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Steve McCurryBlue Mosque, Mazar e Sharif by Steve McCurry, 1992, Digital C-Print1992
1992
About the Item
Blue Mosque, Mazar e Sharif by Steve McCurry depicts a couple seated on the ground, feeding a flock of white doves. More birds swoop down from the sky, intrigued by the hand out of food. A highly decorative blue titled mosque is visible in the background, through the blurred wings of the incoming birds.
This photograph is a digital C-Print printed on FujiFlex Crystal Archive Supergloss Paper, available in an edition of 60. It is signed on print verso by Steve McCurry, and inscribed with image, serial and edition number.
A signed certificate of authenticity is included.
This photograph is available in multiple sizes.
Note: Extended time frame may be necessary for shipping.
Steve McCurry has been one of the most iconic voices in contemporary photography for more than forty years, with twenty books, and numerous exhibitions around the world.
Born in Philadelphia, Pennsylvania, McCurry studied film and fine art photography at the Pennsylvania State University. After several years of freelance work, McCurry made the first of what would become many trips to India. Traveling with little more than a bag of clothes and another of film, he made his way across the subcontinent, exploring the country with his camera.
It was after several months of travel, he met a group of refugees from Afghanistan, who smuggled him across the border into their country, just as the Russian Invasion was unfolding. Emerging after weeks embedded with the Mujahideen, McCurry brought the world the first images of the conflict in Afghanistan.
Since then, McCurry has gone on to create stunning images. His work spans conflicts, vanishing cultures, ancient traditions and contemporary culture alike - yet always retains the human element.
McCurry has been recognized with some of the most prestigious awards in the industry, including the Robert Capa Gold Medal. The Minister of French Culture has also appointed McCurry a Knight of the Order of Arts and Letters and most recently, the Royal Photographic Society in London awarded McCurry the Centenary Medal for Lifetime Achievement.
McCurry has published books including The Imperial Way (1985), Monsoon (1988), Portraits (1999), South Southeast (2000), Sanctuary (2002), The Path to Buddha: A Tibetan Pilgrimage (2003), Steve McCurry (2005), Looking East (2006), In the Shadow of Mountains (2007), The Unguarded Moment, (2009), The Iconic Photographs (2011), Untold: The Stories Behind the Photographs (2013), From These Hands: A Journey Along the Coffee Trail (2015), India (2015), and On Reading (2016), Afghanistan (2017), A Life in Pictures (2018), Animals (2019), In Search of Elsewhere (2020), and Stories & Dreams: Portraits of Childhood (2021).
- Creator:Steve McCurry (1950, American)
- Creation Year:1992
- Dimensions:Height: 20 in (50.8 cm)Width: 24 in (60.96 cm)Depth: 0.01 in (0.26 mm)
- More Editions & Sizes:30 x 40 in., Edition of 15Price: $13,00040 x 60 in., Edition of 10Price: $20,000
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Dallas, TX
- Reference Number:1stDibs: LU21514036752
Steve McCurry
Steve McCurry is an American photographer who gained international acclaim for his arresting portrait of a young refugee known simply as Afghan Girl.
Originally published on the cover of National Geographic in 1985, the photograph shows a young Pashtun orphan, later identified as Sharbat Gula, who was living in a refugee camp near Peshawar, Pakistan, during the Soviet Union’s occupation of Afghanistan. The image is emblematic of McCurry’s work, which has brought him to war zones across the globe. Rather than focusing on the violence of the battlefield, McCurry seeks to capture the human face of conflict, distilling what is universal and recognizable in each portrait.
McCurry was born in Philadelphia and attended Penn State University, graduating cum laude with a degree in theater arts in 1974. After several years working at a newspaper in King of Prussia, Pennsylvania, he left to work as a freelancer in India, where he honed his skill for capturing unguarded moments in daily life. Just prior to the Soviet invasion of Afghanistan, in 1979, he crossed the border from Pakistan into Afghan rebel–controlled territory, wearing native garb to disguise himself, with rolls of film sewn into his clothing. The photographs he took there were among the first in the world to document the conflict, and his work was awarded the Robert Capa Gold Medal for “photographic reporting from abroad.”
Over the course of his career, McCurry has documented daily life alongside conflicts in Cambodia, the Philippines, the former Yugoslavia, Beirut, Iraq, Afghanistan and Tibet. Though his photos depict serious and sometimes frightening situations, his ability to connect with subjects and capture something of their personalities allows his images to transcend the documentarian distance of wartime journalism. The results are real portraits that happen to be set in tough situations. Welder in a Ship Breaking Yard, Mumbai, India (1994), for instance, reveals only the subject’s eyes, but they’re so intently fixed on McCurry’s lens that they seem to express volumes. Monk Running on Wall (2004) shows a young monk defying gravity as he skitters along an exterior wall of the Shaolin Monastery in Henan, China, over the heads of his friends. Like a Baroque painting, McCurry’s picture captures a moment of dynamic action that reveals something instantly recognizable in a subject from another part of the world.
Find original Steve McCurry photography on 1stDibs.
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