Items Similar to Corner No. 03 at the Guggenheim Museum
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Kenji AokiCorner No. 03 at the Guggenheim Museum2018
2018
About the Item
Corner 2018
No.1, No.2, No.3
The origin of “space”
20 x 30 inches
Platinum print
Signed and numbered edition of 5
In our daily space recognition, information composed of multiple elements such as direction, distance, shape and size is perceived as space. The minimum element to visually perceive space is dots and lines. Mathematical “points and lines” are also the starting point of science, and are conceptual in common with the number 0 and do not exist as substances. This is because, even if it looks like a dots or a line, it looks like a “point” becomes a circle and a line becomes a surface.
On the other hand, our naked eyes can “find” dots and lines from anywhere in our daily lives, which appear at the intersection of two surfaces.This work is a landscape that gives perspective to the “corners” that are familiar to you but are not appreciated.
For me, “dots and lines” are the origin of space and the starting point of beauty.
Taken with a 35mm digital camera inside the Guggenheim Museum in New York. The resolution of the photography was technically broken down, and the particles which appeared were printed by using the chemical elements platinum and palladium using platinum printing*
*Platinum Printing
A photo printing technique using the precious metals platinum and palladium which was invented in the late 19th century.
Kenji Aoki’s creative endeavor started from studying drawings with his uncle, craft designer Mosuke Yoshitake, later enrolling at Kuwasawa Design School and learning the Bauhaus design philosophy, The Non-Objective World conceived by Kazimir Malevich. Driven by the concept of “Zero,” art such as Zen and spiritual philosophy in the Orient called “no object,” Kenji began to seek “non-object” from tangible things through photography. Since 1991, Kenji has been active as a still-life photographer, and his delicate and robust style with a unique color sense and minimalism was highly regarded in the industry. In 2008, Kenji started working with NY based photographer agent, Michel Ash and moved to New York in 2010. Since then, he has photographed for renowned publications such as The New York Times Magazine and TIME. and awarded The New York Times Magazine Photographs (edited by Kathy Ryan) and American Photography.
- Creator:Kenji Aoki (Japanese)
- Creation Year:2018
- Dimensions:Height: 20 in (50.8 cm)Width: 30 in (76.2 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU3267914542
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1996
1stDibs seller since 2013
655 sales on 1stDibs
Typical response time: 4 hours
- ShippingRetrieving quote...Ships From: New York, NY
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Corner No. 01 at the Guggenheim MuseumBy Kenji AokiLocated in New York, NYCorner 2018 No.1, No.2, No.3 The origin of “space” 20 x 30 inches Platinum print Signed and numbered edition of 5 In our daily space recognition, information composed of multiple elements such as direction, distance, shape and size is perceived as space. The minimum element to visually perceive space is dots and lines. Mathematical “points and lines” are also the starting point of science, and are conceptual in common with the number 0 and do not exist as substances. This is because, even if it looks like a dots or a line, it looks like a “point” becomes a circle and a line becomes a surface. On the other hand, our naked eyes can “find” dots and lines from anywhere in our daily lives, which appear at the intersection of two surfaces.This work is a landscape that gives perspective to the “corners” that are familiar to you but are not appreciated. For me, “dots and lines” are the origin of space and the starting point of beauty. Taken with a 35mm digital camera inside the Guggenheim Museum in New York. The resolution of the photography was technically broken down, and the particles which appeared were printed by using the chemical elements platinum and palladium using...Category
2010s Abstract Black and White Photography
MaterialsPlatinum
