles Chair of Art at Lamar University and continues to exhibit and hold workshops across the United States.
On 1stDibs, find a collection of original Keith Carter photography.
- ShippingRetrieving quote...Ships From: Dallas, TX
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- Untitled (Nude)By Rene PeñaLocated in Dallas, TXSighed and titled in pencil on print verso.Category
1990s Contemporary Nude Photography
MaterialsSilver Gelatin
- Ka. Te. Mi., Slatina, C2By Vojtech SlámaLocated in Dallas, TXEdition of 35 Signed, titled, dated and numbered by Vojtech V. SlámaCategory
21st Century and Contemporary Contemporary Black and White Photography
MaterialsSilver Gelatin
- White Triangles, Houston by George Krause, 1988, Gelatin Silver PrintBy George KrauseLocated in Dallas, TXWhite Triangles, Houston by George Krause features a nude woman, reclining on a patterned couch. She leans her head back and holds her white bra in her hand, which is draped over the...Category
1980s Contemporary Nude Photography
MaterialsSilver Gelatin
- White Triangles, HoustonBy George KrauseLocated in Dallas, TXOpen edition Signed and dated in pencil on print margin by George Krause Gelatin silver print, 14 1/2 x 19 in. Printed 1997 George Krause is an American photographer, born in Philad...Category
1980s Contemporary Nude Photography
MaterialsSilver Gelatin
- DesnudoBy Carlos JuradoLocated in Dallas, TXSigned, titled, and dated.Category
1970s Post-Modern Black and White Photography
MaterialsSilver Gelatin
- Statue of Liberty MooningBy Alfred Gescheidt, 1926-2012Located in Dallas, TXSigned and dated.Category
20th Century Surrealist Black and White Photography
MaterialsSilver Gelatin
- Kate #9, Vintage Black and White Photograph of Erotic NudeBy Leonard FreedLocated in New york, NYKate #9, 2002 by Leonard Freed is an 8” x 10” signed black and white photograph, stamped "vintage" by the Freed estate on verso (back of photo). Model, photographer, and yogini Kate ...Category
Early 2000s Contemporary Nude Photography
MaterialsSilver Gelatin, Photographic Film, Photographic Paper
- Kate Moss, Frontal Nude II – Albert Watson, Nude, Kate Moss, B/W, Art, ModelBy Albert WatsonLocated in Zurich, CHAlbert WATSON (*1942, Scotland) Kate Moss, Frontal Nude 2, 1993 Special Gelatin Silver Print Sheet 61 x 51 cm (24 x 20 1/8 in.) Edition of 10 plus 2 AP's; Ed. no. 10/10 – from sold o...Category
1990s Contemporary Nude Photography
MaterialsSilver Gelatin
- Not titled yet, from the series 'A Gaze of One's Own‘ – Brigitte LustenbergerBy Brigitte LustenbergerLocated in Zurich, CHBrigitte LUSTENBERGER (*1969, Switzerland) Not titled yet, from the series 'A Gaze of One's Own‘, 2021 Silver gelatin print on Baryta paper Sheet 70 x 70 cm (27 1/2 x 27 1/2 in.) Edition of 5, plus 2 AP; Edn. no. 1/5 print only Born in Zurich, Switzerland, Brigitte studied at Zurich University and received her MA in Social and Photo History in 1996. In the following years she established herself as an fine art photographer. She moved to New York and received her MFA in Fine Art Photography and Related Media at Parsons The New School of Design in 2007. The main issues in her works lie in her interest in the study of the gaze, the interplay between absence and presence in a photographic image, and the fact that the reading of a photograph is most often triggered by a collective memory. She explores the media itself and its close connection to themes like decay, memory, death and transitoriness. Brigitte Lustenberger has shown nationally and internationally in both solo and group shows. She had Solo Shows at the Museée de l’Elysée in Lausanne/Switzerland, at Walter Keller’s Scalo Gallery in Zurich and New York, at Le Maillon...Category
2010s Contemporary Black and White Photography
MaterialsSilver Gelatin
- Le Jardin D Haggadah – Marianne Maric, Body, Woman, Nude, Sculpture, FlowerLocated in Zurich, CHMarianne Marić Le Jardin D Haggadah, 2012 Silver gelatin print 80 x 120 cm (31 1/2 x 47 1/4 in.) Edition of 5, plus 2 AP; Ed. no. 2/5 Print only Marianne Marić looks at the body as...Category
2010s Contemporary Nude Photography
MaterialsSilver Gelatin
