Massimo Listri

Palazzo di Ostankino, Mosca

2015

Palazzo Martelli 2009 Chromogenic print Edition of 5 Signed, dated, and numbered on verso label Mounted on aluminum Framing options available 39.5 x 47.5 inches edition of 5 4...

Reggia di Portici, III Napoli, 2013 Chromogenic print Edition of 5 Signed, dated, and numbered on verso label Mounted on aluminum, framed 39.5 x 47.5 inches edition of 5 47.5 x...

Castello di Rivoli 2007 Chromogenic print 180 x 225 cm Edition of 5 Italian, b. 1954, Florence, Italy, based in Florence, Italy Massimo Listri travels his native Italy and the worl...

Reggia di Portici II, Naples, Italy 2013 Chromogenic print 180 x 225 cm Edition of 5 Italian, b. 1954, Florence, Italy, based in Florence, Italy Massimo Listri travels his native I...

Palazzo di Ostankino, Mosca, 2015 Chromogenic print Edition of 5 Signed, dated, and numbered on verso label Mounted on aluminum framing options available 39.5 x 47.5 inches edit...

Manicomio, Montelupo, Fiorentino, 2019 C print 100 x 120 cm, edition of 5 120 x 150 cm, edition of 5 180 x 225 cm, edition of 5 The photographer is based in Florence, and is fascina...

Series: FEMME FATALE All available sizes & editions for each size of this photograph: 40" X 26.6"- Edition of 10 60" X 40"- Edition of 7 60" X 40" - Edition of 3; Lightbox In a uniq...

"XIX 330 v- Buddhist Monks - Ganden Monastery - Tibet, 2011 The approximate 5.5 million Tibetans are an ethnic group with specific traditions. Archaeological and geological discover...

Officer's Wives Club (29 Palms, CA), diptych - 1999 Edition of 23/25, 40x40cm each, installed 40x87cm, including gap. 2 Analog C-Prints, hand-printed by the artist, based on the 2 Polaroids. Signed on back with Certificate. Artist inventory number: 316. Mounted on Aluminum with matte UV-Protection. 29 PALMS, CA is a film / art piece that explores and chronicles the dreams and fantasies of a group of individuals who live in a trailer community in the Californian desert. The world depicted in the film is inspired by the photographs of German artist Stefanie Schneider in that it combines the notions of reality and fantasy and explores the resonance of both within a desert landscape and a transient culture. The characters portrayed in the film, (an actress, a singer, a DJ, a motel owner and his wife, a US army soldier, a mystic, a princess, a recluse, a movie ticket seller, two hitchhikers, a doctor, and so on), are to be played by both actors and non-actors. The story is constructed through the interpretation of real-life communications (i.e. phone calls, emails, conversations) that have taken place as the individuals depicted in the story try to make sense of events that have occurred in real life. In this sense, the story is, in part, a biography and social commentary, and the characters are the exaggerated alter egos of the individuals who play them. The structure of the plot is fairly simple. An actress working as a telemarketer is inspired by a singer who is new to town and is featured on the local radio station. The radio station runs a program for lonely hearts and a charismatic DJ uses the show to reveal the hopes and dreams of the town's “hottest women”. One night a panicked German female caller captivates the community with a painful story about a sexy “Smoke Jumper” (a mysterious and super real alpha male). Everybody in town is listening to the program and nobody is quite sure what to say. Life in general continues and we witness and explore the various interactions. The actress meets the singer and they become famous. The US Army soldier dies on his way to battle. The foreign princess discovers that the jewels she has come to sell are fake. The motel owner‘s wife has an affair with the pool boys and so on. All the while the community is united by their loyalty to the “Lonely Hearts” radio show and through the disturbing revelations of the German woman...

Buried (Stranger than Paradise) - 1999 Edition of 10, 58x56cm, Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist inventory N...

Car Wash (Stranger than Paradise) - 1999 64.6x59.5cm including the white 'Polaroid' frame. Edition 2/10. Analog C-Print, hand-printed by the artist, mounted on Aluminum with mat...

Memories of Green II, triptych - 2003 Edition 2/5, each 58x56cm, installed with gaps 58x178cm, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a...