- Corner No. 02 at the Guggenheim MuseumBy Kenji AokiLocated in New York, NYCorner 2018 No.1, No.2, No.3 The origin of “space” 20 x 30 inches Platinum print Signed and numbered edition of 5 In our daily space recognition, information composed of multiple elements such as direction, distance, shape and size is perceived as space. The minimum element to visually perceive space is dots and lines. Mathematical “points and lines” are also the starting point of science, and are conceptual in common with the number 0 and do not exist as substances. This is because, even if it looks like a dots or a line, it looks like a “point” becomes a circle and a line becomes a surface. On the other hand, our naked eyes can “find” dots and lines from anywhere in our daily lives, which appear at the intersection of two surfaces.This work is a landscape that gives perspective to the “corners” that are familiar to you but are not appreciated. For me, “dots and lines” are the origin of space and the starting point of beauty. Taken with a 35mm digital camera inside the Guggenheim Museum in New York. The resolution of the photography was technically broken down, and the particles which appeared were printed by using the chemical elements platinum and palladium using...Category
2010s Abstract Black and White Photography
MaterialsPlatinum
- cave, people, bear face, drawing, brain or homo sapiens saying hiBy Sofia BorgesLocated in New York, NYSofia Borges cave, people, bear face, drawing, brain or homo sapiens saying hi, 2014 Pigment print on cotton paper mounted on Sintra Edition 1 of 5 + 1 AP Size 1: 47 ¼ x 70 ¾ inches (120 x 179.7 cm) Size 2: 150 x 225 cm Edition of 3 + 1 AP Sofia Borges makes haunting, large-format photographs of archival objects and illustrations such as museum dioramas, taxidermy animals, Cold War-era ephemera, and archaic medical drawings...Category
2010s Contemporary Black and White Photography
MaterialsArchival Pigment
- Carbon Cycle Model (Pulse)By Christina McPheeLocated in New York, NYCarbon Cycle Model (Pulse), 2009 chromogenic light jet print , aluminum back mount, acrylic face mount 48.5 x 48.5 inches / 1232 x 1232 mm edition of 3 plus AP available: print 3...Category
21st Century and Contemporary Abstract Abstract Photography
MaterialsC Print
- Synesthesia - FA-639HZ #1By Ashley G. GarnerLocated in New York, NYFA-639HZ #1, 2017 Archival pigment print on Aluminum 16 x 24 inches Edition of 5 The synesthesia phenomenon is traditionally said to be the confusion of senses; like hearing color o...Category
2010s Contemporary Abstract Photography
MaterialsArchival Pigment
- Synesthesia - FA-639HZ #2By Ashley G. GarnerLocated in New York, NYSynesthesia - FA-639HZ #2 Archival pigment print on Aluminum 16 x 24 inches Edition of 5 The synesthesia phenomenon is traditionally said to be the confusion of senses; like hearing...Category
2010s Contemporary Abstract Photography
MaterialsArchival Pigment
You May Also Like
- Inner Reef - Sand and Water Abstraction AustraliaLocated in Carmel, CAHand Printed Platinum Photograph Australian Artist Beautiful Blacks and Creamy WhitesCategory
2010s Black and White Photography
MaterialsPlatinum
- Magnetic radiation 99 (Medium)By Seb JaniakLocated in London, GBChromogenic print. Edition 1/5. In his Magnetic Radiation series, Janiak reveals the hidden world of magnetism by photographing ferrofluids. A ferrofluid is a liquid substance magne...Category
2010s Abstract Abstract Photography
MaterialsC Print
- Gravity - Liquid 04 (Abstract Photography)By Seb JaniakLocated in London, GBGravity - Liquid 04 (Abstract Photography) Chromogenic print. Edition 1/5. In his Gravity, Liquid series, Janiak creates visual representations of the idea that form cannot exist w...Category
2010s Abstract Abstract Photography
MaterialsC Print
- Magnetic radiation 99 (Large)By Seb JaniakLocated in London, GBChromogenic print. Edition 1/5. In his Magnetic Radiation series, Janiak reveals the hidden world of magnetism by photographing ferrofluids. A ferrofluid is a liquid substance magne...Category
2010s Abstract Abstract Photography
MaterialsC Print
- Gravity - Liquid 05 (Abstract Photography)By Seb JaniakLocated in London, GBGravity - Liquid 05 (Abstract Photography) Chromogenic print. Edition 1/5. In his Gravity Liquid series, Janiak creates visual representations of the idea that form cannot exist wi...Category
2010s Abstract Abstract Photography
MaterialsC Print
- Magnetic radiation 14 (Medium)By Seb JaniakLocated in London, GBChromogenic print. Edition 1/5 In his Magnetic Radiation series, Janiak reveals the hidden world of magnetism by photographing ferrofluids. A ferrofluid is a liquid substance magnet...Category
2010s Abstract Abstract Photography
MaterialsC Print