- Waiting, Silver Gelatin Black and White Nude Photography 20" x 24"By Savannah SpiritLocated in Los Angeles, CASavannah Spirit Waiting Silver gelatin on Ilford multigrade paper, signed, edition of 5 Scroll for more on the artist and this series and an excerpt from the recent monograph, The A...Category
2010s Contemporary Nude Photography
MaterialsBlack and White, Silver Gelatin
- Never Let the Same Snake Bite You Twice, Silver Gelatin Black and White NudeBy Savannah SpiritLocated in Los Angeles, CASavannah Spirit Never Let the Same Snake Bite You Twice Silver gelatin on Ilford multigrade paper, signed, edition of 5 Scroll for more on the artist and this series and an excerpt from the recent monograph, The Archive #6: Savannah Spirit, published by Quiet Lunch: "When I first saw Savannah Spirit’s early nudes, I felt immediately struck by their power and awareness. Of course, they were traditionally beautiful, with classical lighting and shadows from Venetian blinds. Some of them were sexy, in the way bodies are sexy. But they weren’t sexualized. Looking at them, I felt powerful. I felt good. They depicted the body of an adult woman viewing herself with love. I’ve been devoted to them ever since. To me, these portraits invoke the power of a landscape. The way the light rolls over the body evokes the body’s connection with the earth, with sunrise and its long deep shadows. The patterns of darkness can break the figure into geometry, creating a distance between the viewer and the image, as in End of An Era and Staying Abreast. Yet others, like Resist and Be The Woman You Needed When You Were Younger, create direct address, and sometimes empathy. Sometimes, the viewer takes the vantage point of the artist, and the piece becomes a further study in introspection. The titles, like The Bottom Line and Read Between the Lines, often invoke idioms, figures of speech, or stereotypes that themselves point back to the culture that produced them. As conceptual components, they are both playful and political, which, when juxtaposed against image to elicit a mood or reaction. For me, it’s different every time. I am often pricked to discover how the vernacular of Hollywood capitalism, juxtaposed to a powerful, nude self-portrait of a woman, almost always feels a bit surprising–as if I wasn’t expecting her to be there. Recent works, like Network, use both shadow and mirror to create a doubled image, the artist and her reflection, further suggesting the sense of a dialogue with the self. The two bodies are not a mirror image, though seen in a mirror: a conversation between two sides of oneself, rather than a literal twinning. Over the past decade, as this series took on greater and deeper life, Savannah and I have had countless wonderful discussions about women, bodies and art. As a former artist’s model, early in her career, she participated in the form of power that was available to her: that of the quieted muse. She knew she was being objectified, she recalls, but at least she was included in the club. I instantly recognized that message. She was still creating her own work, though, and one day, she realized she’d had enough of seeing herself through someone else’s lens. She turned the camera on herself, and began to take a very different kind of picture. During the pandemic, the feeling of being alone with oneself can sometimes feel overwhelming. These recent pieces reflect that agitation of the dialogue alone, the being with oneself, seeking connection..." - Katie Peyton Hofstadter Classic black and white silver gelatin print, signed by the artist Savannah Spirit. This is a self portrait of the artist. Categorize between self-portrait, contemporary feminism, take back control, I am my own muse, my body my choice...Category
2010s Contemporary Nude Photography
MaterialsSilver Gelatin, Black and White
Recently Viewed
View AllRead More
Photographer to Know: Harold Edgerton
Edgerton captured motion like no other, yet he considered himself a scientist — not an artist.
These 9 Galleries Have Helped Turn the Lone Star State into a Thriving Art Hub
The Texas art scene is booming, thanks to trailblazing gallerists and their savvy collectors.