Sheila Metzner

Silver Tulip

2002

Signed by the photographer on the verso

20x30 inches / 51x76 cm Edition of 9 + 2 Artist’s Proofs 30x40 inches / 76x102 cm Edition of 9 + 2 Artist’s Proofs 48x60 inches / 122x151 cm Edition of 7 + 2 Artist’s Proofs...

Signed by the photographer.

This photograph is signed by the photographer and is printed using the Fresson printing process. Size varies.

This photograph is signed by the photographer and is printed using the Fresson printing process. Size varies.

This photograph is signed by the photographer and is printed using the Fresson printing process. Size varies.

Gelatin silver print (Edition of 50) Signed, titled, dated, and numbered in pencil, verso This artwork is offered by ClampArt, located in New York City.

Adolph Studly, Swiss born American photographer. His work is kept in the Photographic Archive at The Museum of Modern Art Archives, New York. He was known for his gallery photographs of works by artists represented primarily by the Buchholz gallery, Curt Valentin, and Stephen Radich Galleries. Artists whose work he shot include Max Beckmann, Francis Bacon, Chaim Soutine, Allan Kaprow, Clyfford Still, Georges Braque, Paul Klee, Henri Matisse, Picasso, Auguste Rodin, Georges Rouault. He worked with Louis H. Dreyer, the pre-eminent architecture photographer in New York City. Chaim Jacob Lipchitz, 1891-1973, was born in Lithuania and came of age in Paris during the early 20th century, where he was active in the avante-garde community of Pablo Picasso, Amedeo Modigliani, Diego Rivera, Chaim Soutine, and Juan Gris. Art historian H. H. Arnason, who ranked Lipchitz with Picasso and Marc Chagall, wrote, "Lipchitz, as a pure sculptor, is ...unquestionably one of the greatest sculptors of this century." The architect Philip Johnson asked Lipchitz to make a wall sculpture to be placed on the brick chimney over a fireplace of a guest house owned by Mrs. John D. Rockefeller III on West 53rd Street in New York. Lipchitz decided to develop the piece from his Pegasus designs and call it Birth of the Muses in honor of the Rockefellers' interest in the arts. In 1950 he completed the work as a bronze relief five feet high. It was installed as planned and later was acquired by Lincoln Center. He participated in the Flight portfolio...

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