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Massimo ListriMassimo Listri 'Chiesa del Purgatorio, Matera'2018
2018
About the Item
Chiesa del Purgatorio, Matera
2018
C print
39.5 x 47.5 inches - edition of 5
47.5 x 59 inches - edition of 5
71 x 88.5 inches - edition of 5
Massimo Listri is a Florence-based photographer whose work often presents interiors of great architectural and cultural importance, some open to the public, others not easily accessible. Listri has been described as an extraordinary 'sceneographer', a term more commonly associated with movies and theater. He has photographed ancient castles, villas and palaces, as well as hidden gardens, libraries, convents, monasteries, and universities.
"What makes his work unique is how he has made interiors look so absolutely vivid, as if they had a secret life of their own that only he knows how to portray. Listri has the extraordinary ability to capture all the small details that make the difference and reveal all the stories that remain hidden behind the surface. Listri's photos transmit an almost deafening silence, as if time had stopped and humans had suddenly disappeared and the only thing reminiscent of them are the interiors they've left behind, the remains of their lives and their passions, their art and their culture." Apostolos Mitsios
- Creator:Massimo Listri (1954, Italian)
- Creation Year:2018
- Dimensions:Height: 47.25 in (120 cm)Width: 59.06 in (150 cm)
- More Editions & Sizes:100 x 120 cmPrice: $12,500120 x 150 cmPrice: $14,500180 x 225 cmPrice: $25,000
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:New York, NY
- Reference Number:
Massimo Listri
Massimo Listri travels his native Italy and the world with his camera, photographing grand interior spaces both iconic and unexpected.
Listri's landscape photography and large-scale color prints invite viewers into the settings he frames; these include ancient castles, villas, palaces, gardens, libraries, convents, monasteries, and universities. He has taken viewers into the ornate hallways of Versailles, as well as the treasure-laden galleries of the Vatican museums. From Brazil, Listri brought back images taken at art museums, a cathedral, and a theater designed by Oscar Niemeyer, among many other architecturally iconic sites.
Though Listri focuses on the grand, he has also homed in on details in an expressive series of closely framed photographs of sculpted faces. Captured frontally or in profile, these carved faces range from grotesque to idealized and serve to celebrate the power of the artist’s hand.
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