BATIK

Fun Loving Criminals III - Signed Limited Edition

2022

"Agneta II" Signed Limited Edition by Blank Barbie pop artwork of the iconic Agneta Fältskog of Swedish music super band ABBA. Japan 1978 Archival pigment print signed & number...

"Agneta I" Signed Limited Edition By Blank Barbie pop artwork of the iconic Agneta Fältskog of Swedish music super band ABBA. Japan 1978 Archival pigment print signed & number...

Just Looking II by B A T I K signed limited edition POP ART print Paper Size Oversize 20 x 24" inches / 51 x 61 cm Signed & numbered by artist on front Archival Pigment print Limited to 25 only this size Pop Art featuring Audrey Hepburn in Breakfast At Tiffany's looking at tv monitors...

Atomic Yellow - Oversize Signed limited edition - Pop Art - Brigitte Bardot by the London based contemporary pop art image creator and artist, BATIK. Me...

Lavender Marilyn Oversize Signed limited edition - Pop Art - Marilyn Monroe by the London based contemporary pop art image creator and artist, BATIK. Measures approximately 30 x ...

Gold Marilyn Oversize Signed limited edition - Pop Art - Marilyn Monroe by the London based contemporary pop art image creator and artist, BATIK. Measures approximately 40 x 30" ...

Apres Ski Time 1951 Skiers on the terrace of a resaurant, Skihous Schwendi in Klosters, Switzerland, 1951. by Toni Frissell 40 x 40" inches / 101 x 101 cm paper size Archival pigm...

"An image taken in Pushkar during what was to be a memorable trip and the last link with normality before the pandemic took hold. We travelled around India, the days becoming more and more precious as we got the sense of Covid's restrictive net closing in around the world. The image was finished some months later, while fully in the grasp of a second lockdown. The addition of gold leaf symbolised for me a sense of hope and the spiritual energy with which I will always associate India, and especially Pushkar." - Valda Bailey...

UNTITLED #2, 2021 Archival Pigment Print, Framed; white frame with antireflective art glass 30 x 46 cm Edition of 10 + 2 AP Other dimensions from a smaller editions also available Series: Tree Huggers from the Future Signed on verso About: "On a recent walk in my favourite area of woodland I came across a group of time travelling eco tourists, appearing one by one from a brilliantly bright space suspended over a small pond. They had come back to our time to study trees and invited me to document their research. Apparently they knew I would say yes. Twice now our trips have coincided, almost as if they knew where and when I would be going on holiday, and I must admit, I hope our paths cross again, as I find them strangely photogenic." - George McLeod...

This archival illustrative photography pigment print on cotton rag by Andrew Pinkham measures 20in x 16in and is signed and numbered. This piece is part of a small edition of 10. "...

This archival illustrative photography pigment print on cotton rag by Andrew Pinkham measures 20in x 16in and is signed and numbered. This piece is part of a small edition of 10. ...

Katie Eleanor, ‘Your Hand, Your Tongue’, 2017 Hand-coloured portrait of a regal monarch, immobilised in marble, her reigning celebrated the blooms she becomes entwined in. The characterisation is inspired by visual depictions of Lady Macbeth, in particular, John Singer Sargent’s 1889 portrait of actress Ellen Terry. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Your Hand, Your Tongue’, 2017 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...